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Jeffrey Zeldman Presents

Jeffrey Zeldman Presents - Remembrance of Websites Past - State of the Web Jeffrey Zeldman Presents - My Glamorous Life: A Good Lie - glamorous Jeffrey Zeldman Presents - AI, Disruption, and Standards - Standards Jeffrey Zeldman Presents - Tales o’ Tech: Suffering Fools - glamorous Jeffrey Zeldman Presents - Mix - glamorous Jeffrey Zeldman Presents - Her Glamorous Life - glamorous Jeffrey Zeldman Presents - The Most Important Industrial Designer of All Time - Design Jeffrey Zeldman Presents - Ebb, Meet Flow: Intrinsic Design in a Nutshell - State of the Web Jeffrey Zeldman Presents - For students who make websites - Education Jeffrey Zeldman Presents - A Permanent Home - Indieweb Jeffrey Zeldman Presents - You lost me at “infielder.” - writing Jeffrey Zeldman Presents - The name of this LP is “Side One.” - music Jeffrey Zeldman Presents - Stalin decided what was good science. Millions starved. - links Jeffrey Zeldman Presents - The Secret - business Jeffrey Zeldman Presents - Memories Can’t Wait—or, How I Learned to Keep Worrying About the Web - State of the Web Jeffrey Zeldman Presents - The End - glamorous Jeffrey Zeldman Presents - Underdubbed - glamorous Jeffrey Zeldman Presents - Remembrance of zeldman.coms past - Design Jeffrey Zeldman Presents - She’s the Boss. - glamorous Jeffrey Zeldman Presents - Required reading: “The Interracial Cuck Porn Theory of Everything” - Design Jeffrey Zeldman Presents - Lest we forget - war, peace, and justice Jeffrey Zeldman Presents - My UX Superpower: Nothing Works! - UX Jeffrey Zeldman Presents - Pete’s Presence - glamorous Jeffrey Zeldman Presents - The Courage to Stop - State of the Web Jeffrey Zeldman Presents - Jimmy Carter was right - Politics Jeffrey Zeldman Presents - Handwritten notes in the time of AI note takers - Working Jeffrey Zeldman Presents - Dine ’n em-dash - writing Jeffrey Zeldman Presents - RSS creator on Bluesky & AT Proto - Web Standards Jeffrey Zeldman Presents - Too Many Notes - Career Jeffrey Zeldman Presents - A die-cut above - Design
Jeffrey Zeldman Presents - The Human Story of the Open We...
https://www.facebook.com/jzeldman · 2026-07-02 · via Jeffrey Zeldman Presents

STOP ME if you’ve heard this one: The members of an extended family spend years curating a shared online photo album. Then the website they posted on vanishes, flushing their collective memories away forever.

Or this: A Queer kid growing up isolated in Nebraska discovers a welcoming community on MySpace; then, one day, MySpace is no more, obliterating that carefully built community—with no chance of recovery.

Or an author who’s spent years building a following on Twitter finds their posts there suddenly going unseen after a new owner with a radical political agenda biases the algorithm against their type of content (or even just against them personally, if that new owner is feeling particularly petty and peevish).

If you’ve used the internet for more than a few days, you’ve experienced losses like these, along with the frustration and disillusionment that come when our favorite digital walled gardens become more and more about extracting financial value from us while providing less and less actual value to us.

The new digital landowner class can also take away our favorite software, or change it in ways to which we never consented.

The answer to this destruction of our shared digital commons by a handful of billionaires is the same as it has always been: own your content on the open web (your domain on a server, like mine on this one), and replace proprietary software with open source alternatives.

That is the simple message of “Code for the People,” a short documentary film by Bao Nguyen, whose July 1, 2026 preview screening I was privileged to attend last night at the Crosby Street Hotel in SoHo, NYC. As the film’s mini-website explains:

We have traded a free internet for a collection of walled gardens. Today, a handful of digital landlords use algorithms to dictate our reality, while closed AI threatens to change the ways we connect. We are at a breaking point: we can either let gatekeepers continue to consolidate their power, or we can reclaim the open source spirit that built the web in the first place.

A terrific panel discussion (photo above) followed the film viewing and amplified its themes of digital self-determination in the age of AI and enshittification. Over and over, in different ways, a creatively diverse panel of experts asked us what future we want for the web, and invited us to help create that future.

(One of my favorite moments was when Anil Dash laughingly pointed out the irony of closed AI companies, who built their product by stealing the world’s IP without consent, threatening to sue any companies or people who try to reverse engineer their IP.)

“Code for the Future” will stream for free beginning on July 9, 2026.