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Adactio: Journal

What We Can Know by Ian McEwan Movie mashups Stalling installing Salter Cane this Saturday Mandolino Paddy On The Hardwood by Rus Bradburd When The Boys Came Out To Play by John Mackel Polytropus Chíne tréile An tuath ’s ceart Girls In Their Married Bliss by Edna O’Brien Radiant Star by Ann Leckie Image to text Medea by Rosie Hewlett Speak at UX London 2027 Gaeilge sa Ghréig The Vaster Wilds by Lauren Groff A week in Ireland Stories Of Ireland by Brian Friel Enhancing with CSS Grid Lanes Speaking in Dublin A tale of two browsers Sarah Canary by Karen Joy Fowler Amsterdamming 25 years of The Session Picture at an exhibition Gaeltacht cois Tamaise 2026 The closing talks at UX London 2026 Gideon The Ninth by Tamsyn Muir The schedule for UX London 2026
Brigid by Kim Curran
Jeremy Keith · 2026-05-21 · via Adactio: Journal

I enjoyed Kim Curran’s debut novel, The Morrigan, so when I saw a copy of her brand new book in the local library, I snapped it up.

Like The Morrigan, Brigid is modern retelling of Irish mythology, but in a very different time period. Whereas The Morrigan was set in a mythical time of the Fomorians and the Tuatha Dé Danann, Brigid is set in the relatively recent past of early Christian Ireland.

I was curious to see which Brigid this book would be about: the pagan goddess or the Christian saint?

Both, it turns out. The protagonist is the saint, but the narrator is the goddess. And they interact. It’s a clever framing device and for the most part, it works.

There are cameos a-plenty from the Christian pantheon like Patrick and Brendan the navigator but this is not the hagiography we learned in school. All the usual miracles are present and accounted for, but any supernatural powers aren’t ascribed to a Christian deity.

The world of Brigid isn’t so far removed from the world of The Morrigan after all.

Brigid isn’t a ground-breaking book, and it didn’t grab me as much as The Morrigan but it’s an enjoyable read nonetheless.

Buy this book