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Adactio: Journal

What We Can Know by Ian McEwan Movie mashups Stalling installing Salter Cane this Saturday Mandolino Paddy On The Hardwood by Rus Bradburd When The Boys Came Out To Play by John Mackel Polytropus Chíne tréile An tuath ’s ceart Girls In Their Married Bliss by Edna O’Brien Radiant Star by Ann Leckie Image to text Medea by Rosie Hewlett Speak at UX London 2027 Gaeilge sa Ghréig The Vaster Wilds by Lauren Groff A week in Ireland Stories Of Ireland by Brian Friel Enhancing with CSS Grid Lanes Speaking in Dublin A tale of two browsers Amsterdamming 25 years of The Session Picture at an exhibition Gaeltacht cois Tamaise 2026 Brigid by Kim Curran The closing talks at UX London 2026 Gideon The Ninth by Tamsyn Muir The schedule for UX London 2026
Sarah Canary by Karen Joy Fowler
Jeremy Keith · 2026-06-13 · via Adactio: Journal

Sarah Canary is an odd book, in the best possible way.

On the one hand, it’s a relatively straightforward narrative. An adventure story set in the Pacific northwest in the late 19th century. The viewpoint shifts from character to character, with one exception. The inscrutable title character is a living macguffin that everyone and everything else revolves around.

That all seems straightforward enough, but if you squint at the story just right maybe it’s a story from a very different genre altogether.

So you can enjoy it on both levels; a well-told series of historical adventures, and a clever subversion of genre expectations. Whichever way you take it, there’s a running thread throughout the book exploring racism, sexism, and colonialism.

Quite the debut novel!

Buy this book