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Unsung

The surprising richness of GarageBand – Unsung “The pipeline of future experts is thinning from both ends.” – Unsung “It took months to find appliances that didn’t need apps to function.” – Unsung Day for night – Unsung “But obviously, that’s just silly stuff.” – Unsung Within or without – Unsung A few interesting modern pixel fonts – Unsung Google Docs shortcut onboarding – Unsung “Why pay for an orchestra when your computer can do it all?” – Unsung Lisa’s copy (and cut, and paste) – Unsung “This is a common tell in web apps, and we did a lot of work to eliminate it.” – Unsung Chrome’s abnormal tab search – Unsung “Some say it sounds like an alto saxophone.” – Unsung Shallow breathing – Unsung “If you just ignore those pesky impossible details, the demo looks deceptively simple.” – Unsung “Accents are an opportunity, not a burden.” – Unsung Less doesn’t need more – Unsung “Easy to use,” the hard parts – Unsung “We accepted this gradual bloat, but that’s not progress.” – Unsung Safari and system design, pt. 1 – Unsung “193 hours of attempts (and practice)” – Unsung Not a radio pharma ad – Unsung “Cryptic mode was born from a hard constraint.” – Unsung Speaking of wiggling the mouse – Unsung “This is where your mouse becomes a cryptographic instrument.” – Unsung Mailbag: Photoshop’s focus post – Unsung Rug pulled – Unsung Save For Web claws – Unsung “Nothing short of a magic trick” – Unsung “They did the bare minimum and moved on.” – Unsung A preview of the future – Unsung Peaked in 2015 – Unsung “There seems to be a file that is just filled with undecipherable Morse.” – Unsung “This was a user-friendly computer.” – Unsung “Watchmaker’s delicate precision and ornate mechanical intent” – Unsung “Traditionally, fonts were just shapes.” – Unsung “Who thinks about a screwdriver?” – Unsung The land where time stood still – Unsung The vision of persistence – Unsung The 1990s called and they want their dialog box back – Unsung “Have you ever been annoyed by your Mac’s media keys?” – Unsung Early names – Unsung Mouse pointer as a mere mortal – Unsung “Examining the changelog in its entirety would be a massive task, given that it was now over 200,000 words long.” – Unsung CleanShot’s onboarding via settings – Unsung The tortoise and the hare live on – Unsung “The Helvetica of music notation” – Unsung About Unsung: Thanks for your feedback! – Unsung Book review: Shadow of the Colossus (Boss Fight Books) – Unsung UI art from 4096 – Unsung Tactical dark modes – Unsung What deserves a second chance – Unsung “The cheatsheet you won’t need.” – Unsung “That’s how floating point errors and triangle numbers solved a mystery.” – Unsung “Plain text has been around for decades and it’s here to stay.” – Unsung Abort, Retry, No, Thanks – Unsung “The deeper you look, the more it starts to feel like a platform.” – Unsung Out of touch – Unsung Recency bias (non-derogatory) – Unsung “You could key smash, and it would type out the thing.” – Unsung “The fancy software figures it out for you.” – Unsung Got your back, pt. 5 – Unsung If a feature falls in a forest – Unsung “The system is so twisted that even Apple itself begs for these reviews from its own apps.” – Unsung “It can be really disorienting to scroll around a fully monochrome hexdump.” – Unsung Raycast’s confetti cannon – Unsung The edge not taken – Unsung “Area connected to a given node in a multi-dimensional array with some matching attribute” – Unsung “Use links, don’t talk about them.” – Unsung Unsung @ 250: Please send me your feedback! – Unsung Unsung @ 250: Nine design details – Unsung Unsung @ 250: Goals and principles – Unsung “To build a thing that immediately feels like you’ve had it forever is very hard to do.” – Unsung “Should be no trouble at all for a driver to understand.” – Unsung Thoughtful file dropping in Wakamaifondue – Unsung “Rather than trying to fix this mistake, the developers leaned into it hard in the sequel.” – Unsung The beauty and the terror of oddly-specific commands – Unsung “We can have the best of all worlds.” – Unsung In search for a more precise cursor – Unsung “Deere charges six figures for a tractor. But the farmers were still the product.” – Unsung Is this the latest? – Unsung “So I wrote a script that takes monthly screenshots of Google and Apple Maps.” – Unsung Only time will tell – Unsung “Approximately 21 times the estimated age of the universe” – Unsung “We’re trying to copy this old machine, weirdness and all.” – Unsung “Software is a unique art because it is so reactive.” – Unsung Blink comparators in photo editing apps – Unsung “Prototyping turned into an excuse for not thinking” – Unsung “Every step they take, in every single direction, is right on top of a rake.” – Unsung “Subtle line between animations that help and animations that hurt” – Unsung Why do Macs ask you to press random keys when connecting a new keyboard? – Unsung “And if I were to end this story here, this would be a great story.” – Unsung “If you use your computer to do important work, you deserve fast software.” – Unsung “It moved too slowly to be an asteroid.” – Unsung Linear’s clever internal redesign UI – Unsung “I’m hoping that the listeners out there, when they hear it, they’ll feel seen.” – Unsung For your consideration: Tab to fix spelling – Unsung Anachronisms – Unsung Testing tip: Enable the zoom peek gesture – Unsung Book review: Maintenance: Of Everything (Part One) – Unsung
Photoshop’s challenges with focus, pt. 2 – Unsung
Marcin Wichary · 2026-04-30 · via Unsung

First of all, correction for part 1 – the “focus mode” wasn’t removed. It was renamed to “quiet mode” and relocated to a different part of the UI, and I failed to spot it there. It’s still slightly perplexing, shiftily capitalized, and I doubt fully effective, but the effort is there:

I also want to warn you there will be no more positive things I say in this post.

When Cabel Sasser posted this on Bluesky in February

…I experienced a little existential dread.

Now that I’ve experienced the dialog myself in Photoshop 2026, and a few other dialogs that have been upgraded toward what Adobe calls “modern user interface,” how did it fare?

These are 2025 windows and their 2026 equivalents:

On the surface, it feels like a lateral move. I do not personally find the new design language (Spectrum) attractive, or even particularly “modern.” The gestalt remains off and things are still generally misaligned – they’re just misaligned in net new ways.

But it was digging into the window below that showed all the problems in the still-wet foundations…

…and a lot of them have to do with focus.

1.
The first field is not focused, so you cannot start typing the number after opening this window. You need to immediately move your hand to the mouse.

2.
If you click on any field, the value is not pre-selected, so you cannot start typing a new number then.

A combination of both is rough in practice in repeated use, violating some of the basic things like this classic principle of interaction design:

Principle: Defaults within fields should be easy to “blow away”

When a user activates a field, the current entry should be auto-selected so that pressing Backspace/​Delete or starting to type will eliminate the current entry. Users can click within the field to deselect the whole, dropping the text pointer exactly where the user has clicked. The select-on-entry rule is generally followed today. (Sloppy coding, however, has resulted in the text cursor dropping at various unpredictable locations. )

3.
Clicking on parts of the input field doesn’t bring it into focus even though the hover state promises it. (Discrepancies between hover and focus handling are a horrible new thing I’m starting to see more in recent interfaces.)

4.
Simply backspacing through the field shows a crude error modal and – to add a second injury to the first injury – the dialog removes focus from the field!

5.
Tabbing now goes through “Pixels” menu on the way from Width to Height, making it harder to type width → press Tab → type height → press Enter, in a nice quick keyboard gesture.

I will recognize this is a tricky one, because it exposes a core tension with tabbing: some people use it for comprehensive keyboard access, but others want an accelerator “express train” with only relevant stops. However, macOS already has a “Keyboard navigation” setting for that – you can choose whether tabbing should go through all the controls, or only those you get to type in. Not only does Photoshop ignore that preference, but it’s inconsistent with itself – you can see that you cannot get to Anchor via tabbing anyway!

6.
Clicking on the “relative” checkbox or canvas extension color does not restore focus to last control like it used to.

7–∞.
There are tons of other transgressions. Some are downwind from focus; for example, undoing after moving a slider no longer works, because the ⌘Z keystroke is now swallowed by a UI element that doesn’t know what to do with it. Some are unrelated: Pull-downs are now of the slower kind, pressing ⌥P results in more blinking, and this tooltip below feels so cheap that I’m surprised it’s not a talking point of the current U.S. administration:

I am tired even just noticing all this. (What is that weird clump of pixels on the left of the bottom edge!? Did no one spot it before launch?)

So now what?

I generally avoid such harsh labels on this blog, but: this is awful work.

I’m angry. (Clearly.) We should all be angry in the face of stuff like this. This is how people get fed up with software – because it feels unstable and deteriorates on its own without needing to.

I know I brought up that an existing power user base can be a huge pain in the ass, and I am a decades-old Photoshop power user. But this is different than other examples where the product needs or at least wants to evolve past its core audience or toward a different market. For Photoshop here, nothing I see indicates any change in course or clientele – and yet all of these good moments in UI that used to help me out no longer exist.

Plus, all those transgressions are solved problems. Those issues are not buried in pages of heavily litigated patents, or in seven collective brains of world-class interface designers whose driveways are presently occupied by cash-filled trucks sent over by frontier companies. This isn’t some long lost art that requires archaeologists to decipher. This feels like carelessness and laziness in face of basic UI engineering; in a likely internally-motivated effort to refresh the interface, the team threw an entire nursery worth of babies with the bathwater.

It’s not just about disservice to craft. It’s not even about disrespect for change management, trivialization of institutional memory, and disinvestment in quality assurance. This isn’t only, in Tog’s words above, “sloppy coding.” This is also a failure of imagination. It’s not that hard to picture people spending 8+ hours a day going through these windows for years if not decades to come, and it’s not hard to add and multiply all of these microfrustrations into numbers that should make one pause. With these many paper cuts, you need to start thinking about establishing a blood bank. How can you expect people to use a professional tool effectively if you throw in so many roadblocks?

In an internally-motivated UI refresh like this, you not only need to meet users where they used to be, you also ideally have to give them more to cover for the pains of change. Sometimes that “more” is better storytelling – here, no one even tried to really sell me on the new interface – but ideally “more” means actual felt improvements. I’m not on the team, but it’s not that hard to imagine some of them:

  • Change those annoying modals that announce typing errors into something lighter and more modern, like attached tooltips.
  • Add more comprehensive equation support so e.g. I could type “660*2” like I can in increasingly more and more apps.
  • Announce the invisible shortcuts that already exist, or add a few ones.
  • Add a bit of memory/​stickiness to some options (like Use Legacy in the first window), so I don’t have to keep toggling them over and over again.

I started this post talking about a setting, and there is another setting in Photoshop, buried on the last page – you can turn off this “modern user interface” that feels so underbaked the moment you start actually using it. But is that a real solution to anything? Toggle it on and the existential dread comes back: Am I going to miss out on some good stuff? When is the hammer going to drop? It’s not a tax break, it’s only a tax extension.

Even this view above shows so little care, it would ordinarily deserve its own post.