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Unsung

The surprising richness of GarageBand – Unsung “It took months to find appliances that didn’t need apps to function.” – Unsung Day for night – Unsung “But obviously, that’s just silly stuff.” – Unsung Within or without – Unsung A few interesting modern pixel fonts – Unsung Google Docs shortcut onboarding – Unsung “Why pay for an orchestra when your computer can do it all?” – Unsung Lisa’s copy (and cut, and paste) – Unsung “This is a common tell in web apps, and we did a lot of work to eliminate it.” – Unsung Chrome’s abnormal tab search – Unsung “Some say it sounds like an alto saxophone.” – Unsung Shallow breathing – Unsung “If you just ignore those pesky impossible details, the demo looks deceptively simple.” – Unsung “Accents are an opportunity, not a burden.” – Unsung Less doesn’t need more – Unsung “Easy to use,” the hard parts – Unsung “We accepted this gradual bloat, but that’s not progress.” – Unsung Safari and system design, pt. 1 – Unsung “193 hours of attempts (and practice)” – Unsung Not a radio pharma ad – Unsung “Cryptic mode was born from a hard constraint.” – Unsung Speaking of wiggling the mouse – Unsung “This is where your mouse becomes a cryptographic instrument.” – Unsung Mailbag: Photoshop’s focus post – Unsung Rug pulled – Unsung Save For Web claws – Unsung “Nothing short of a magic trick” – Unsung “They did the bare minimum and moved on.” – Unsung A preview of the future – Unsung Peaked in 2015 – Unsung “There seems to be a file that is just filled with undecipherable Morse.” – Unsung “This was a user-friendly computer.” – Unsung “Watchmaker’s delicate precision and ornate mechanical intent” – Unsung “Traditionally, fonts were just shapes.” – Unsung “Who thinks about a screwdriver?” – Unsung The land where time stood still – Unsung The vision of persistence – Unsung The 1990s called and they want their dialog box back – Unsung “Have you ever been annoyed by your Mac’s media keys?” – Unsung Early names – Unsung Mouse pointer as a mere mortal – Unsung “Examining the changelog in its entirety would be a massive task, given that it was now over 200,000 words long.” – Unsung CleanShot’s onboarding via settings – Unsung The tortoise and the hare live on – Unsung “The Helvetica of music notation” – Unsung Photoshop’s challenges with focus, pt. 2 – Unsung About Unsung: Thanks for your feedback! – Unsung Book review: Shadow of the Colossus (Boss Fight Books) – Unsung UI art from 4096 – Unsung Tactical dark modes – Unsung What deserves a second chance – Unsung “The cheatsheet you won’t need.” – Unsung “That’s how floating point errors and triangle numbers solved a mystery.” – Unsung “Plain text has been around for decades and it’s here to stay.” – Unsung Abort, Retry, No, Thanks – Unsung “The deeper you look, the more it starts to feel like a platform.” – Unsung Out of touch – Unsung Recency bias (non-derogatory) – Unsung “You could key smash, and it would type out the thing.” – Unsung “The fancy software figures it out for you.” – Unsung Got your back, pt. 5 – Unsung If a feature falls in a forest – Unsung “The system is so twisted that even Apple itself begs for these reviews from its own apps.” – Unsung “It can be really disorienting to scroll around a fully monochrome hexdump.” – Unsung Raycast’s confetti cannon – Unsung The edge not taken – Unsung “Area connected to a given node in a multi-dimensional array with some matching attribute” – Unsung “Use links, don’t talk about them.” – Unsung Unsung @ 250: Please send me your feedback! – Unsung Unsung @ 250: Nine design details – Unsung Unsung @ 250: Goals and principles – Unsung “To build a thing that immediately feels like you’ve had it forever is very hard to do.” – Unsung “Should be no trouble at all for a driver to understand.” – Unsung Thoughtful file dropping in Wakamaifondue – Unsung “Rather than trying to fix this mistake, the developers leaned into it hard in the sequel.” – Unsung The beauty and the terror of oddly-specific commands – Unsung “We can have the best of all worlds.” – Unsung In search for a more precise cursor – Unsung “Deere charges six figures for a tractor. But the farmers were still the product.” – Unsung Is this the latest? – Unsung “So I wrote a script that takes monthly screenshots of Google and Apple Maps.” – Unsung Only time will tell – Unsung “Approximately 21 times the estimated age of the universe” – Unsung “We’re trying to copy this old machine, weirdness and all.” – Unsung “Software is a unique art because it is so reactive.” – Unsung Blink comparators in photo editing apps – Unsung “Prototyping turned into an excuse for not thinking” – Unsung “Every step they take, in every single direction, is right on top of a rake.” – Unsung “Subtle line between animations that help and animations that hurt” – Unsung Why do Macs ask you to press random keys when connecting a new keyboard? – Unsung “And if I were to end this story here, this would be a great story.” – Unsung “If you use your computer to do important work, you deserve fast software.” – Unsung “It moved too slowly to be an asteroid.” – Unsung Linear’s clever internal redesign UI – Unsung “I’m hoping that the listeners out there, when they hear it, they’ll feel seen.” – Unsung For your consideration: Tab to fix spelling – Unsung Anachronisms – Unsung Testing tip: Enable the zoom peek gesture – Unsung Book review: Maintenance: Of Everything (Part One) – Unsung
“The pipeline of future experts is thinning from both ends.” – Unsung
Marcin Wichary · 2026-05-28 · via Unsung

I generally avoid think pieces about AI because a) a lot of them are boring, and b) they rarely match the pragmatic posture of this blog.

But this essay on a new No One’s Happy blog was really interesting to read, and feels different in a few ways.

First, it examines what happens as AI slop spreads in the context that is less discussed – in a workplace:

This is a new form of slop, and it is more expensive than the public kind, because the people producing it are being paid a salary to do so. […]

The cost of producing a document has fallen to nearly zero; the cost of reading one has not, and is in fact rising, because the reader must now sift the synthetic context for whatever the document was originally about.

A lot in the essay feels pertinent to Unsung as real craft is not feelings or fluffiness. Real craft is deep expertise:

Generative AI can produce work that looks expert without being expert, and the failure arrives in two shapes. The first is when novices in a field are able to produce work that resembles what their seniors produce, faster or more advanced than their judgment. The second is when people generate artifacts in disciplines they were never trained in. The two failures look similar from a distance and are not the same. Research has mostly measured the first. The second is what it is missing, and in my experience it is the riskier of the two.

The term for this new challenge is, apparently, “output-competence decoupling.”

Other parts of the essay come back to a topic – toxic velocity – we covered before:

The current generation of agentic systems is built around the premise that the human is the bottleneck — that the loop runs faster and cleaner without the awkward delay of someone reading what is about to happen and deciding whether it should. This is, in a great many cases, exactly backwards. The human in the loop is not a vestige of an earlier era; the human is the only part of the loop with skin in the game. Removing the H from HITL [Human In The Loop – eds. note] is not an efficiency. It is the abandonment of the only mechanism the system has for catching itself.

And one last thing that differentiates this essay from many others is the last “what to do about it” section.