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Dependence on Early and Late Reverberation of Single-Channel Speaker Distance Estimation MIST: Multimodal Interactive Speech-based Tool-calling Conversational Assistants for Smart Homes LiVeAction: a Lightweight, Versatile, and Asymmetric Neural Codec Design for Real-time Operation Weight-Decay Turns Transformer Loss Landscapes Villani: Functional-Analytic Foundations for Optimization and Generalization PairAlign: A Framework for Sequence Tokenization via Self-Alignment with Applications to Audio Tokenization WavCube: Unifying Speech Representation for Understanding and Generation via Semantic-Acoustic Joint Modeling Predictive-Generative Drift Decomposition for Speech Enhancement and Separation Minimizing Modality Gap from the Input Side: Your Speech LLM Can Be a Prosody-Aware Text LLM X-Voice: Enabling Everyone to Speak 30 Languages via Zero-Shot Cross-Lingual Voice Cloning JASTIN: Aligning LLMs for Zero-Shot Audio and Speech Evaluation via Natural Language Instructions Phoneme-Level 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Leveraging the structure of musical preference in content-aware music recommendation
Paul Magron, Cédric Févotte · 2020-10-20 · via eess.AS updates on arXiv.org

State-of-the-art music recommendation systems are based on collaborative filtering, which predicts a user's interest from his listening habits and similarities with other users' profiles. These approaches are agnostic to the song content, and therefore face the cold-start problem: they cannot recommend novel songs without listening history. To tackle this issue, content-aware recommendation incorporates information about the songs that can be used for recommending new items. Most methods falling in this category exploit either user-annotated tags, acoustic features or deeply-learned features. Consequently, these content features do not have a clear musical meaning, thus they are not necessarily relevant from a musical preference perspective. In this work, we propose instead to leverage a model of musical preference which originates from the field of music psychology. From low-level acoustic features we extract three factors (arousal, valence and depth), which have been shown appropriate for describing musical taste. Then we integrate those into a collaborative filtering framework for content-aware music recommendation. Experiments conducted on large-scale data show that this approach is able to address the cold-start problem, while using a compact and meaningful set of musical features.