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eess.AS updates on arXiv.org

Dependence on Early and Late Reverberation of Single-Channel Speaker Distance Estimation MIST: Multimodal Interactive Speech-based Tool-calling Conversational Assistants for Smart Homes LiVeAction: a Lightweight, Versatile, and Asymmetric Neural Codec Design for Real-time Operation Weight-Decay Turns Transformer Loss Landscapes Villani: Functional-Analytic Foundations for Optimization and Generalization PairAlign: A Framework for Sequence Tokenization via Self-Alignment with Applications to Audio Tokenization WavCube: Unifying Speech Representation for Understanding and Generation via Semantic-Acoustic Joint Modeling Predictive-Generative Drift Decomposition for Speech Enhancement and Separation Minimizing Modality Gap from the Input Side: Your Speech LLM Can Be a Prosody-Aware Text LLM X-Voice: Enabling Everyone to Speak 30 Languages via Zero-Shot Cross-Lingual Voice Cloning JASTIN: Aligning LLMs for Zero-Shot Audio and Speech Evaluation via Natural Language Instructions Phoneme-Level Deepfake Detection Across Emotional Conditions Using Self-Supervised Embeddings When Audio-Language Models Fail to Leverage Multimodal Context for Dysarthric Speech Recognition Dimensionality-Aware Anomaly Detection in Learned Representations of Self-Supervised Speech Models Mitigating Multimodal LLMs Hallucinations via Relevance Propagation at Inference Time Virtual Speech Therapist: A Clinician-in-the-Loop AI Speech Therapy Agent for Personalized and Supervised Therapy LASE: Language-Adversarial Speaker Encoding for Indic Cross-Script Identity Preservation Towards Improving Speaker Distance Estimation through Generative Impulse Response Augmentation Beyond Decodability: Reconstructing Language Model Representations with an Encoding Probe MMAudioReverbs: Video-Guided Acoustic Modeling for Dereverberation and Room Impulse Response Estimation Alethia: A Foundational Encoder for Voice Deepfakes From Birdsong to Rumbles: Classifying Elephant Calls with Out-of-Species Embeddings Beyond the Baseband: Adaptive Multi-Band Encoding for Full-Spectrum Bioacoustics Classification Predicting Upcoming Stuttering Events from Three-Second Audio: Stratified Evaluation Reveals Severity-Selective Precursors, and the Model Deploys Fully On-Device The False Resonance: A Critical Examination of Emotion Embedding Similarity for Speech Generation Evaluation DiffAnon: Diffusion-based Prosody Control for Voice Anonymization Recurrence-Based Nonlinear Vocal Dynamics as Digital Biomarkers for Depression Detection from Conversational Speech One Voice, Many Tongues: Cross-Lingual Voice Cloning for Scientific Speech Similarity Choice and Negative Scaling in Supervised Contrastive Learning for Deepfake Audio Detection Walking Through Uncertainty: An Empirical Study of Uncertainty Estimation for Audio-Aware Large Language Models Praxy Voice: Voice-Prompt Recovery + BUPS for Commercial-Class Indic TTS from a Frozen Non-Indic Base at Zero Commercial-Training-Data Cost
Grammatical Structure and Grammatical Variations in Non-M...
Maziar Kanani, Sean O Leary, James McDermott · 2025-07-15 · via eess.AS updates on arXiv.org

In this study we introduce a symbolic dataset composed of non-metric Iranian classical music, and algorithms for structural parsing of this music, and generation of variations. The corpus comprises MIDI files and data sheets of Dastgah Shour from Radif Mirza Abdollah, the foundational repertoire of Iranian classical music. Furthermore, we apply our previously-introduced algorithm for parsing melodic structure (Kanani et al., 2023b)to the dataset. Unlike much Western music, this type of non-metric music does not follow bar-centric organisation. The non-metric organisation can be captured well by our parsing algorithm. We parse each tune (Gusheh) into a grammar to identify motifs and phrases. These grammar representations can be useful for educational and ethnomusicological purposes. We also further develop a previously-introduced method of creating melodic variations (Kanani et al., 2023b). After parsing an existing tune to produce a grammar, by applying mutations to this grammar, we generate a new grammar. Expanding this new version yields a variation of the original tune. Variations are assessed by a domain-expert listener. Additionally, we conduct a statistical analysis of mutation with different representation setups for our parsing and generation algorithms. The overarching conclusion is that the system successfully produces acceptable variations post-mutation. While our case study focuses on Iranian classical music, the methodology can be adapted for Arabic or Turkish classical music.