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cs.SD updates on arXiv.org

Mutual Forcing: Dual-Mode Self-Evolution for Fast Autoregressive Audio-Video Character Generation WhisperPipe: A Resource-Efficient Streaming Architecture for Real-Time Automatic Speech Recognition Walking Through Uncertainty: An Empirical Study of Uncertainty Estimation for Audio-Aware Large Language Models PSP: An Interpretable Per-Dimension Accent Benchmark for Indic Text-to-Speech Praxy Voice: Voice-Prompt Recovery + BUPS for Commercial-Class Indic TTS from a Frozen Non-Indic Base at Zero Commercial-Training-Data Cost Korean aegyo speech shows systematic F1 increase to signal childlike qualities All That Glitters Is Not Audio: Rethinking Text Priors and Audio Reliance in Audio-Language Evaluation RAS: a Reliability Oriented Metric for Automatic Speech Recognition Speech Enhancement Based on Drifting Models HeadRouter: Dynamic Head-Weight Routing for Task-Adaptive Audio Token Pruning in Large Audio Language Models Hallo-Live: Real-Time Streaming Joint Audio-Video Avatar Generation with Asynchronous Dual-Stream and Human-Centric Preference Distillation Talker-T2AV: Joint Talking Audio-Video Generation with Autoregressive Diffusion Modeling Robust Audio-Text Retrieval via Cross-Modal Attention and Hybrid Loss Spectro-Temporal Modulation Representation Framework for Human-Imitated Speech Detection UniSonate: A Unified Model for Speech, Music, and Sound Effect Generation with Text Instructions Do LLM Decoders Listen Fairly? Benchmarking How Language Model Priors Shape Bias in Speech Recognition Materialistic RIR: Material Conditioned Realistic RIR Generation SpeechParaling-Bench: A Comprehensive Benchmark for Paralinguistic-Aware Speech Generation ONOTE: Benchmarking Omnimodal Notation Processing for Expert-level Music Intelligence From Image to Music Language: A Two-Stage Structure Decoding Approach for Complex Polyphonic OMR ATIR: Towards Audio-Text Interleaved Contextual Retrieval Enhancing Speaker Verification with Whispered Speech via Post-Processing Environmental Sound Deepfake Detection Using Deep-Learning Framework Towards Streaming Target Speaker Extraction via Chunk-wise Interleaved Splicing of Autoregressive Language Model BEAT: Tokenizing and Generating Symbolic Music by Uniform Temporal Steps Deep Supervised Contrastive Learning of Pitch Contours for Robust Pitch Accent Classification in Seoul Korean HalluAudio: A Comprehensive Benchmark for Hallucination Detection in Large Audio-Language Models UAF: A Unified Audio Front-end LLM for Full-Duplex Speech Interaction Voice of India: A Large-Scale Benchmark for Real-World Speech Recognition in India Tadabur: A Large-Scale Quran Audio Dataset
Exploring the Feasibility of LLMs for Automated Music Emo...
Meng Yang, Jon McCormack, Maria Teresa Llano, Wanchao Su · 2025-08-18 · via cs.SD updates on arXiv.org

Current approaches to music emotion annotation remain heavily reliant on manual labelling, a process that imposes significant resource and labour burdens, severely limiting the scale of available annotated data. This study examines the feasibility and reliability of employing a large language model (GPT-4o) for music emotion annotation. In this study, we annotated GiantMIDI-Piano, a classical MIDI piano music dataset, in a four-quadrant valence-arousal framework using GPT-4o, and compared against annotations provided by three human experts. We conducted extensive evaluations to assess the performance and reliability of GPT-generated music emotion annotations, including standard accuracy, weighted accuracy that accounts for inter-expert agreement, inter-annotator agreement metrics, and distributional similarity of the generated labels. While GPT's annotation performance fell short of human experts in overall accuracy and exhibited less nuance in categorizing specific emotional states, inter-rater reliability metrics indicate that GPT's variability remains within the range of natural disagreement among experts. These findings underscore both the limitations and potential of GPT-based annotation: despite its current shortcomings relative to human performance, its cost-effectiveness and efficiency render it a promising scalable alternative for music emotion annotation.