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cs.SD updates on arXiv.org

Mutual Forcing: Dual-Mode Self-Evolution for Fast Autoregressive Audio-Video Character Generation WhisperPipe: A Resource-Efficient Streaming Architecture for Real-Time Automatic Speech Recognition Walking Through Uncertainty: An Empirical Study of Uncertainty Estimation for Audio-Aware Large Language Models PSP: An Interpretable Per-Dimension Accent Benchmark for Indic Text-to-Speech Praxy Voice: Voice-Prompt Recovery + BUPS for Commercial-Class Indic TTS from a Frozen Non-Indic Base at Zero Commercial-Training-Data Cost Korean aegyo speech shows systematic F1 increase to signal childlike qualities All That Glitters Is Not Audio: Rethinking Text Priors and Audio Reliance in Audio-Language Evaluation RAS: a Reliability Oriented Metric for Automatic Speech Recognition Speech Enhancement Based on Drifting Models HeadRouter: Dynamic Head-Weight Routing for Task-Adaptive Audio Token Pruning in Large Audio Language Models Hallo-Live: Real-Time Streaming Joint Audio-Video Avatar Generation with Asynchronous Dual-Stream and Human-Centric Preference Distillation Talker-T2AV: Joint Talking Audio-Video Generation with Autoregressive Diffusion Modeling Robust Audio-Text Retrieval via Cross-Modal Attention and Hybrid Loss Spectro-Temporal Modulation Representation Framework for Human-Imitated Speech Detection UniSonate: A Unified Model for Speech, Music, and Sound Effect Generation with Text Instructions Do LLM Decoders Listen Fairly? Benchmarking How Language Model Priors Shape Bias in Speech Recognition Materialistic RIR: Material Conditioned Realistic RIR Generation SpeechParaling-Bench: A Comprehensive Benchmark for Paralinguistic-Aware Speech Generation ONOTE: Benchmarking Omnimodal Notation Processing for Expert-level Music Intelligence From Image to Music Language: A Two-Stage Structure Decoding Approach for Complex Polyphonic OMR ATIR: Towards Audio-Text Interleaved Contextual Retrieval Enhancing Speaker Verification with Whispered Speech via Post-Processing Environmental Sound Deepfake Detection Using Deep-Learning Framework Towards Streaming Target Speaker Extraction via Chunk-wise Interleaved Splicing of Autoregressive Language Model BEAT: Tokenizing and Generating Symbolic Music by Uniform Temporal Steps Deep Supervised Contrastive Learning of Pitch Contours for Robust Pitch Accent Classification in Seoul Korean HalluAudio: A Comprehensive Benchmark for Hallucination Detection in Large Audio-Language Models UAF: A Unified Audio Front-end LLM for Full-Duplex Speech Interaction Voice of India: A Large-Scale Benchmark for Real-World Speech Recognition in India Tadabur: A Large-Scale Quran Audio Dataset
IdolSongsJp Corpus: A Multi-Singer Song Corpus in the Sty...
Hitoshi Suda, Junya Koguchi, Shunsuke Yoshida, Tomohiko Nakamura · 2025-07-02 · via cs.SD updates on arXiv.org

Japanese idol groups, comprising performers known as "idols," are an indispensable part of Japanese pop culture. They frequently appear in live concerts and television programs, entertaining audiences with their singing and dancing. Similar to other J-pop songs, idol group music covers a wide range of styles, with various types of chord progressions and instrumental arrangements. These tracks often feature numerous instruments and employ complex mastering techniques, resulting in high signal loudness. Additionally, most songs include a song division (utawari) structure, in which members alternate between singing solos and performing together. Hence, these songs are well-suited for benchmarking various music information processing techniques such as singer diarization, music source separation, and automatic chord estimation under challenging conditions. Focusing on these characteristics, we constructed a song corpus titled IdolSongsJp by commissioning professional composers to create 15 tracks in the style of Japanese idol groups. This corpus includes not only mastered audio tracks but also stems for music source separation, dry vocal tracks, and chord annotations. This paper provides a detailed description of the corpus, demonstrates its diversity through comparisons with real-world idol group songs, and presents its application in evaluating several music information processing techniques.