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The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
BET Gets Into the Microdrama Business
Katie Kilken · 2026-05-14 · via The Hollywood Reporter

A few names long associated with old-school television are partnering to chase a very new-media trend: vertical video series.

BET, the Paramount-owned media group focused on the Black community and best known for its basic cable channel, revealed on Wednesday that it is partnering with microdrama company aTwist to develop and distribute these series, also known as verticals, across both linear and digital platforms. Formerly called MicroCo, aTwist was founded by former WME and ABC Entertainment head Lloyd Braun, ex-Showtime president Jana Winograde, and former NBCUniversal Television and Streaming entertainment chairwoman Susan Rovner.

The deal essentially provides a declining cable asset with low-cost programming while offering aTwist projects greater visibility and an additional revenue window. Through the partnership, BET and aTwist will produce series that can be viewed on cable television as well as on aTwist’s forthcoming mobile app, which is set to launch this summer. Each project will have a first-run window on the BET channel before moving to the aTwist app.

“BET is planting our stake in the ground for the next era of storytelling,” BET Studios evp and head of creative Aisha Summers-Burke said in a statement. “The microseries format represents one of the most significant shifts in how content is created, distributed, and consumed, and we’re positioning BET at the forefront of that evolution.”

In a microdrama landscape crowded with new entrants, all eager to prove the format can succeed in the U.S., aTwist is aiming to produce verticals across multiple genres (extending beyond romance and including anime, true crime, thrillers, horror and comedy) that are higher-quality than the average soapy offering from other companies in the low-rent space.

“What you’ll see from us is a very different approach to how we think about the business as not just a cash grab, but a long-term core piece of the media pie for billions of consumers,” Erick Opeka, the chief strategy officer and president of Cineverse, which has a 50 percent stake in the company, told The Hollywood Reporter last year.

With the BET deal, aTwist is also clearly betting that the format will resonate with the Black community, which the companies’ joint press release asserts has been underserved by microdramas. “BET is a true cultural cornerstone, with one of the most loyal and engaged audiences in media, and we feel incredibly fortunate to partner with a brand that has consistently championed authentic storytelling,” said Winograde, Rovner and Braun in a statement. “We’re thrilled to be reunited with Aisha and the entire BET team.”