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The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57
Imax Stock Surges on Hollywood Takeover Talk
Etan Vlessin · 2026-05-22 · via The Hollywood Reporter

Imax isn’t talking about speculation over a possible takeover after stock in the film technologies company spiked in after-hour market trading on Thursday.

Shares in Imax rose $3.62, or nearly 11 percent, to $37.50 after The Wall Street Journal report the company was in the early stages of fielding possible buyers for the company as premium large format (PLF) screens like its own transform the multiplex experience.  

Executives at Imax declined direct comment on the report the company was headed to the auction block. But Imax CEO Richard Gelfond told a recent investors day in Dec. 2025 that his company was a more valuable property as consumers paid extra for Imax and other big screen experiences at the local multiplex.

“So as this trend accelerates, Imax becomes an incredibly valuable player, either as a wholly differentiated publicly traded company or as part of a larger company with the keys to unlock even greater value and are strong business worldwide,” Gelfond told investors as he was asked about the future of Imax.

The sales process for Imax is at an early stage as major Hollywood studios double down on theatrical releases with longer windows coming out of the pandemic, and may not result in a transaction, the paper’s reporting added.

Avatar: Fire and Ash and Project Hail Mary are the latest performers on the premium film technology company’s screens as Hollywood looks to high-end, immersive movie experiences to win consumers back to the multiplex. Despite accounting for just 1 percent of North American screens, Imax said it captured nearly 20 percent of opening weekend grosses for major titles like Sinners and Mission: Impossible — The Final Reckoning in the last year.

A possible takeover play for Imax comes as the entertainment industry responds to the rise of event cinema by bolstering their premium PLF strategy for tentpole releases. And Imax’s studio suppliers, besides leveraging in-demand Imax screen experiences at the cinema, are also increasingly shooting their own movies with proprietary Imax cameras.