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Noah Kahan spent the last year playing to rooms that kept getting bigger. The Stick Season run carried him through festival headlines and stadium dates, including Fenway Park, while the songs followed him everywhere. In between those shows, new material started to surface in pieces—short clips online, live debuts, and small previews that stayed close to the audience that built those crowds.
By late January, The Great Divide had its title, a release date, and its first single. The title track arrived alongside a full video rollout, followed in March by “Porch Light,” a song that brings in family perspective and expands the the song into a chorus of voices beyond Kahan himself. Around the same stretch, he moved into studio sessions split between Vermont, Nashville, and upstate New York, working again with Gabe Simon. He also brought in in Aaron Dessner for a wider production frame.
And, with the advent of release week, the drip campaign became a swollen New England river in early Spring. Kahan finally got his Tiny Desk performance, and it put “American Cars” and “Paid Time Off” onto the airwaves, first heard in a uniquely raw rendering. Record stores scheduled listening events and preorder signings that have been happening daily. And, of course, the Netflix documentary, Out of Body, arrived ahead of the album and tracks the stretch between the last record and this one—touring, time at home, and the gaps where the writing slowed down. It closes on the same questions The Great Divide promises to open with, handing the story directly from screen to record. A bit of a multimedia gymnastic trick.
In total, The Great Divide is a 17-track album releasing tomorrow, Friday, April 24th.
I preview the full record below, including its marketing campaigns and notes on the upcoming accompanying tour.
1. End of August
2. Doors
3. American Cars
4. Downfall
5. Paid Time Off
6. The Great Divide
7. Haircut
8. Willing and Able
9. Dashboard
10. 23
11. Porch Light
12. Deny Deny Deny
13. Headed North
14. We Go Way Back
15. Spoiled
16. All Them Horses
17. Dan
“The Great Divide” and “Porch Light” arrived as singles ahead of the album, while Kahan performed “American Cars” and “Paid Time Off” for the first time, as aforementioned, in his Tiny Desk concert this week.

Kahan has also said on his X handle that he is most excited for fans to hear the song “Dan.” Kahan’s transparency on his personal socials as the swelling of release week mounts to a full flood has been one of the more entertaining and engaging marketing campaigns for the album. Given how much Out of Body focused on Kahan’s mental health, and took the time between Stick Season and The Great Divide and gave us intimate windows—curated albeit—into his artistic and personal welfare, encouraging simple access to Kahan via his social media has a poignant play.
The Great Divide took shape across the same places Kahan has been moving through over the past year. Some of it comes from time back home in Vermont, including stretches in Guilford where the writing slowed down and then picked back up. Some of it comes from Nashville sessions with Gabe Simon, where the structure of the record stayed close to Kahan’s acoustic foundation. Then there are the upstate New York sessions at Long Pond Studio with Aaron Dessner, along with additional recording in Tennessee, where the arrangements widen out and the instrumentation starts to breathe a little more.
That split shows up in the music. Simon keeps the spine tight—fingerpicked acoustics up front, dry drums, vocals sitting close in the mix with very little distance or effect. Chord progressions stay simple and repeat long enough to carry the lyric, with small lifts coming from bass movement or a late-arriving harmony rather than big structural turns.
Dessner builds outward from there. You hear brushed percussion and low, pulsing drums underneath, soft electric textures that widen the stereo field, and the kind of piano lines that sit just behind the vocal instead of competing with it. There are horns in spots, muted and blended, and string swells that come in gradually rather than announcing themselves. Some tracks add subtle electronic elements—pads, filtered tones, a little rhythmic loop tucked under the acoustic—but they’re folded in quietly.
The result keeps the songs anchored in voice and guitar while giving each track its own atmosphere. A few lean sparse and close, almost demo-like. Others open up with fuller arrangements and longer builds, letting the chorus arrive with more weight without ever losing the intimacy at the center.
Most of the material comes directly out of the stretch after Stick Season broke open. Touring cycles, long runs away from home, and the quieter gaps in between all make their way into the record. Some songs feel like they were written on the move, others like they were worked through more slowly once things settled.
Noah Kahan’s The Great Divide arrives Friday, April 24, 2026. The 17-track album is his fourth full-length release and follows the extended Stick Season run that carried through the last year.
It’s a standard streaming rollout. The Great Divide will be available at 9:00 p.m. PT on Thursday night and 12:00 a.m. ET on Friday, April 24 across Spotify, Apple Music, and other platforms.
Yes. The title track, “The Great Divide,” arrived at the end of January with a full video rollout. “Porch Light” followed in March and brought in a different perspective, pulling from family voice and co-writing sessions with Aaron Dessner.
During release week, Kahan also performed “American Cars” and “Paid Time Off” live, giving those songs an early audience ahead of the full album.
Kahan has already been on an extended touring run tied to Stick Season, including major U.S. dates and festival appearances. Additional touring connected to The Great Divide is expected, with dates beginning to surface for the next leg, including a North American run starting this summer.
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