began as an exploration of how soft clay, paper fragments, translucent sheets and small archive labels can behave like a constructed visual language.
Instead of arranging objects as ordinary still life, I treated each material as a graphic unit: a block, a shadow, a point of tension or a piece of evidence.
Strong directional light gives the scenes a painterly still-life quality, while the soft clay keeps them tactile, imperfect and physically believable.

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Clay Archives

began as an exploration of how soft clay, paper fragments, translucent sheets and small archive labels can behave like a constructed visual language. Instead of arranging objects as ordinary still life, I treated each material as a graphic unit: a block, a shadow, a point of tension or a piece of evidence. Strong directional light gives the scenes a painterly still-life quality, while the soft clay keeps them tactile, imperfect and physically believable.

发布时间: 2026年6月18日