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史蒂芬·金(SK)写吸血鬼题材不是偶然。斯托克的《德库拉(Dracula)》是还是孩子的时候接触的第一部成人小说,,但也是他认为的最好的小说之一,他甚至说过托尔金的指环王系列是《德库拉》的阳光版。而也正是因为有了《撒冷镇》这样一些符合当代的背景的改编,这个主题得到了传承。
当代吸血鬼题材扛鼎制作,把S.K.推向神坛之作(他的第二部出版小说)
虽然说它关于吸血鬼,但是它不仅是一部奇幻吸血鬼小说。
前80%都在铺垫,介绍小镇的风土人情,人物特别多又是英文名读起来会有点迷失, 但如果坚持下来了突然就高潮了(不是渐入佳境哦),让人停不下来。
不过这前80%也可以说是小说的特点(优势?)它随时跟你家长里短,用最直接露骨的方式跟你讲人性,而S.K.则一股脑把他的生活感悟全部整理成符合小说设定的段子都加了进去( 用S.K.自己的话说就是notes, clippings, and epigrams )。
所以除了介绍人物和剧情,它还解答了我很多奇奇怪怪的疑惑。比如阿司匹林为什么(曾经?)如此流行,比如胡迪尼是怎么表演逃脱的,再比如为什么满月是发疯(lunatic 月亮太亮了睡不着说是)...真的要感叹S.K.知识面太广了。
it’s good for headache and arthritis and the rheumatism. We don’t know what any of those are, either. Why should your head ache? There are no nerves in your brain. We know that aspirin is very close in chemical composition to LSD, but why should one cure the ache in the head and the other cause the head to fill up with flowers? Part of the reason we don’t understand is because we don’t really know what the brain is. The best-educated doctor in the world is standing on a low island in the middle of a sea of ignorance. We rattle our medicine sticks and kill our chickens and read messages in blood. All of that works a surprising amount of time. White magic. Bene gris-gris.
只看了这版翻译,但是我想是尽力了,因为有些精彩片段真的有点难用中文表达。所以一定要搭配英文原版(x10086) 。精彩至极。
书中对于对正邪、恐惧、信仰都有非常独到的描写。
关于恐惧:
fear = unknown. And to solve the equation, one simply reduced the problem to simple algebraic terms, thus: unknown = creaky board (or whatever), creaky board = nothing to be afraid of. In the modern world all terrors could be gutted by simple use of the transitive axiom of equality. Some fears were justified, of course (you don’t drive when you’re too plowed to see, don’t extend the hand of friendship to snarling dogs, don’t go parking with boys you don’t know – how did the old joke go? Screw or walk?), but until now she had not believed that some fears were larger than comprehension, apocalyptic and nearly paralyzing.This equation was insoluble. The act of moving forward at all became heroism
恐惧来自未知,未知让人盘算,随之而来的就是踌躇、犹豫、畏首畏尾裹足不前,但犹豫就会败北啊。所以要嘛害怕要嘛英雄。
关于害怕:
They took laxatives, liquor, or sleeping pills to drive away their terrors so that sleep would come, and their terrors were so tame and domestic the job, the money, what the teacher will think if I can't get Jennie nicer clothes, does my wife still love me, who are my friends. They were pallid compared to the fears every child lies cheek and jowl with in his dark bed, with no one to confess to in hope of perfect understanding but another child. There is no group therapy or psychiatry or community social services for the child who must cope with the thing under the bed or in the cellar every night, the thing which leers and capers and threatens just beyond the point where vision will reach. The same lonely battle must be fought night after night and the only cure is the eventual ossification of the imaginary faculties, and this is called adulthood.
孩子因为敢想象所以害怕鬼,而成人因为没了想象力而怕自己的同类。这么说来,那些还怕鬼的成人至少还有一部分心理是孩童的,换句话说,那些越早在鬼面前社牛的人“老得越快”。 我认为书中最重要的一句话是:假如人在心中驱逐了上帝,撒旦就将爬进那个位置。“if a man dethrones God in his heart, then Satan must ascend to His position” 这句话解释我对基督教等这些宗教信仰为何总是和邪恶有关的疑惑。S.K.引用的是托马斯·卡莱尔(1795-1881),他认为人类精神信仰的空虚很容易导致个人陷入精神上的空虚,堕落,腐败。这个解释放在当代社会,可太有解释性了。 不同于《德库拉》,范海辛> 德库拉,”科技 “战胜了“邪恶” 。 史蒂芬金所看到的世界是一个吸血鬼和人类共处的世界 (*Van Helsing 全名亚伯拉罕·范海辛·-吸血鬼猎人,如果吸血鬼题材中有正派的话,最有名的就是范海辛了,他的特点是善用“黑科技”抓吸血鬼。)
在英文版的自序中S.K.特别提到,他生活的时代和几十年前的Stoker写作时的时代不同,Stoker书中的范海辛用科技战神邪恶(德古拉),但是S.K.生活的是后核武器时代也是科技大爆发的时代,而他对于这些黑科技(Gadgets)有了“新”看法。
I saw a different world, one where all of the gadgets Stoker must have regarded with such hopeful wonder had begun to seem sinister and downright dangerous. Mine was the world that had begun to choke on its own effluent,that had hooked itself through the bag on diminishing energy resources, and had to deal not only with nuclear weapons but nuclear proliferation (big-time terrorism was, thankfully,at that time still over the horizon). I saw myself and my society at the other end of the technological rainbow, and set out to write a book that would reflect that glum idea. One where, in short, the vampire would end up eating the fearless vampire-hunters for lunch. (Which he, as a vampire, would eat at midnight, of course.)
可能很多人一样和我有个疑问:为什么主角们不早点向比镇上更高的权威机构求助,说不定FBI会出现?还说这只是史蒂芬金专门的为神秘主义而做的设定?
我想一方面是剧情上主角有一个对吸血鬼从怀疑到接受的过程,二是因为镇警吉列斯皮等人的反应让他们觉得权威机构不会对“世间有吸血鬼”的说法严肃对待。这样的设定主角们就和其他人“割裂”了,能够增加小说中的绝望感。
不过话说回来诡异的事情其实时时刻刻都在发生。为什么吸血鬼要发生在一个撒冷镇。因为从地球的视角甚至从一个只有百万人口的国家的角度来说,怪事是不具有讨论意义的,但当它发生在一个人口只有几百的小镇上,它就无法遁入无形。事实上,任何东西从微观学上来推敲起来都会“怪怪的“(用S.K的话来说就是funny),所以我们个人都把很多"发生"称为“命”。
也正是因为如此,结局才显得如此合理,因为这就是命。
虽然这部小说不完美(SK的母亲称吸血鬼小说为垃圾trash)但却也正是因为这本小说S.K.开启了他的辉煌写作生涯,或许就像他自己所说是垃圾却不是坏垃圾(not bad trash) 。
.. I was indeed typed as a horror writer, a tag I have never confirmed or denied, simply because I think it’s irrelevant to what I do. It does, however, give bookstores a handy place to shelve my books.
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