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The camera that took me places - Stuff & Nonsense Last week in the studio (CW27-26) - Stuff & Nonsense Last week in the studio (CW26-26) - Stuff & Nonsense Tracking down a nasty Netlify bandwidth burner - Stuff & Nonsense Last week in the studio (CW25-26) - Stuff & Nonsense Eleventy in a Box. A premium Eleventy start kit - Stuff & Nonsense Migrating from Statamic to Eleventy. This site’s had major surgery - Stuff & Nonsense Last week in the studio (CW24-26) - Stuff & Nonsense Last week in the studio (CW21-26) - Stuff & Nonsense Last week in the studio (CW19-26) - Stuff & Nonsense Websites shouldn’t need maintenance. They need momentum. - Stuff & Nonsense Making my view options toolbar more intuitive - Stuff & Nonsense Unfinished Business #142: The perfect request for proposal - Stuff & Nonsense Last week in the studio (CW18-26) - Stuff & Nonsense Militant masthead logo (r)evolution - Stuff & Nonsense Eleventy in a Box just add water - Stuff & Nonsense Last week in the studio (CW17-26) - Stuff & Nonsense I added a spring mode to my animated SVG landscape - Stuff & Nonsense Last week in the studio (CW16-26) - Stuff & Nonsense Far Right So Wrong; Stop Reform t-shirts are back in my shop - Stuff & Nonsense Last week in the studio (CW15-26) - Stuff & Nonsense I got tired of correcting machines, so I gave them five rules - Stuff & Nonsense How I designed an information-rich website for The Shared Homeland Paradigm - Stuff & Nonsense A bold new website for the Academy of Scoring Arts - Stuff & Nonsense
Last week in the studio (CW20-26) - Stuff & Nonsense
Andy Clarke, Stuff & Nonsense Ltd. · 2026-05-16 · via Stuff & Nonsense Blog feed

In this regular “Last week in the studio” series, I write about what I worked on during the previous week. Last week was spent on a more business-focused but no less creative project

Week 20, 2026: Aurus

My work weeks often vary between projects where my goal is to bring a brand identity to life or reflect a person’s personality with a design, and ones which are more business-focused. Last week was the latter.

A couple of months ago, property developers Aurus hired me to design a website for their Impact Capital initiative. They already had visual identity guidelines and printed collateral, so my design had to follow their direction. Nevertheless, there were still opportunities for me to work with data visualisations to reduce the written copy and make the information more glanceable.

My design for the Aurus Impact Capital website

Aurus then came back to me for a redesign of their other website. Again, they had similar visual identity guidelines and printed collateral. This time, I used one of their alternative hues to distinguish the two designs. This website includes twice as much copy as before, so I needed to use layout and typographic hierarchy to avoid it feeling overwhelming.

My design for the second Aurus website

Websites like Aurus’ often contain interesting facts and figures, and I like to make them features in my design. In this case, I decided to heavily style their development projects portfolio using iconography and large numerals.

An Aurus portfolio panel design

Then, I made simpler versions for small screens and to include elsewhere on their website,

Two small panel designs

Although developing this website will be someone else’s responsibility, I still wrote CSS and HTML and worked in Eleventy to produce a prototype, which should be ninety-odd per cent towards the final development. When I hand the files over to their developers next week, they can choose to stick with Eleventy or use my templates to create a custom WordPress theme.


May 15, 2026 • Andy Clarke • design