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Electronic Frontier Foundation

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Call for Submissions: Digital Pride
Paige Collings and Kit Walsh · 2026-06-19 · via Electronic Frontier Foundation

This Pride season, join EFF and the Queer Arts Collective in building a creative space at the intersection of digital justice and artistic expression. 

We’re looking for fresh, untold, historically censored takes on digital liberation. 

Whether it’s pointing the lens towards an issue you feel is underrepresented in digital justice efforts; sharing personal accounts of joy, pleasure, or sorrow under surveillance; painting your widest imagination for our communities using technology for good instead of carcerality and doom—we want to see it and we want it to expand our own understanding of what’s important and beautiful. 

We’re going to be curating between five and nine art pieces across writing (fiction, nonfiction, poetry) and visual arts (photography, drawing, painting). We welcome fluidity in medium and genre, and cross-genre works of all kinds, such as graphic storytelling and collaborations. 

We are looking for works that convey the importance of digital liberation and ways of achieving it, particularly from under-represented perspectives. Pieces will be selected based on interpretation of the theme, emotional resonance (does it surprise, move, frighten, delight?), and overall curatorial cohesion for each issue. 

Submissions that adhere to the following length guidelines are preferred: 

(NON)FICTION - max 1500 words
POETRY - max 2 poems 
VISUAL ARTS - max 1 artwork, which can be a serialized collection. 

Please submit to paige+pride@eff.org by June 30, 2026, including your piece as an attachment and a short bio in the body of the email, alongside anything else we should know about your submission. You can expect to hear back from us around July 31, and we aim to have the first issue published in September. If we select your submission for publication on both EFF and Queer Arts Collective websites, we will compensate you between $25 - $50, depending on the number of pieces published. 

There is no fee for entry. Please only submit one piece or a contained series for this call, and wait for us to get back to you before submitting again. If you plan to submit both individually and as part of a collective, one submission in each of these categories applies. 

Your submission must be your original work and you must have the legal right to authorize us to publish it, but it need not be created specifically for this project; you may submit a work you have published previously. Please disclose any use of AI in a note in your application—this will not disqualify your entry, though we value transparency of labor exchange. 

As attempting to witness art is a highly subjective endeavor, please don't consider not being selected as anything other than circumstantial. We are looking to foster a community of artists working for digital justice, and would love to see more from you in the future. 

You will retain all legal rights to your work, but agree to provide EFF and Queer Arts Collective with a non-exclusive and non-time-limited license to publish your work on their websites and other promotional materials, such as in zines. 

Meet the Judges

Kit Walsh is an EFF attorney who works to protect the rights of activists, journalists, researchers, and dissenters in order to build a better world. She is also a Nebula-award-winning author and is best known for her tabletop roleplaying game Thirsty Sword Lesbians.

Paige Collings is an EFF activist working to dismantle systems of oppression and advance collective liberation. Her work focuses on highlighting how state surveillance and corporate restrictions stifle marginalized communities and perpetuate historic injustices and harm. She works with activists across the globe to facilitate systemic change by speaking truth to power and creating spaces for alternative imaginations.

The Queer Arts Collective is an NYC-based collective run by queer and racialized artist-activists, looking to make space for art that is deliberately disruptive of structural hierarchies that power the status quo.