惯性聚合 高效追踪和阅读你感兴趣的博客、新闻、科技资讯
阅读原文 在惯性聚合中打开

推荐订阅源

www.infosecurity-magazine.com
www.infosecurity-magazine.com
Vercel News
Vercel News
G
Google Developers Blog
MyScale Blog
MyScale Blog
The Register - Security
The Register - Security
I
InfoQ
Blog — PlanetScale
Blog — PlanetScale
D
DataBreaches.Net
Microsoft Security Blog
Microsoft Security Blog
V
Visual Studio Blog
V2EX - 技术
V2EX - 技术
F
Fortinet All Blogs
博客园_首页
S
Secure Thoughts
GbyAI
GbyAI
S
Security Affairs
N
News | PayPal Newsroom
Forbes - Security
Forbes - Security
Recent Announcements
Recent Announcements
H
Hackread – Cybersecurity News, Data Breaches, AI and More
Security Archives - TechRepublic
Security Archives - TechRepublic
宝玉的分享
宝玉的分享
Hugging Face - Blog
Hugging Face - Blog
Hacker News - Newest:
Hacker News - Newest: "LLM"
H
Heimdal Security Blog
A
About on SuperTechFans
P
Proofpoint News Feed
H
Help Net Security
Application and Cybersecurity Blog
Application and Cybersecurity Blog
Exploit-DB.com RSS Feed
Exploit-DB.com RSS Feed
Y
Y Combinator Blog
L
LINUX DO - 最新话题
Apple Machine Learning Research
Apple Machine Learning Research
L
LangChain Blog
博客园 - 叶小钗
A
Arctic Wolf
Cisco Talos Blog
Cisco Talos Blog
T
The Exploit Database - CXSecurity.com
人人都是产品经理
人人都是产品经理
T
Threat Research - Cisco Blogs
N
News and Events Feed by Topic
Security Latest
Security Latest
The Hacker News
The Hacker News
T
Tor Project blog
O
OpenAI News
博客园 - 三生石上(FineUI控件)
PCI Perspectives
PCI Perspectives
量子位
大猫的无限游戏
大猫的无限游戏
Stack Overflow Blog
Stack Overflow Blog

The Hollywood Reporter

Netflix In Final Talks to Buy Radford Studio Lot at Around $330 Million Price Tag How Scriptation Broke Hollywood’s Addiction to Paper The Conservative Climate Activists Hollywood Ignores Diamonds Are Forever. But Are They Sustainable? Dave Mason, Traffic Co-Founder and “We Just Disagree” Singer, Dies at 79 ‘Secret Lives of Mormon Wives’ Will Resume Production Following Filming Pause Amid Taylor Frankie Paul Investigation ‘Michael’: What Critics Are Saying About the King of Pop’s Biopic ‘Texas Chainsaw Massacre’: ‘Obsession’ Filmmaker Curry Barker in Talks to Write, Direct T-Mobile Deepens Its Promise of Fastest 5G Internet With Same-Day Delivery, Powered by DoorDash Dwayne Johnson and Stephen Merchant Adapting ‘Fighting With My Family’ Into Stage Musical Inside ‘Blue Heron,’ the Most Acclaimed Film of 2026 So Far Broadway Box Office: Grosses Fall Amid Spring Openings, Daniel Radcliffe Cracks Top Five How Peaches Gives Dan Levy’s ‘Big Mistakes’ a Queer Thrill ITV’s ‘Believe Me’: Daniel Mays on the Toll of Playing the “Black Cab Rapist” and Writer Jeff Pope on Focusing on Victims Rather Than the Predator K-pop Icons BigBang Announce World Tour, Tease Group’s “Reset” During Final Coachella Set John Oliver Mocks Trump for Calling Pope “Weak on Crime”: “OK, But Who Gives a Sh**?” Taylor Frankie Paul Posts About “Ugly Parts” of “Healing” After Learning She Won’t Face Additional Domestic Violence Charges ‘Euphoria’ Defecating Pig Starts a Drug War, With Rue Stuck in the Middle Frank Marshall Says ESPN Pulled His Doc ‘Rachel, Breathe’ “An Hour Before Broadcast” Over Rights Disagreement Barack Obama Says His and Michelle’s Production Company Higher Ground Will Go Independent After Netflix Deal Ends Asobi System Artists, Executives on Global Aspirations and Asobi Expo Hawaii 2026 ‘Facts of Life’ Star Mindy Cohn Reveals Cancer Diagnosis How a Gold House Dinner Helped ‘Beef’ Creator Lee Sung Jin Land Season 2 Star Charles Melton Dave Chappelle Pitches Eddie Murphy on Joining Potential ‘Chappelle’s Show’ Reboot at AFI Gala Noah Wyle on the Origins of and Real-Life Connection to His Dark ‘Pitt’ Season 2 Journey Billie Eilish and SZA Join Justin Bieber for Coachella Weekend Two Headlining Set PinkPantheress Throws Star-Studded Birthday Bash During Coachella Set With Slew of Celeb Guests Former U.S. Presidents, Entertainment, Sports and Media Leaders Convene in Rare Gathering to Celebrate Country’s 250th Anniversary Olivia Rodrigo Debuts “Drop Dead” Live During Surprise Appearance at Addison Rae’s Coachella Set Nadia Farès, ‘The Crimson Rivers’ Actress, Dies at 57 Charlize Theron Jabs at Timothée Chalamet’s Ballet, Opera Remarks: “AI Is Going to Be Able to Do His Job in 10 Years” Andrew Lloyd Webber Says He’s a Recovering Alcoholic Nathalie Baye, French Actress Known for ‘Downton Abbey’ and ‘Catch Me If You Can,’ Dies at 77 She Broke Barriers as a Production CEO in the Middle East. Then She Had to Evacuate the Region L.A. Production Crisis Now Mayoral Race Flashpoint Horror Highlights from the 2026 Overlook Film Festival Why Sundance Winner ‘Ricky’ Is Self-Distributing: “We Refuse for You Not to See It” Meet a Hollywood Advocate for Animal Welfare Brandi Rhodes, Wife of WWE Champion Cody Rhodes, Is Getting a New Reality Show (Exclusive) Hollywood Winners & Losers: CinemaCon Edition — Marvel Soars, DC Slips Jill Biden Tried to Win a Role on ‘Heated Rivalry’ — But She Was Outbid Online Personalities and Comedians Overtake TV and Newspapers as Primary News Sources Tyrese Haliburton Launches Production Company, Signs Multiyear Development Deal With Wheelhouse (Exclusive) Why the New ‘American Gladiators’ Doubled Down on Pro Wrestlers Hulu Nabs Four More Video Podcasts As Licensing Heats Up (Exclusive) ‘Humboldt USA’ Explores How Our Relationship With Nature Has Changed Through the Prism of a German Proto-Environmentalist ‘Heat’ Is a Doc That Asks Who We Become When Being in Our Own Skin Is Unbearable (Exclusive VdR Trailer and Chat) ‘Perfect Crown’ Scores Disney+’s Biggest K-Drama Debut to Date Ben Stiller Reveals He Didn’t Love All the ‘Meet the Parents’ Sequels ‘American Pie’ Star Shannon Elizabeth Says She Joined OnlyFans After Hollywood “Controlled the Narrative” of Her Career How ‘Hacks’ Finally Killed Its Central Feud Pam Abdy and Sandra Bullock Talk Paramount-Warners Deal and ‘Practical Magic 2’ ‘The Pitt’ Boss Says Noah Wyle’s Season 2 Storyline “Shows What Can Happen if You Don’t Take the Time to Resolve Mental Health Issues” Lynette Howell Taylor, Sara Murphy and Nastasya Popov to Discuss Power at Archer Film Festival The Best HBO Max Deals and Free Trial Hacks to Watch ‘Euphoria,’ ‘The Pitt’ and More Singer D4vd Arrested for Murder of Teen in Los Angeles, Police Say ‘Street Fighter’ Movie Trailer Brings the Pain — and the Camp Why CBS Remains Bullish on First-Run Syndicated Shows Pete Hegseth Reads Tarantino’s Fake Bible Quote From ‘Pulp Fiction’ at Prayer Service Tribeca Festival 2026 Lineup: Katie Holmes-Joshua Jackson Reunion Movie ‘Happy Hours,’ Films With Susan Sarandon, Dustin Hoffman, Quentin Tarantino Brian Williams Returns: Former NBC News and MSNBC Anchor Launching Netflix Podcast USC Has Just Launched an AI “Institute” for Actors For ‘The Roots of Madness,’ a Filmmaker Traveled to Conflict Zones to Explore Why So Many People Become Refugees ‘Lee Cronin’s The Mummy’ Review: Jack Reynor and Laia Costa Grapple With Ancient Evil and Grand Guignol Gore in Visceral Family Nightmare Juilliard Names Interim Drama School Leadership Team, Including Laura Linney Jamie Dornan Gets Puffy for Moncler by Eating Popsicle and Blowing Piece of Bubble Gum Carey Mulligan on Going Ballistic in ‘Beef’ Kit Connor, Taika Waititi to Voice Animated ‘Charlie vs. the Chocolate Factory,’ Netflix Drops First Look Roku Hits 100 Million Streaming Households Worldwide Behind the Hacker Leak of ‘Legend of Aang: The Last Airbender’ Nicholas Hoult Leads a Crew of Criminal YouTubers in First ‘How to Rob a Bank’ Footage Anne Hathaway and Dakota Johnson Face Off in First ‘Verity’ Trailer ‘Four Minus Three,’ Film About Family, Tears, Clowns and Hope That Won a Berlin Award, Sells to France, Canada, Australia Mel Brooks Unveils Title to ‘Spaceballs’ Sequel James Bond Casting Process Teased by Amazon MGM: “A Responsibility We Don’t Take Lightly” Jason Statham Unleashes ‘The Beekeeper 2’ Footage on CinemaCon “All Hail the Queen”: Donna Langley’s Power on Full Display as Snoop Dogg, Christopher Nolan, Steven Spielberg Bet on Universal ‘Masters of the Universe’: Camila Mendes Saves Nicholas Galitzine’s Life in New Footage Michael B. Jordan, Adria Arjona Get Flirty in Action-Packed ‘Thomas Crown Affair’ Trailer ‘The Fear of 13’ Theater Review: Adrien Brody Brings Unquestionable Commitment to a Death Row Drama Dulled by Pedestrian Writing Survival Horror Video Game ’99 Nights in the Forest’ Movie in the Works at 20th Century Studios Alec Baldwin on Career Ups and Downs, ‘Rust’ Prosecution’s Toll on His Health and Future Plans: “I Want to Retire” ‘Rooster’ Star Danielle Deadwyler Has Always Been the Goofball ‘The Audacity’ Creator Looks for Humanity in Silicon Valley: “It’s the Only Way Forward” Katy Perry Denies Ruby Rose’s Graphic Sexual Assault Claim: “Dangerous Reckless Lies” Lena Dunham Talks Adam Driver’s Temper and Being a “Lamb to the Slaughter” Making ‘Girls’ in New Memoir Mario Adorf, German-Italian Star of ‘The Tin Drum’ and ‘Winnetou,’ Dies at 95 Trump’s $10 Billion Lawsuit Over Epstein Story in Wall Street Journal Dismissed — but Not for Good Valerie Lee, One of the Young Munchkins in ‘The Wizard of Oz,’ Dies at 94 Netflix’s ‘Big Mistakes’ Took Dan Levy Out of His Comfort Zone. He Wants Hollywood to Know Why That’s OK Israeli Artist Noga Erez Gets Emotional During Coachella Set: “I’m Just Heartbroken and Sad” Justin Bieber’s Low-Key Coachella Performance Fuels Sexism Debate Prince Harry and Meghan Markle Attend Ted Sarandos’ ‘Beef’ Season 2 Event Following Netflix Drama Coachella Hot Shots: All the Highlights From Weekend One in the Desert Scarlett Johansson Says It “Was Tough” in the Early 2000s Because Actresses Were “Pulled Apart for How They Looked” Lila Raicek Broke Up With Roy Price Amid Scandal. Her Debut Novel is Definitely Not About It. When Wonder Woman Gave Primetime a Lift Justin Bieber Goes Heavy On ‘Swag’ In Much-Anticipated Coachella Headlining Set Trump Calls Tiger Woods From Rehab as Melania Addresses Her Epstein Statement on ‘SNL’ Box Office Milestone: ‘Super Mario Galaxy’ Soars Past $300M in U.S. and $600M Globally
SAG-AFTRA Leaders On What They Did — And Didn’t — Get in Their 2026 Negotiations
Katie Kilken · 2026-05-13 · via The Hollywood Reporter

Talking to SAG-AFTRA chief negotiator Duncan Crabtree-Ireland and president Sean Astin in 2026, it’s easy to forget that their union waged a painful, prolonged strike just three years earlier.

After emerging from a months-long negotiation with studios and streamers, the pair are complimentary of the studios’ approach under new president Greg Hessinger. Astin asserts that negotiations don’t always have to include brinksmanship. They describe how they leveraged the Alliance of Motion Picture and Television Producers’ desire for a longer deal term to get AI protections for members and a long-awaited merger for separate pension plans. No taunts aimed at company CEOs or themed picket lines necessary, like during their 2023 strike.

“Obviously the companies really wanted a longer term,” says Crabtree-Ireland, who is also the union’s national executive director. “What can we maybe achieve that we wouldn’t have otherwise been able to if we entertain that idea? And that’s how we ultimately ended up there.”

There’s a change in tone this year, for sure, but the parties weren’t exactly holding hands and singing kumbaya for three months while they bargained. In an interview with The Hollywood Reporter, Crabtree-Ireland and Astin describe the achievements and disappointments of their latest negotiation. As Astin put it, “I wouldn’t be doing my job as president of the union if I couldn’t give you a laundry list of a thousand things I thought we should be getting next time.”

What are the most important, headline gains in this deal in your view?

Duncan Crabtree-Ireland: This deal that has a lot of important stuff in it. If I were selecting a few things to highlight, I would say one certainly would be the agreement to merge our pension and retirement plans and the specific process for making that happen. That’s obviously something we’ve been looking to accomplish since merger, since 2012. And so to finally have that pathway laid out and to have an effective date and details, including additional contributions to make it possible, is very gratifying. Another I would say is the artificial intelligence protections. Obviously it’s a topic that’s been constantly under discussion since 2022 and for good reason. There are really meaningful improvements in the digital replication part of the contract, but even more so we have, from my perspective, really significant advances in dealing with synthetics going from our existing contract language … to now [a] specific statement of principles embodying and embracing human performance and an agreement to limit any use of synthetics only to cases where there’s a “significant additional value” provided to a production. And that has to be a “significant additional value” not only over a person, but also over a digital replica of a person. And so that is a meaningful limitation on the use of synthetic technology in the industry and by these major companies that no one’s ever seen before. So I think that’s really a crucial advance.

Obviously the WGA agreed to a four-year deal before you did, which set a precedent, but why did you feel that a four-year deal was worth your while, especially given the pace at which AI is evolving?

Crabtree-Ireland: Really for us it required the right agreement. It required the right elements of the agreement and that included making sure that the AI provisions gave the kind of protection that left us confident our members would be well cared for during a four-year term, but also other provisions that were really important to us, whether that’s residuals, whether that’s obviously the merger of our pension and retirement plans, the companies are putting significant money into both of those areas as well as a whole host of other things in the contract. If you’ve seen the summary, you know that there’s like 56 different major areas that are covered in this contract, that’s quite a lot. And I guess I just want to say for me, and I believe Sean will agree with this and I think our committee, we didn’t come at this as ‘the Writers Guild agreed to four years, so we’re going to agree to four years.’ We came at this from the perspective of ‘What is it that we really want to achieve in this negotiation’? And obviously the companies really wanted a longer term. What can we maybe achieve that we wouldn’t have otherwise been able to if we entertain that idea? And that’s how we ultimately ended up there.

Do you envision the four-year deal as a one-time thing or potentially something you may continue to agree to in subsequent negotiating cycles?

Astin: Let me say it like this. There is no pattern, period. Our contract is so wildly different from the other unions, [a] contract that we’re negotiating from our position of strength and our position of need to satisfy the circumstance of our members. We went first this time because we assessed that it was in the interests of the industry to have stability. We have a long list of constituents and a proposal packet that’s very, very, very large and we wanted them to have plenty of time to go through it. And so we never felt stressed or pressured. Will we do that again next time? We’ll see.

I think there is a grown up way of looking at bargaining. Bargaining shouldn’t always be about brinksmanship. It should be the normal course of doing business. It shouldn’t have such upset associated with it. That said, being reasonable, being thoughtful does not mean being weak. And I feel pretty confident they understood that our members reserve the right to take whatever actions necessary to achieve our goals. So I’m proud of the way we approached it and what we accomplished.

Let’s talk a little bit about the merger of the SAG and AFTRA pension plans. This brings up some very old history for SAG-AFTRA and not everyone is happy about it. What is your argument for why a merged pension plan will benefit union members?

Crabtree-Ireland: The number one argument is that there are almost a thousand members just in the last year who could have qualified for a pension credit if we had had a merged plan and they didn’t. This is actual people who didn’t because their earnings were split between the SAG Pension Plan and the AFTRA Retirement Fund. As a union, it’s our job to help make sure benefits are available to the greatest portion of our members that we can. So the idea [was] having the opportunity to bring these plans together and solve that problem once and for all. This is really important for a large swath of members who’ve been affected by that in the past and the present.

Astin: I would say that this is the fulfillment of a long-term promise and what’s complicated is how people who have been aware of the dynamics over the last 13 years are able to make peace with what they’ve been upset about. But once they look at the details of this process as it’s been laid out and the protections that are in place legally, contractually, financially, and in every other way to make sure that participants are safe, they’re protected and that going forward we will be operating efficiently when you’re only administering one retirement program as opposed to two. And in terms of the fundamental premise of how it works, the companies wanted this. It’s a big piece of money for them to put on the table to accomplish this right now. So this is another one of the many things that you could connect to the producers’ desire [for] a longer term and the stability that they were pursuing to achieve this heightened level of efficiency and security for the plans.

On which issues did you not make as much progress as you wanted to in this round of talks?

Astin: The joking answer would be all of them, you always want more, but I understand the spirit of your question. I think residuals are something that we made a really important leap forward on this time, but having our members continue to share in the financial life of the work that they invest their time, energy and talent in [is] something we have not fully achieved yet. So I look forward to working on that. [But] I wouldn’t be doing my job as president of the union if I couldn’t give you a laundry list of a thousand things I thought we should be getting next time.

Crabtree-Ireland: I’m always reluctant to prejudge what our W&W process and our negotiating committee will decide [are] our priorities. And so even as recently as last year, when I’m talking about AI, I’m always very careful to say that those priorities are determined at the time and we’re going to want to see what our experience is under this contract before we decide what we’re going to push for in our next round of bargaining. Having said that, I agree with what Sean said. I think AI will continue to evolve and there will need to be continued evolution of AI terms and provisions, although I feel very confident that these provisions will be more than sufficient to get our members through the term of this contract and in fact build a structure for the future.

What was it like negotiating with a former SAG leader — and former AFTRA leader — in Greg Hessinger?

Crabtree-Ireland: I worked with Greg in both of those capacities and since, when he’s been on the opposite side of the table from us. I think that Greg showed a great deal of sensitivity to the concerns that our members raised and he’s certainly no pushover. He’s a very tough negotiator and very skilled at what he does. But I think he also brought a new vibe to the bargaining table that has actually served the AMPTP very well if you see the kinds of results in the Writers Guild negotiations and in our negotiation—not served them well in the sense of they got away with anything, but served them well in the sense of building the kind of relationship like Sean described where bargaining doesn’t have to be a crisis every time. That bargaining can be about building a long-term relationship and finding ways to meet each other’s needs without harming our own constituencies. I think there’s reason to be optimistic about that.

Astin: Here’s a quote-length response: He helped reset the relationship between our organizations.

This interview has been edited for length and clarity.