惯性聚合 高效追踪和阅读你感兴趣的博客、新闻、科技资讯
阅读原文 在惯性聚合中打开

推荐订阅源

V
Visual Studio Blog
量子位
大猫的无限游戏
大猫的无限游戏
Hugging Face - Blog
Hugging Face - Blog
S
SegmentFault 最新的问题
Blog — PlanetScale
Blog — PlanetScale
月光博客
月光博客
Google DeepMind News
Google DeepMind News
小众软件
小众软件
WordPress大学
WordPress大学
宝玉的分享
宝玉的分享
MongoDB | Blog
MongoDB | Blog
B
Blog RSS Feed
博客园 - Franky
奇客Solidot–传递最新科技情报
奇客Solidot–传递最新科技情报
B
Blog
博客园 - 聂微东
The GitHub Blog
The GitHub Blog
Recent Announcements
Recent Announcements
Y
Y Combinator Blog
Microsoft Security Blog
Microsoft Security Blog
雷峰网
雷峰网
Jina AI
Jina AI
酷 壳 – CoolShell
酷 壳 – CoolShell

Variety

Beastie Boys’ G-Son Studios Launches Kickstarter to Reopen as Venue 'CBS Evening News' Back Over 4 Million Viewers for First Time in Weeks How to Stream Summer House Reunion Live Online Spotify Adds 650-Plus Narrated Articles to Audiobook Lineup, Including From Variety Keegan-Michael Key, Tom Brady to Guest on Tubi's 'The Other Football' House of the Dragon: Battle of Gullet Is 'Craziest TV Episode Ever' Vic Michaelis on Dropout’s 'Very Important People' and 'Ponies' 'Ninja Warrior' Obstacle Racing Joins 2028 Los Angeles Summer Olympics 'Off Campus' Ratings: No. 3 Biggest Amazon Prime Video Debut Ever 'Take Me Home’ Bought by Willa for Theatrical Release, Impact Campaign Universal Studio Group Salutes Artisans on Pole Banners Around LA ‘Half Man’ Cast on Shooting Intense HBO Series and Polarizing Ending India's Zee Sets Unite8 Sports Channels, Eyes Soccer World Cup Rights 'Dutton Ranch' Scores Biggest Paramount+ Series Launch Ever Albert Wolsky Dead: "Grease" Costume Designer Was 95 The Best Knicks Merch to Buy Online: NBA Finals 2026 Kehlani Announces 'The Kehlani World Tour: North America' Dates Bright Eyes Celebrates Anniversaries at Hollywood Bowl: Concert Review 'Spider-Noir' Soundtrack to Feature Music by Kris Bowers and Michael Dean Parsons Olivia Rodrigo Reveals 'You Seem Pretty Sad for a Girl' Tracklist Documentary Market CoPro 28 Returns to Israel With Diverse Film Slate Variety Hires Corbin Bolies as AI Reporter 'Ben'Imana' Review: An Impassioned Exploration of Genocide's Legacy Drake Beats Michael Jackson's Record for Most No. 1s by Male Artist 'Toy Story 5' Filmmakers on Aging Woody, and Why LilyPad Isn't the Film's Villain How To Watch ESPN Unlimited Online For Free, Streaming, Free Trial Terence Sheridan Joins JustWatch as Senior VP of Media Strategy 'Landman' Star Sam Elliott Is Still Pursuing Honesty in His Art Christopher Nolan Set For Complete Retro at TIFF Lightbox Julia Louis-Dreyfus to Make Broadway Debut in 'Other Desert Cities'
Christopher Nolan Says Playing it Safe With Mainstream Mo...
Jack Dunn · 2026-06-28 · via Variety

Christopher Nolan recently told The New York Times that Hollywood studios should take more risks with their blockbusters, because audiences are desperately “looking for something new.”

“If you’re really interested in movies and the history of movies, the one thing you see absolutely is that you have to take risks to succeed. The biggest risk of all is to play it safe,” Nolan said. “That’s what, consistently in mainstream movies, doesn’t work. The audience is looking for something new.”

Nolan then launched into a story about pitching his 2000 breakout “Memento” to his wife and producer Emma Thomas. Nolan recalled that she “responded well with the script,” but “felt it was taking a lot of risk” to structure the film backward.

Popular on Variety

“I was able to say to her: ‘No, I can do this.’ There are a lot of filmmakers who can do it in a more straightforward way. Actually having something new to bring to the table mitigates the risk, it gives you a way to distinguish yourself.”

The “Inception” director explained that “Memento” was a difficult sell to distributors, but eventually found its audience. He added that his upcoming film “The Odyssey” also takes many risks, and that he hopes it too will be well received.

“Then we tried to sell it to people who didn’t get it, so she was completely right,” Nolan said. “But eventually it got to an audience and the audience appreciated that. The risk is the intermediaries — the financiers, the studio. If you can get to the audience — I mean, I’m not making any predictions for [’The Odyssey’], but in the past we’ve been well rewarded for having faith in the audience.”