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The New Yorker

The Paperboy’s Secret Taiye Selasi on How to Survive Perfectionism Taiye Selasi Reads “Firstborn Immigrant Daughter” Restaurant Review: Ambassadors Clubhouse The Expansive Joy of Mao Ishikawa Italy Has Failed to Qualify for Three Straight World Cups. Are the Country’s Immigration Policies to Blame? When the Religious Right Came for Martin Scorsese Play Shuffalo: Saturday, May 30, 2026 The Knicks: The Only Game in Town Why “Yesteryear” Is Everywhere Dan Osborn, the Independent Senate Candidate Who Could Tip Nebraska Daily Cartoon: Friday, May 29th The Mini Crossword: Friday, May 29, 2026 “Hacks” Gave Us an Odd Couple for the Ages Inside Lebanon’s Fraught Push to Disarm Hezbollah Should You Automate Your Life? “Greater New York” Takes the Pulse of the City Postscript: Donald Newhouse Play Shuffalo: Friday, May 29, 2026 “Power Ballad,” Reviewed: A Bromantic Conflict Over a Hit Song Donald Trump Gets Even Attack of the “Flesh-Eating” Bacteria Taking Children from Their Parents Without a Court Order The Stories That TV Tells About Online Sex Work Daily Cartoon: Thursday, May 28th Play Shuffalo: Thursday, May 28, 2026 We Found Amelia Earhart, but She Cut Her Bangs, So We Didn’t Recognize Her The Mini Crossword: Thursday, May 28, 2026 All the Films in Competition at Cannes 2026, Ranked from Best to Worst A Prison Escape in Georgia The Whiplash of the U.S.-Iran Peace Talks Julia Alvarez Reads Judy Page Heitzman Daily Cartoon: Wednesday, May 27th What the Pope Said About A.I. Play Shuffalo: Wednesday, May 27, 2026 Everlane and the Death of the “Good” Millennial Life-Style Brand The Crossword: Wednesday, May 27, 2026 Hollywood Comes to Jesus The Kids Are Not All Right at Cannes The Revolutionary Force of Sonny Rollins The Epic Disaster of Operation Epic Fury Daily Cartoon: Tuesday, May 26th Ken Paxton Wins the Senate Republican Primary Runoff in Texas The Despair of the Professor in the Age of A.I. I Am a Woman in My Thirties, and I Am Thriving Play Shuffalo: Tuesday, May 26, 2026 The Crossword: Tuesday, May 26, 2026 How a Small-Town Clerk’s Misdeeds Upturned the Murdaugh Verdict Ken Paxton Wins the Senate Republican Primary Runoff in Texas Why Any Plausible Iran Deal Is a Humiliation for Trump Play Shuffalo: Monday, May 25, 2026 “What I Saw,” by Matthew Dickman Mark Ulriksen’s “Kings of New York” “This Vast Enterprise: A New History of Lewis & Clark,” Reviewed “Ecologies of Perception,” by Terrance Hayes Slide Show: New Yorker Cartoons June 1, 2026 The Useless Beauty of Christo and Jeanne-Claude A Vindication of the Rights of L.L.M.s The Trump-Epstein Files: Look but Don’t Touch Mariska Hargitay Trades Her Badge for Confetti Can Anything Stop Donald Trump’s Corruption? Play Laugh Lines No. 73: Funerals The Crossword: Monday, May 25, 2026 Daily Cartoon: Monday, May 25th How “The Chosen” Spurred a Golden Age of Christian Filmmaking What Dogs See When They Look at Us How Problematic Is Patriotism? The Ukrainian Stunt Pilot Hunting Russian Drones How Trump Created a Slush Fund for His Allies Ayşegül Savaş Reads “Many Worlds” “Many Worlds,” by Ayşegül Savaş The Leader of NASA’s Artemis II Mission Is Still Moonstruck How Prepared Are We for a Public-Health Emergency? Play Shuffalo: Sunday, May 24, 2026 Ayşegül Savaş on Smugness and Creativity Restaurant Review: Cote 550 The Transformation of Elina Svitolina What’s Missing from Belle Burden’s “Strangers” What Jack Kerouac Left Behind The Verve and Confrontation of Lisa Yuskavage’s Naked Ladies How Raghu Rai Captured an India in Transition Is the Working Class Finally Turning on Trump? Play Shuffalo: Saturday, May 23, 2026 Is Washington Up to the Challenge of A.I.? A Funeral for Stephen Colbert’s “Late Show” Dana White Thinks Everyone’s a Fighter A FEMA Insider Says Morale Has Never Been Lower at the Embattled Agency Daily Cartoon: Friday, May 22nd Summer Culture Preview “I Love Boosters,” Reviewed: A Socialist-Surrealist Shoplifting Fantasy Play Shuffalo: Friday, May 22, 2026 How Good Is This World Cup Squad, Really? The Mini Crossword: Friday, May 22, 2026 Why Is It So Hard to Be Ordinary? Will College Soon Be Obsolete? Singing the Knicks’ Praises, with a Dash of Metal Daily Cartoon: Thursday, May 21st Play Shuffalo: Thursday, May 21, 2026 Updated Birdsong Mnemonics for Donald Trump’s America Daily Cartoon Slide Show
Can Sonny, South Korea’s Legendary Captain, Deliver in His Final World Cup?
E. Tammy Kim · 2026-06-24 · via The New Yorker

If you don’t know who Son Heung-min is, you probably aren’t a soccer fan—or Korean, in South Korea or anywhere else. Son, a.k.a. Sonny, is the thirty-three-year-old captain of South Korea’s World Cup team and the only Asian footballer who’s globally mononymous. (Some call him Sonaldo.) He attained this status over his decade-long tenure on Tottenham Hotspur, a top Premier League squad, where he and the Englishman Harry Kane formed an explosive partnership. They set each other up and scored in equal measure, like a single organism that could split and merge. Son moved fast, especially up the left wing, and arced balls masterfully into the corners of the net. He won the Puskás Award and the Golden Boot. Between 2019 and 2024, he was one of the league’s top scorers, and, after each of those dozens of goals, he acted as if it were his first, flashing a wide, boyish smile. That same joy was evident in his appearances with the Korean national team, through multiple World Cups, Asian Cups, and the Asian Games. He became known for his post-goal gestures: a pointer finger pressed to his lips, forming a hushed bond with his fans; or his “camera celebration,” two squaring “L”s, made by thumb and index finger, over his eye, like a photographer’s viewfinder. It was a way to freeze these moments for himself, he said.

Last year, after Tottenham beat Manchester United in the Europa League championship, Son made a familiar career move: he went to the United States, signing with Los Angeles F.C., the top club in Major League Soccer, for a bankable semi-retirement. (His roughly $26.5-million deal set an M.L.S. record.) His relocation to the most Korean city in the U.S. has given Southern California soccer a transnational shine—much as Park Chan Ho, the pitcher for the Dodgers, did for Major League Baseball in the nineteen-nineties. But Son is, by the standards of his sport, getting rather long in the tooth. He played well for L.A. last summer and fall, scoring a hat trick in a game against Real Salt Lake and sinking a memorable long-distance free kick in a match against F.C. Dallas. (For the latter, he received the 2025 M.L.S. Goal of the Year award.) But he has played much less well since the start of the current season, in February, scoring zero goals in thirteen appearances.

Coming into this, his fourth and, he has said, likely last World Cup, there was overweening anticipation. A global Korean yearning for the old Sonny to reappear and lead Korea into, and perhaps beyond, the semifinals—the team has gone past the round of sixteen only once, in 2002, when it co-hosted the World Cup with Japan. (Every Korean fan has an outsized memory from that year. I was in Seoul then, fresh out of college and trying to find my roots in a sea of red shirts and syncopated five-clap cheers.)

In the World Cup draw, six months ago, South Korea had the good luck of getting Group A, teeing up first-round matchups against two teams it could reasonably defeat (South Africa, Czechia) and one that it could probably tie (Mexico). The squad is also deeper than it has been in more than a decade. Besides Sonny, there’s Lee Kang-in, who plays for Paris Saint-Germain; Hwang In-beom, a midfielder for Feyenoord; Kim Min-jae, of Bayern Munich; and Midtjylland’s Cho Gue-sung, who’s known for being tall and “well, incredibly hot”—a Vogue Korea cover model—as the Athletic recently noted. If this is, as some believe, a golden generation of Korean football, then Son is its paterfamilias.

Yet here we are, shortly before Korea’s third game in the group stage, and Sonny seems a bit distant; gauzy. In the first match, against Czechia, Korea won 2–1, but neither goal was his. “These days, when he tries to score, his finishing’s a little off,” Jinseok Yang, a blogger for the Korean soccer site Taeguk Warriors, told me. “His age might be catching up to him.” Last week, in a game against Mexico, in Guadalajara, Son took a promising, but unsuccessful, lob shot early on (which was blocked by an opponent’s gravitationally improbable bicycle kick), then seemed to wear himself out, running up and down the pitch. And he wasn’t the only one. Confronted by a stubborn Mexican defense, the Koreans receded into a zigzag of impressive but somewhat fruitless passing. Then, just a few minutes into the second half, Korea’s goalie, Kim Seung-gyu, tumbled over a defender and let the ball slip out of his hands, giving the Mexican midfielder Luis Romo an easy goal. Sonny was subbed out a few minutes later. At the whistle—final score: 1–0—the Koreans on the field shrivelled into various postures of defeat. They had worn new lavender uniforms instead of their usual red, a tribute to the rose of Sharon, the Korean national flower. (Purple is also the color of the K-pop super group BTS.) Now the players were clumps of broken petals on grass. My viewing partner—we’d ended up watching, surrounded, at a Mexican bar—summed up the game as a “total mental collapse.” Mexico will now advance beyond Group A, but so will Korea, unless it loses in an upset to South Africa on Wednesday.

Korea fans have many people to blame. For instance, the head coach, Hong Myung-bo, who’d been a star player for the national team in the 2002 World Cup, is now alleged to be a lazy strategist. (During this World Cup, the camera has often cut to him in moments of frustration, pacing and blowing his long hair out of his face.) Other fans have targeted Chung Mong-gyu, the outgoing director of the Korean Football Association, who’s been accused of improperly interfering in the management of the national team. In the games so far, there have been quite a few fumbles and an apparent slackness of mind and limb. Son, though, has largely been spared condemnation. As Rachael Joo, an anthropologist of sport at Middlebury College, told me, Son is untouchable. “I don’t think there’s anything he could do that’s negative,” Joo said. “If he doesn’t do well, there will always be a reason why. He transcends all classes and political divisions.”

Son is so essential to the South Korean brand, so much a part of its patrimony, that he was exempted from the twentyish months of military service required of every male citizen. He’d won this privilege in 2018, when he captained the national team to a gold medal in the Asian Games—beating Japan, Korea’s perpetual rival, no less. (Exemptions are granted on an individual basis, and depend on the type of win, age, and other factors.) Sonny had never looked so ecstatic: a mix of athletic victory and thank-God-I’m-not-in-fatigues relief (a popular hashtag at the time: #SavingPrivateSon), though he eventually did three weeks of basic training. The exemption gave Sonny his best years with Tottenham; by extension, the Korean national team earned itself a superstar striker.

But getting out of military service remains controversial in South Korea, and last week, a minor scandal intruded on the usual rhythms of the World Cup. A Korean broadcast channel got hold of audiotape in which several Korean reporters covering the tournament had been recorded grousing about Son before the match against Czechia:

“He runs like he’s in the Army. Maybe because he’s the team captain?”

“But, fuck, he didn’t even go to the Army.”

“These shits don’t know the first thing about the Army.”

“Well, he did serve a little.”

The Korean Football Association was furious, responding to this juvenile, but ultimately harmless, prattle by boycotting the Korean press. In an odd statement, made odder by an awkward translation (not mine), the association said (in the first person, for some reason): “I ask the media and members of the football community to unite in support so that the South Korean national football team can showcase its best performance on the World Cup stage.” It was media repression in the guise of a national project. Sonny later walked by the press gaggle without giving the journalists so much as a glance. A representative of Korea’s World Cup press corps resigned; reporters apologized to Son in a meeting.

The media blackout, combined with Son’s less-than-out-front performances thus far, has made for a somewhat quiet World Cup, Korea-wise. But off the field, in Mexico and in Son’s adopted M.L.S. home of Los Angeles, there have been many gleeful expressions, and revisited histories, of binational love. A Korean fan crowd-surfing a green-jerseyed Mexican throng; Korean tourists selfie-ing smooches from Mexican strangers. El Tri’s affection for the Reds goes back to the 2018 World Cup, when Korea’s surprise victory over Germany (Son scored in the ninety-sixth minute) allowed Mexico to advance to the round of sixteen, and Mexican fans took to saying, “¡Coreano, hermano, ya eres mexicano!” (“Korean brother, you are Mexican now!”). The current head coach of the Mexico team, Javier Aguirre, had coached Lee Kang-in on La Liga’s R.C.D. Mallorca, turning him into a fearsome midfielder before he transferred to P.S.G. Mexico has a small population of ethnic Koreans and a large population of ardent K-pop fans. It made sense that Ejae, the Korean American idol behind the animated movie “KPop Demon Hunters,” would sing a new soccer anthem at the opening ceremony, in Mexico City. (“This is more than just a game / It’s our DNA.”) A lot of Mexico fans would be happy to see the Korean team advance with them, out of Group A. The hope, in the coming South Africa match, is that Sonny will help it do so. “Son is a legend,” Yang, the blogger, said, “even to non-Koreans.” ♦