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Deadline

Everything We Know About ‘Wednesday’ Season 3 So Far ‘Super Mario Galaxy Movie’ Powers To $35M Third Weekend, ‘Lee Cronin’s The Mummy’ Walks To $13M – Sunday Box Office Update Joe Russo Teases ‘Avengers: Endgame’ Re-Release At Sands & Says The Film Will Feature New Footage Set Within The ‘Doomsday’ Narrative: “It’s An Opportunity To Create A Bridge” Rebel Wilson’s Legal Faceoff With ‘The Deb’ Star Charlotte MacInnes To Be Streamed On YouTube Caitlyn Jenner Appeals To Trump Over His Policy That Requires Passports List A Person’s Birth Gender: “I Don’t Think This Was Really Thought Out” Ethan Embry Joins Cast Of Prime Video’s ‘Cross’ For Season 3 As Series Regular Eva Victor On Crafting Directorial Debut ‘Sorry, Baby’ & Working With Barry Jenkins — Storyhouse ‘FernGully’ Returning As Live-Action Film; Amazon MGM Studios Sets Marielle Heller To Direct Cannes: Leïla Bekhti To Preside Over Un Certain Regard Jury ‘NCIS: New York’: How Surprise Spinoff Starring LL Cool J & Scott Caan Came Together In Record Time With ‘Pitt’ Creator, Extending CBS’ Franchise Streak Noah Wyle & R. Scott Gemmill Address Fans Asking For A ‘The Pitt’ Night Shift Spinoff Series, And What Ayesha Harris’ Future On The Show Looks Like Kathryn Newton Returns To MCU With ‘Avengers: Doomsday’ As Cassie Lang Following ‘Quantumania’ Graham Kay Sets Fourth Comedy Special ‘Pete & Me’ With Nate Bargatze’s Nateland Entertainment Hulu Developing Drama ‘Everflame’ Based On Book From Heidi Cole McAdams & Penn Cole ‘Hot Ones’ Producers Set New Series ‘Slice Joint’ Hosted by Speedy Morman ATX TV Festival Reveals 2026 Pitch Competition & Mentorship Program Finalists, Mentors ‘The Pitt’s Noah Wyle Teases Season 3 Will Explore Dr. Robby’s Rock Bottom ‘Queer Eye’s Tan France Launches ‘Honorable Gays’ Digital Series To Deliberate Reddit Threads Duffer Brothers Kick Off Paramount Era With Appearance In Star-Studded Video About Studio’s Legacy Alongside Tom Cruise & Timothée Chalamet Pluto TV Upgrade On The Way As David Ellison Reiterates Paramount’s Commitment To “Movies And Storytelling” At L.A. Upfronts HBO Max Buys Mark Gatiss Series ‘Bookish’ For Australia As Sales Pass The 100-Territory Mark Cindy Holland Reiterates Paramount+ Focus On “Female Forward Dramas” At Paramount Upfront Sandra Bullock Encourages Hollywood To “Lean Into” AI: “There’s A Place For It” Have ‘The Pitt’ Fans Seen The Last Of Supriya Ganesh? Jesse McCartney’s ‘Hacks’ Cameo Came Five Years After He DMed Hannah Einbinder: “Full Circle Moment” ‘The Pitt’ Creator R. Scott Gemmill Reveals Dr. Robby Hasn’t Hit Rock Bottom Does The New Paramount Have ANY Oscar Contenders? Maybe – CinemaCon ‘Proof’ Review: ‘The Bear’ Star Ayo Edebiri Serves Up Transfixing Broadway Debut In Mathematical Mystery Play ‘The Pitt’s John Wells & R. Scott Gemmill Share Timeline Update For Season 3 Release Pete Hegseth Roasted By Gavin Newsom & Others Over ‘Pulp Fiction’ Prayer Debacle
Comcast Stock Pops As Olympics, Super Bowl Fire Up Q1 Adv...
Jillg366 · 2026-04-23 · via Deadline

Comcast blew past Wall Street forecasts on the top and bottom lines for the three months ended in March as ad sales boomed and shaky broadband appears to be turning around. The Winter Olympics the Super Bowl added $2.2 billion in incremental advertising revenue. The shares, which have been poky over the past year, jumped over 10% after the numbers.

Brian Roberts and Mike Cavanagh called 2026 “an important year of execution.”

“We’re seeing tangible early signs our pivot is taking hold” in broadband, a key focus of investors, where subscriber losses improved amid a major push,” said the co-CEOS. Domestic residential broadband
customer net losses improved by 117,000 year-over-year to 65,000. The division is part of Comcast’s giant Connectivity & Platforms segment. It’s been a pain point as subscribers bailed but the company has been working on a national push to woo customers with better service, packages and pricing.

“Legendary February” featured the Milan Cortina Winter Olympics, the Super Bowl, and the NBA All-Star Game, drove record advertising and Peacock growth. The streamer added 5 million subscribers year-on-year to 46 million — up 2 million from Q4 2025. Peacock revenue topped $2 billion, up from $1.2 billion the year before.

Total revenue for the NBCUniversal parent rose 5.3% to $31.46 billion. Adjusted earnings per shares came in at 79 cents, down 27% but above forecasts. Profits were squeezed profit by higher costs in the media division including the new NBA rights deal. Peacock losses expanded to $423 million last quarter from $215 million the year ago.

The company generated $3.9 billion in free cash flow. Numbers were adjusted for the spinoff of Versant Media in January.

Media swung to a loss of $426 million for the quarter from $107 million profit the year-earlier quarter on as revenue surged 60% to $7.28 billion. Revenue was still up 13% (at $5.1 billion) excluding the Olympics and Super Bowl.

Studios revenue was driven by higher content licensing revenue (led by The Office). Theatrical revenue decreased on fewer releases vs the prior year that included Dog Man and Nosferatu. Universal s currently reveling in the global box office smash The Super Mario Galaxy Movie, which blasted out April 1. Upcoming summer tentpoles include Steven Spielberg’s Disclosure Day in June, and Minions & Monsters and The Odyssey by Christopher Nolan in July.

Theme Parks profit surged 33% to $551 million on revenue up 24% to $2.3 billion, fueled by the opening of Epic Universe in May.

More to come