惯性聚合 高效追踪和阅读你感兴趣的博客、新闻、科技资讯
阅读原文 在惯性聚合中打开

推荐订阅源

L
LangChain Blog
S
SegmentFault 最新的问题
V
Visual Studio Blog
J
Java Code Geeks
宝玉的分享
宝玉的分享
美团技术团队
博客园 - Franky
酷 壳 – CoolShell
酷 壳 – CoolShell
H
Hackread – Cybersecurity News, Data Breaches, AI and More
有赞技术团队
有赞技术团队
量子位
Martin Fowler
Martin Fowler
MyScale Blog
MyScale Blog
Google DeepMind News
Google DeepMind News
Jina AI
Jina AI
博客园 - 叶小钗
月光博客
月光博客
P
Proofpoint News Feed
D
DataBreaches.Net
Blog — PlanetScale
Blog — PlanetScale
博客园_首页
腾讯CDC
Microsoft Azure Blog
Microsoft Azure Blog
Stack Overflow Blog
Stack Overflow Blog

Deadline

Everything We Know About ‘Wednesday’ Season 3 So Far ‘Super Mario Galaxy Movie’ Powers To $35M Third Weekend, ‘Lee Cronin’s The Mummy’ Walks To $13M – Sunday Box Office Update Joe Russo Teases ‘Avengers: Endgame’ Re-Release At Sands & Says The Film Will Feature New Footage Set Within The ‘Doomsday’ Narrative: “It’s An Opportunity To Create A Bridge” Rebel Wilson’s Legal Faceoff With ‘The Deb’ Star Charlotte MacInnes To Be Streamed On YouTube Caitlyn Jenner Appeals To Trump Over His Policy That Requires Passports List A Person’s Birth Gender: “I Don’t Think This Was Really Thought Out” Ethan Embry Joins Cast Of Prime Video’s ‘Cross’ For Season 3 As Series Regular Eva Victor On Crafting Directorial Debut ‘Sorry, Baby’ & Working With Barry Jenkins — Storyhouse ‘FernGully’ Returning As Live-Action Film; Amazon MGM Studios Sets Marielle Heller To Direct Cannes: Leïla Bekhti To Preside Over Un Certain Regard Jury ‘NCIS: New York’: How Surprise Spinoff Starring LL Cool J & Scott Caan Came Together In Record Time With ‘Pitt’ Creator, Extending CBS’ Franchise Streak Noah Wyle & R. Scott Gemmill Address Fans Asking For A ‘The Pitt’ Night Shift Spinoff Series, And What Ayesha Harris’ Future On The Show Looks Like Kathryn Newton Returns To MCU With ‘Avengers: Doomsday’ As Cassie Lang Following ‘Quantumania’ Graham Kay Sets Fourth Comedy Special ‘Pete & Me’ With Nate Bargatze’s Nateland Entertainment Hulu Developing Drama ‘Everflame’ Based On Book From Heidi Cole McAdams & Penn Cole ‘Hot Ones’ Producers Set New Series ‘Slice Joint’ Hosted by Speedy Morman ATX TV Festival Reveals 2026 Pitch Competition & Mentorship Program Finalists, Mentors ‘The Pitt’s Noah Wyle Teases Season 3 Will Explore Dr. Robby’s Rock Bottom ‘Queer Eye’s Tan France Launches ‘Honorable Gays’ Digital Series To Deliberate Reddit Threads Duffer Brothers Kick Off Paramount Era With Appearance In Star-Studded Video About Studio’s Legacy Alongside Tom Cruise & Timothée Chalamet Pluto TV Upgrade On The Way As David Ellison Reiterates Paramount’s Commitment To “Movies And Storytelling” At L.A. Upfronts HBO Max Buys Mark Gatiss Series ‘Bookish’ For Australia As Sales Pass The 100-Territory Mark Cindy Holland Reiterates Paramount+ Focus On “Female Forward Dramas” At Paramount Upfront Sandra Bullock Encourages Hollywood To “Lean Into” AI: “There’s A Place For It” Have ‘The Pitt’ Fans Seen The Last Of Supriya Ganesh? Jesse McCartney’s ‘Hacks’ Cameo Came Five Years After He DMed Hannah Einbinder: “Full Circle Moment” ‘The Pitt’ Creator R. Scott Gemmill Reveals Dr. Robby Hasn’t Hit Rock Bottom Does The New Paramount Have ANY Oscar Contenders? Maybe – CinemaCon ‘Proof’ Review: ‘The Bear’ Star Ayo Edebiri Serves Up Transfixing Broadway Debut In Mathematical Mystery Play ‘The Pitt’s John Wells & R. Scott Gemmill Share Timeline Update For Season 3 Release Pete Hegseth Roasted By Gavin Newsom & Others Over ‘Pulp Fiction’ Prayer Debacle
Disney CFO Answers A Wall Street Question “We Get A Lot”:...
Dade Hayes · 2026-05-07 · via Deadline

Reaffirming the company’s long-established strategy, Disney CFO Hugh Johnston told Wall Street analysts Wednesday on an earnings call there are no plans to spin off or sell linear TV networks.

The question has surfaced anew given the changing of the executive guard, with Josh D’Amaro succeeding Bob Iger as CEO earlier this year. Iger in 2023 made waves when he said linear networks “may not be core” assets, though he later walked back the comments, calling them a public “test” of strategic thinking.

The conference call with analysts followed Disney’s report of better-than-expected earnings results. Streaming gains by Disney+ and Hulu powered a big performance by the Entertainment division.

Watch on Deadline

Rivals Comcast and Warner Bros. Discovery have made moves in recent months to rid their balance sheets of linear TV, which is experiencing secular decline due to cord-cutting. Stocks of companies seen as dependent on linear have taken a beating over the past few years. Privately held A+E Global Media, a joint venture of Disney and Hearst that controls cable networks like Lifetime and A&E, last summer hired a bank to help it explore strategic options, in part due to linear TV declines.

Comcast this year spun off almost all of NBCUniversal’s cable networks into a stand-alone company, Versant, while WBD announced plans to split its linear business from studios and streaming. The WBD split was superseded by Paramount’s pending $110 billion offer to take over the company. Paramount has indicated a willingness to continue operating linear networks, though it has seen marked deterioration of its own linear stable.

The linear question is “obviously one that we hear a lot, so I’m gonna try to be as clear as I can in the answer on this,” Johnston said. “We do understand there’s a lot of focus on linear entertainment assets, and ESPN.”

Networks, the exec continued, “are better thought of as brands with studios that produce content, like The Bear or Shōgun, and we monetize that content across multiple distribution platforms. Separating those monetization platforms into discrete businesses is highly complex and, in our view, unlikely to create incremental value for shareholders, especially given where linear networks are valued in today’s marketplace.”

Disney is also “managing a monetization transition of these brands, and we are actually far down that migration path,” Johnston added. “We’re generating more revenue at Disney Entertainment and streaming than in linear, more than double if we look at it in this most recent quarter. So, the linear earnings base is becoming smaller and smaller every quarter within our P&L. Finally, yes, linear revenues are declining, but Disney Entertainment as a segment is growing nicely.”

Sports is a “separate discussion,” the CFO argued. ESPN is “much earlier in its monetization transition, having just launched [its “unlimited” app offering] last year. However, when we look at the marketplace for streaming in our competitive set, Netflix, Prime Video, YouTube, Paramount Plus, all of them are increasing their position in live sports. Sports rights are expensive and can be dilutive without scale. But we have scale in our most important market, the U.S., and the biggest sports media brand in the world in ESPN. We view sports as a key part of our programming strategy, and ESPN as an important contributor to our distribution portfolio.”

Johnston conceded that the “economic transition” of ESPN remains a work in progress, but the company is confident about “leveraging it for our overall business.”