惯性聚合 高效追踪和阅读你感兴趣的博客、新闻、科技资讯
阅读原文 在惯性聚合中打开

推荐订阅源

D
Docker
I
InfoQ
L
LangChain Blog
阮一峰的网络日志
阮一峰的网络日志
Y
Y Combinator Blog
博客园_首页
Martin Fowler
Martin Fowler
宝玉的分享
宝玉的分享
A
About on SuperTechFans
Apple Machine Learning Research
Apple Machine Learning Research
Vercel News
Vercel News
T
The Blog of Author Tim Ferriss
C
Check Point Blog
B
Blog RSS Feed
Cyber Security Advisories - MS-ISAC
Cyber Security Advisories - MS-ISAC
Engineering at Meta
Engineering at Meta
B
Blog
爱范儿
爱范儿
Stack Overflow Blog
Stack Overflow Blog
aimingoo的专栏
aimingoo的专栏
WordPress大学
WordPress大学
F
Fortinet All Blogs
月光博客
月光博客
GbyAI
GbyAI

Deadline

Everything We Know About ‘Wednesday’ Season 3 So Far ‘Super Mario Galaxy Movie’ Powers To $35M Third Weekend, ‘Lee Cronin’s The Mummy’ Walks To $13M – Sunday Box Office Update Joe Russo Teases ‘Avengers: Endgame’ Re-Release At Sands & Says The Film Will Feature New Footage Set Within The ‘Doomsday’ Narrative: “It’s An Opportunity To Create A Bridge” Rebel Wilson’s Legal Faceoff With ‘The Deb’ Star Charlotte MacInnes To Be Streamed On YouTube Caitlyn Jenner Appeals To Trump Over His Policy That Requires Passports List A Person’s Birth Gender: “I Don’t Think This Was Really Thought Out” Ethan Embry Joins Cast Of Prime Video’s ‘Cross’ For Season 3 As Series Regular Eva Victor On Crafting Directorial Debut ‘Sorry, Baby’ & Working With Barry Jenkins — Storyhouse ‘FernGully’ Returning As Live-Action Film; Amazon MGM Studios Sets Marielle Heller To Direct Cannes: Leïla Bekhti To Preside Over Un Certain Regard Jury ‘NCIS: New York’: How Surprise Spinoff Starring LL Cool J & Scott Caan Came Together In Record Time With ‘Pitt’ Creator, Extending CBS’ Franchise Streak Noah Wyle & R. Scott Gemmill Address Fans Asking For A ‘The Pitt’ Night Shift Spinoff Series, And What Ayesha Harris’ Future On The Show Looks Like Kathryn Newton Returns To MCU With ‘Avengers: Doomsday’ As Cassie Lang Following ‘Quantumania’ Graham Kay Sets Fourth Comedy Special ‘Pete & Me’ With Nate Bargatze’s Nateland Entertainment Hulu Developing Drama ‘Everflame’ Based On Book From Heidi Cole McAdams & Penn Cole ‘Hot Ones’ Producers Set New Series ‘Slice Joint’ Hosted by Speedy Morman ATX TV Festival Reveals 2026 Pitch Competition & Mentorship Program Finalists, Mentors ‘The Pitt’s Noah Wyle Teases Season 3 Will Explore Dr. Robby’s Rock Bottom ‘Queer Eye’s Tan France Launches ‘Honorable Gays’ Digital Series To Deliberate Reddit Threads Duffer Brothers Kick Off Paramount Era With Appearance In Star-Studded Video About Studio’s Legacy Alongside Tom Cruise & Timothée Chalamet Pluto TV Upgrade On The Way As David Ellison Reiterates Paramount’s Commitment To “Movies And Storytelling” At L.A. Upfronts HBO Max Buys Mark Gatiss Series ‘Bookish’ For Australia As Sales Pass The 100-Territory Mark Cindy Holland Reiterates Paramount+ Focus On “Female Forward Dramas” At Paramount Upfront Sandra Bullock Encourages Hollywood To “Lean Into” AI: “There’s A Place For It” Have ‘The Pitt’ Fans Seen The Last Of Supriya Ganesh? Jesse McCartney’s ‘Hacks’ Cameo Came Five Years After He DMed Hannah Einbinder: “Full Circle Moment” ‘The Pitt’ Creator R. Scott Gemmill Reveals Dr. Robby Hasn’t Hit Rock Bottom Does The New Paramount Have ANY Oscar Contenders? Maybe – CinemaCon ‘Proof’ Review: ‘The Bear’ Star Ayo Edebiri Serves Up Transfixing Broadway Debut In Mathematical Mystery Play ‘The Pitt’s John Wells & R. Scott Gemmill Share Timeline Update For Season 3 Release Pete Hegseth Roasted By Gavin Newsom & Others Over ‘Pulp Fiction’ Prayer Debacle
Neon Sets US Release Date For Hirokazu Koreeda’s 'Sheep I...
Andreas Wiseman · 2026-06-15 · via Deadline

EXCLUSIVE: Neon has set its domestic theatrical release date for Hirokazu Koreeda’s (Shoplifters) Cannes Competition entry Sheep In The Box.

Pic will will be released on July 24, 2026 in New York and Los Angeles followed by a nationwide rollout.

Palme d’Or winner Koreeda’s latest drama, which grapples with the world of AI, sees a couple welcome a humanoid robot into their home as their son. Starring are Haruka Ayase, Daigo, and Rimu Kuwaki. It is produced by Kaoru Matsuzaki and Megumi Bans and a Gaga and Toho production.

The film’s release follows Neon’s prior collaboration with Koreeda on Broker starring Song Kang Ho (Parasite).

Watch on Deadline

The synopsis reads: “Two years after losing their son Kakeru, Otone and her husband Kensuke take into their lives a humanoid from a company that rents humanoids to bereaved families as replacements for lost loved ones. The robot looks and behaves exactly like Kakeru, with Otone embracing its arrival as Kensuke struggles to accept it. Living with “him” seems to restore the flow of time within the family, yet gradually exposes the unspoken wounds and lingering regrets each parent carries after the loss. All the while, he begins to slip away to meet other humanoid children, unnoticed by the parents.’

Deadline’s Damon Wise said the following about the film out of Cannes: “Who do the dead belong to? This strange but thoughtful question is incredibly on brand for Japan’s Hirokazu Koreeda, and he explores it in one of his purest, most dreamlike films to date. Built around three extraordinary performances, including one from first-timer Kuwaki Rumi, it’s a light yet somehow very profound study of grief that deals with death in an unusual but surprisingly cathartic way. Inevitably, family life features strongly, as it often does in Koreeda’s movies, but the fantastical elements of the plot make this more of a piece with 1998’s After Life than his recent run from Shoplifters to Monster.”

The film was one of Neon’s large contingent of Cannes titles, which also included Palme d’Or winner Fjord.