惯性聚合 高效追踪和阅读你感兴趣的博客、新闻、科技资讯
阅读原文 在惯性聚合中打开

推荐订阅源

C
Check Point Blog
Y
Y Combinator Blog
GbyAI
GbyAI
Microsoft Azure Blog
Microsoft Azure Blog
Martin Fowler
Martin Fowler
博客园_首页
大猫的无限游戏
大猫的无限游戏
美团技术团队
S
SegmentFault 最新的问题
T
The Blog of Author Tim Ferriss
Cyber Security Advisories - MS-ISAC
Cyber Security Advisories - MS-ISAC
MyScale Blog
MyScale Blog
小众软件
小众软件
Vercel News
Vercel News
阮一峰的网络日志
阮一峰的网络日志
N
Netflix TechBlog - Medium
让小产品的独立变现更简单 - ezindie.com
让小产品的独立变现更简单 - ezindie.com
量子位
博客园 - 【当耐特】
J
Java Code Geeks
F
Fortinet All Blogs
宝玉的分享
宝玉的分享
Stack Overflow Blog
Stack Overflow Blog
博客园 - 司徒正美

The Guardian

Rory McIlroy surges into six-shot Masters lead with stunning second-round flourish ‘That’ll be the end’: actor Sam Neill joins fight to stop controversial goldmine near his New Zealand vineyard Roberto De Zerbi targets ‘Ange-ball’ revival to save Spurs from relegation Bath hit back to reach semi-final after stunning Northampton in 11-try epic Secret Garden to Outcome: the week in rave reviews Zebras, wealth and power: Hungary’s election tests Orbán’s grip on power ‘TikTok effect’ brings sellout crowds and younger fans to Grand National meeting The war over Omagh’s gold: the £21bn mine plan tearing a community apart Britain’s shadow workforce is paid as little as 65p an hour. Who cares for the carers? From You, Me & Tuscany to Euphoria: your complete entertainment guide to the week ahead Six great reads: the man who let snakes bite him, masked heavy metal and the brutal reality for foreign students in the UK American Classic review – I defy you not to fall in love with Kevin Kline and Laura Linney’s tender comedy Cuba’s doctors were a lifeline for the world. Now the Caribbean is shamefully complicit in the US drive to expel them An environmental disaster in Moldova has Russia’s fingerprints all over it RMIT drops misconduct case against student who accused university of being ‘complicit in Gaza genocide’ Ichiro Suzuki statue unveiling goes awry as bronze bat snaps during ceremony Survivors of Epstein’s abuse accuse Melania Trump of ‘shifting burden’ on to victims European football: Real Madrid held at home by Girona to extend winless run Arne Slot insists he is ‘aligned’ with Liverpool board and fans as squad is rebuilt Kamala Harris ‘thinking about’ running for president again in 2028 JD Vance warns Iran against trying to ‘play’ the US in peace talks West Ham double up twice to thrash Wolves and put Spurs in relegation zone Trump administration releases new renderings of so-called ‘Arc de Trump’ Crispin Odey drops £79m libel claim against FT over sexual misconduct allegations Bafta apologises for events surrounding John Davidson’s Tourette’s outburst Cocktail of the week: Bar Shrimp’s la rosita – recipe New drug may extend survival in aggressive ovarian cancer, trial shows One dead and 27 injured after bus with British passengers crashes in Canary Islands Pope adds to Smith’s mass of Surrey runs with England woes a world away OpenAI CEO Sam Altman’s home targeted with molotov cocktail
Getting teeth pulled out, punching cars and obsessing abo...
Stuart Herit · 2026-04-23 · via The Guardian

Come awards season, you probably wouldn’t think that the second season of Netflix’s Beef would be a contender for many visual-effects gongs. After all, while it is tight, tense and sublimely acted, it is ultimately a small ensemble piece grounded in some form of reality.

But you might be wrong, since it has emerged that VFX artists had to painstakingly paint out earbuds worn by Oscar Isaac and Carey Mulligan throughout the shoot. On a recent podcast appearance, the show’s creator, Lee Sung Jin, told Isaac and Mulligan that digitally erasing the earwigs, as they are known, “cost a fortune”.

Unlike the traditional use of the technology, whereby everyone from Marlon Brando to Robert Downey Jr would be fed their lines through an earwig to save them the bother of memorising their scripts, Isaac and Mulligan used theirs to listen to songs as they acted. In a blackmail scene, they played complicated Thom Yorke music to add to the tension. For love scenes, they listened to songs that would heighten the passion. “The beat would drop on the [kiss],” said Mulligan. “We were so delighted every time, we were like: ‘It did it again!’”

It seems a strange acting decision. On the one hand, to watch Beef is to watch a pair of undeniably powerhouse performances, so maybe the earwigs proved their worth. Then again, you could argue that Isaac and Mulligan are professional actors who probably could have turned in performances of similar intensity through acting alone. This argument might also be popular among any VFX workers who grew up dreaming of creating new and impossibly fantastical worlds only to find themselves spending several weeks airbrushing Mulligan’s auditory canal thousands of times.

Leto with green hair, leering and showing the metal braces on his teeth
Gift giver … Jared Leto as The Joker in 2016’s Suicide Squad. Photograph: Warner Bros/Allstar

The big danger, however, is that this unconventional way to get into character could end up overwhelming Beef altogether. It has happened before. The first Suicide Squad movie was remembered not for the story, the characters or the production design, but for all the stories about Jared Leto sending rats and dead pigs to his castmates to prepare for his role as the Joker. Similarly, the memorable headlines generated by Fury, which like Suicide Squad was directed by David Ayer, were all about how Shia LaBeouf got ready for his role. Specifically, he refused to wash, had a tooth removed and cut his face with a knife.

The Beef story is slightly different, though, because this is a television show. Traditionally, TV doesn’t have the time or money to indulge some of the more wayward actorly attempts to get into character. Which isn’t to say it didn’t happen. The stories about what James Gandolfini did to get inside the mind of Tony Soprano are legendary. Co-stars report him “chirping like a chicken” before scenes, and crew members have told stories about his tendency to punch cars until they dented. Little wonder that he would fail to show up on set with such regularity that HBO started to fine him $250,000 a day when it happened.

Jeremy Strong in his portrayal of Kendall Roy in Succession set a reputation for, let’s say, attention to detail that has followed him around ever since. In 2021, a New Yorker profile described him isolating from the rest of the cast and, in one particular scene, arguing about the sort of salad his character would order at a restaurant. What made this especially awkward was the fact that his co-stars clearly did not enjoy his level of commitment, with Kieran Culkin stating: “That might be something that helps him. I can tell you that it doesn’t help me.” Nevertheless, Strong has kept up his technique, reportedly asking Aaron Sorkin to teargas him on the set of The Trial of the Chicago 7.

Williams holding a wooden truncheon.
You have to hand it to her … Maisie Williams as Arya Stark in Game of Thrones. Photograph: HBO

Then there is Maisie Williams. Naturally right-handed, she apparently went to the trouble of learning how to swordfight with her non-dominant hand purely because George RR Martin mentioned in passing that Arya Stark was left-handed in his Game of Thrones books.

On the surface, as with the Beef earwigs, this sounds like another example of an actor doing too much work on something that the audience aren’t really getting anything out of. Then again, we are talking about Game of Thrones fans, so all that effort probably saved Williams from being bombarded with a lot of angry emails. Sometimes, just sometimes, the preparation is worth it.