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Rory McIlroy surges into six-shot Masters lead with stunning second-round flourish ‘That’ll be the end’: actor Sam Neill joins fight to stop controversial goldmine near his New Zealand vineyard Roberto De Zerbi targets ‘Ange-ball’ revival to save Spurs from relegation Bath hit back to reach semi-final after stunning Northampton in 11-try epic Secret Garden to Outcome: the week in rave reviews Zebras, wealth and power: Hungary’s election tests Orbán’s grip on power ‘TikTok effect’ brings sellout crowds and younger fans to Grand National meeting The war over Omagh’s gold: the £21bn mine plan tearing a community apart Britain’s shadow workforce is paid as little as 65p an hour. Who cares for the carers? From You, Me & Tuscany to Euphoria: your complete entertainment guide to the week ahead Six great reads: the man who let snakes bite him, masked heavy metal and the brutal reality for foreign students in the UK American Classic review – I defy you not to fall in love with Kevin Kline and Laura Linney’s tender comedy Cuba’s doctors were a lifeline for the world. Now the Caribbean is shamefully complicit in the US drive to expel them An environmental disaster in Moldova has Russia’s fingerprints all over it RMIT drops misconduct case against student who accused university of being ‘complicit in Gaza genocide’ Ichiro Suzuki statue unveiling goes awry as bronze bat snaps during ceremony Survivors of Epstein’s abuse accuse Melania Trump of ‘shifting burden’ on to victims European football: Real Madrid held at home by Girona to extend winless run Arne Slot insists he is ‘aligned’ with Liverpool board and fans as squad is rebuilt Kamala Harris ‘thinking about’ running for president again in 2028 JD Vance warns Iran against trying to ‘play’ the US in peace talks West Ham double up twice to thrash Wolves and put Spurs in relegation zone Trump administration releases new renderings of so-called ‘Arc de Trump’ Crispin Odey drops £79m libel claim against FT over sexual misconduct allegations Bafta apologises for events surrounding John Davidson’s Tourette’s outburst Cocktail of the week: Bar Shrimp’s la rosita – recipe New drug may extend survival in aggressive ovarian cancer, trial shows One dead and 27 injured after bus with British passengers crashes in Canary Islands Pope adds to Smith’s mass of Surrey runs with England woes a world away OpenAI CEO Sam Altman’s home targeted with molotov cocktail Reform UK local election candidate was twice disciplined by Tories over ‘racist comments’ Remaining in Nato is in best interests of US, says Keir Starmer Prince Harry sued for defamation by charity he co-founded Anthropic’s new AI tool has implications for us all – whether we can use it or not Concerns raised about motorbike tourist trail after death of British teenager in Vietnam The Guardian view on Trump’s civilisational threats: the words that fuel war must be condemned The Guardian view on dystopias for our times: the American nightmare Doctors’ leader claims new reduced pay offer killed chances of ending strikes in England Netanyahu-ism has achieved nothing for Israelis – and come at a monstrously high price Deborah Levy: ‘CS Lewis’s White Witch terrified me – but I wanted to meet her’ How I Shop with Michelle Ogundehin: ‘We grownups have enough stuff already’ Trump’s war and Melania’s Epstein statement, with US editor Betsy Reed – The Latest We have to stop killer motorists on Britain’s roads UK starts crackdown on EU citizens’ post-Brexit rights Londoners aren’t unfriendly – but don’t compare us to New Yorkers The religious right and the perversion of faith Artemis II images reignite moon mission memories Orbán and Magyar trade accusations in last days of Hungary election campaign Reckonwrong: How Long Has It Been? review | Safi Bugel's experimental album of the month Martin Rowson on Middle East peace talks – cartoon Masters magic, the Grand National and Premier League drama – follow with us Fears of UK and EU flight cancellations as airports warn of jet fuel shortages Reform’s petulance over slavery reparations shows it just doesn’t grasp Britain’s place in the modern world Peers vote to ban pornography depicting sex acts between stepfamily members Starbucks’s retail arm gets £13.7m tax credit even as sales increase Flyby review – interstellar musical is a voyage of epic strangeness Grand National preview: Jagwar can deny Irish cohort in Aintree classic Week in wildlife: an ostrich on the lam, a tortoise crossing a road and surfing seals Anger as swifts’ nesting holes in Derbyshire rail viaduct ‘blocked up’ Peter Mandelson faces fixed-penalty notice for urinating in public ‘There’s no shortage of terrifying technology’: how AI became TV drama’s new go-to villain ‘Fresher than anything in a shop’: the best recipe boxes and meal kits for time-poor foodies, tested Who was Hilma? 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Getting teeth pulled out, punching cars and obsessing about salad – the weird ways actors get into character
Stuart Herit · 2026-04-23 · via The Guardian

Come awards season, you probably wouldn’t think that the second season of Netflix’s Beef would be a contender for many visual-effects gongs. After all, while it is tight, tense and sublimely acted, it is ultimately a small ensemble piece grounded in some form of reality.

But you might be wrong, since it has emerged that VFX artists had to painstakingly paint out earbuds worn by Oscar Isaac and Carey Mulligan throughout the shoot. On a recent podcast appearance, the show’s creator, Lee Sung Jin, told Isaac and Mulligan that digitally erasing the earwigs, as they are known, “cost a fortune”.

Unlike the traditional use of the technology, whereby everyone from Marlon Brando to Robert Downey Jr would be fed their lines through an earwig to save them the bother of memorising their scripts, Isaac and Mulligan used theirs to listen to songs as they acted. In a blackmail scene, they played complicated Thom Yorke music to add to the tension. For love scenes, they listened to songs that would heighten the passion. “The beat would drop on the [kiss],” said Mulligan. “We were so delighted every time, we were like: ‘It did it again!’”

It seems a strange acting decision. On the one hand, to watch Beef is to watch a pair of undeniably powerhouse performances, so maybe the earwigs proved their worth. Then again, you could argue that Isaac and Mulligan are professional actors who probably could have turned in performances of similar intensity through acting alone. This argument might also be popular among any VFX workers who grew up dreaming of creating new and impossibly fantastical worlds only to find themselves spending several weeks airbrushing Mulligan’s auditory canal thousands of times.

Leto with green hair, leering and showing the metal braces on his teeth
Gift giver … Jared Leto as The Joker in 2016’s Suicide Squad. Photograph: Warner Bros/Allstar

The big danger, however, is that this unconventional way to get into character could end up overwhelming Beef altogether. It has happened before. The first Suicide Squad movie was remembered not for the story, the characters or the production design, but for all the stories about Jared Leto sending rats and dead pigs to his castmates to prepare for his role as the Joker. Similarly, the memorable headlines generated by Fury, which like Suicide Squad was directed by David Ayer, were all about how Shia LaBeouf got ready for his role. Specifically, he refused to wash, had a tooth removed and cut his face with a knife.

The Beef story is slightly different, though, because this is a television show. Traditionally, TV doesn’t have the time or money to indulge some of the more wayward actorly attempts to get into character. Which isn’t to say it didn’t happen. The stories about what James Gandolfini did to get inside the mind of Tony Soprano are legendary. Co-stars report him “chirping like a chicken” before scenes, and crew members have told stories about his tendency to punch cars until they dented. Little wonder that he would fail to show up on set with such regularity that HBO started to fine him $250,000 a day when it happened.

Jeremy Strong in his portrayal of Kendall Roy in Succession set a reputation for, let’s say, attention to detail that has followed him around ever since. In 2021, a New Yorker profile described him isolating from the rest of the cast and, in one particular scene, arguing about the sort of salad his character would order at a restaurant. What made this especially awkward was the fact that his co-stars clearly did not enjoy his level of commitment, with Kieran Culkin stating: “That might be something that helps him. I can tell you that it doesn’t help me.” Nevertheless, Strong has kept up his technique, reportedly asking Aaron Sorkin to teargas him on the set of The Trial of the Chicago 7.

Williams holding a wooden truncheon.
You have to hand it to her … Maisie Williams as Arya Stark in Game of Thrones. Photograph: HBO

Then there is Maisie Williams. Naturally right-handed, she apparently went to the trouble of learning how to swordfight with her non-dominant hand purely because George RR Martin mentioned in passing that Arya Stark was left-handed in his Game of Thrones books.

On the surface, as with the Beef earwigs, this sounds like another example of an actor doing too much work on something that the audience aren’t really getting anything out of. Then again, we are talking about Game of Thrones fans, so all that effort probably saved Williams from being bombarded with a lot of angry emails. Sometimes, just sometimes, the preparation is worth it.