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Rory McIlroy surges into six-shot Masters lead with stunning second-round flourish ‘That’ll be the end’: actor Sam Neill joins fight to stop controversial goldmine near his New Zealand vineyard Roberto De Zerbi targets ‘Ange-ball’ revival to save Spurs from relegation Bath hit back to reach semi-final after stunning Northampton in 11-try epic Secret Garden to Outcome: the week in rave reviews Zebras, wealth and power: Hungary’s election tests Orbán’s grip on power ‘TikTok effect’ brings sellout crowds and younger fans to Grand National meeting The war over Omagh’s gold: the £21bn mine plan tearing a community apart Britain’s shadow workforce is paid as little as 65p an hour. Who cares for the carers? From You, Me & Tuscany to Euphoria: your complete entertainment guide to the week ahead Six great reads: the man who let snakes bite him, masked heavy metal and the brutal reality for foreign students in the UK American Classic review – I defy you not to fall in love with Kevin Kline and Laura Linney’s tender comedy Cuba’s doctors were a lifeline for the world. Now the Caribbean is shamefully complicit in the US drive to expel them An environmental disaster in Moldova has Russia’s fingerprints all over it RMIT drops misconduct case against student who accused university of being ‘complicit in Gaza genocide’ Ichiro Suzuki statue unveiling goes awry as bronze bat snaps during ceremony Survivors of Epstein’s abuse accuse Melania Trump of ‘shifting burden’ on to victims European football: Real Madrid held at home by Girona to extend winless run Arne Slot insists he is ‘aligned’ with Liverpool board and fans as squad is rebuilt Kamala Harris ‘thinking about’ running for president again in 2028 JD Vance warns Iran against trying to ‘play’ the US in peace talks West Ham double up twice to thrash Wolves and put Spurs in relegation zone Trump administration releases new renderings of so-called ‘Arc de Trump’ Crispin Odey drops £79m libel claim against FT over sexual misconduct allegations Bafta apologises for events surrounding John Davidson’s Tourette’s outburst Cocktail of the week: Bar Shrimp’s la rosita – recipe New drug may extend survival in aggressive ovarian cancer, trial shows One dead and 27 injured after bus with British passengers crashes in Canary Islands Pope adds to Smith’s mass of Surrey runs with England woes a world away OpenAI CEO Sam Altman’s home targeted with molotov cocktail Reform UK local election candidate was twice disciplined by Tories over ‘racist comments’ Remaining in Nato is in best interests of US, says Keir Starmer Prince Harry sued for defamation by charity he co-founded Anthropic’s new AI tool has implications for us all – whether we can use it or not Concerns raised about motorbike tourist trail after death of British teenager in Vietnam The Guardian view on Trump’s civilisational threats: the words that fuel war must be condemned The Guardian view on dystopias for our times: the American nightmare Doctors’ leader claims new reduced pay offer killed chances of ending strikes in England Netanyahu-ism has achieved nothing for Israelis – and come at a monstrously high price Deborah Levy: ‘CS Lewis’s White Witch terrified me – but I wanted to meet her’ How I Shop with Michelle Ogundehin: ‘We grownups have enough stuff already’ Trump’s war and Melania’s Epstein statement, with US editor Betsy Reed – The Latest We have to stop killer motorists on Britain’s roads UK starts crackdown on EU citizens’ post-Brexit rights Londoners aren’t unfriendly – but don’t compare us to New Yorkers The religious right and the perversion of faith Artemis II images reignite moon mission memories Orbán and Magyar trade accusations in last days of Hungary election campaign Reckonwrong: How Long Has It Been? review | Safi Bugel's experimental album of the month Martin Rowson on Middle East peace talks – cartoon Masters magic, the Grand National and Premier League drama – follow with us Fears of UK and EU flight cancellations as airports warn of jet fuel shortages Reform’s petulance over slavery reparations shows it just doesn’t grasp Britain’s place in the modern world Peers vote to ban pornography depicting sex acts between stepfamily members Starbucks’s retail arm gets £13.7m tax credit even as sales increase Flyby review – interstellar musical is a voyage of epic strangeness Grand National preview: Jagwar can deny Irish cohort in Aintree classic Week in wildlife: an ostrich on the lam, a tortoise crossing a road and surfing seals Anger as swifts’ nesting holes in Derbyshire rail viaduct ‘blocked up’ Peter Mandelson faces fixed-penalty notice for urinating in public ‘There’s no shortage of terrifying technology’: how AI became TV drama’s new go-to villain ‘Fresher than anything in a shop’: the best recipe boxes and meal kits for time-poor foodies, tested Who was Hilma? 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‘The cinema is romanticised on TikTok’: Gen Z on why they love going to the movies
Alfie Packha · 2026-05-14 · via The Guardian

People born between 1997 and 2012 are now more frequent cinemagoers than some older age groups, according to a US-based survey by Fandango, with 87% having seen at least one film in a cinema in the last 12 months compared with 58% of baby boomers.

With this in mind we asked young people about why they love the cinema.

‘The ability to block out two hours is so rare’

Many who responded said that the big screen offers respite from small screens. “It’s a distraction-free zone,” says Emma Balfour, 19, from Kirkcaldy in Scotland. “It helps me stay off my phone, since it’s something I want to stop using so much. There’s a lot more social stigma around being on your phone when a film’s playing on a cinema screen versus your own home, and the complete darkness means I can fully immerse myself.”

Alex McAleer, 22, living in Berkeley, California, agrees. “The ability to block out two hours and have that time be your own is so rare in a world where you’re constantly accessible, aware of the news cycle and aware of the potential for your phone to alert you.”

Alex says not all of his friends are as enthusiastic about the cinema as he is, though. “I have friends who ask how long a film’s runtime is because I think they’re genuinely worried they can’t sit there for two-and-a-half hours.”

‘One of the few watercooler moments our generation has left’

There’s a communal experience to the cinema that especially appeals to Jae, 23, from Swansea. “You don’t get a lot of opportunities any more to really watch things with people in a group,” he says. “There are moments when everyone in the cinema laughs in unison, or you can see people crying or gasping in shock. It’s the kind of setting where there’s absolutely no commitment to chat, but you are still spending time with people.”

Cinema provides the few “water cooler moments” that Jae’s generation has left, he says. “Not a lot of people are watching the same thing around the same time. Films are released universally. People go in groups or separately and then they’re able to discuss what they thought of it. I just don’t think you get opportunities like that a lot any more.”

‘The cinema is romanticised on TikTok’

Social media drives the cinema’s popularity with younger people, even those who want to escape their phones. It’s where successful films such as Marty Supreme and Wuthering Heights have recently focused their marketing campaigns, Alex points out. “People glamorise being cultured and artsy [on social media], even if it’s surface level,” he says. “It’s almost like a branding thing, that you can say that you’re into films. I think it’s become trendy, almost.”

Kate, 26, from Cambridge, uses TikTok to find film recommendations. “Film TikTokers do films to look out for, and there are normal people showing their Letterboxd or their experience of going to the cinema.” The cinema experience is often romanticised now, she says. “You put anything to nice music and make it a montage, and that content does very well on social media.”

Peckhamplex cinema in Peckham Rye, London, November 2019.
‘If my only option was to go to Cineworld … I would struggle’ … the cinema famed for bargain tickets, Peckhamplex in Peckham Rye, London, November 2019. Photograph: Susannah Ireland/The Guardian

‘I’m on Letterboxd more than anything else’

Letterboxd is an increasingly popular app for cinephiles to log the films they watch, publish reviews and follow other people. As of 2026 the platform has over 26 million users and is most popular among those aged between 18 and 35.

“I’ve used Letterboxd for probably four years now,” says Kate, who has 850 films logged so far. “I’m on it more than probably anything else and that’s my main way of tracking what might be worth going to see.”

She has introduced the app to her dad, with whom she regularly watches films. “If I see a lower rating, I’m not too bothered, but my dad won’t watch anything that’s below an average of 3.5 [out of five] on Letterboxd, that’s his rule.

Another Letterboxd fan is Ali Akbar, 28, from Liverpool, who has been to the cinema eight times this year so far. “In the past I used to use IMDb to track films, but that sort of website was less of a community. A friend recommended Letterboxd a couple of years ago. It works a lot more like social media, so that’s probably why it’s sort of gained so much traction. I enjoy leaving reviews and seeing other people’s.”

‘I wonder about the future of the cinema’

For some, the appeal of theatres comes down to the cost. As Cesca, 26, from London says: “If my only option was to go to Cineworld or something which is at least £15, I think I would struggle to want to go as much, but my local cinema is Peckhamplex and they do £6.99 tickets, so that’s more reasonable.”

Emma Balfour says her subscription to Odeon’s myLimitless membership gives more value for money than streaming. “The annual membership works out to be about £11 a month, which is as much you’d be paying for Netflix or Amazon, and you’re getting a fully immersive experience.”

Many cinemagoers are conscious that cinemas could be under threat as attendance declines. Cineworld closed 11 UK cinemas in 2024, and a 2025 survey showed almost a third of UK independent cinemas are at risk.

“You can see how hard cinemas were hit after Covid,” says Kate. “There’s an obvious lack of investment in my local cinema. A lot of seats are broken and there’s an entire screen out of action. It’s worrying to see because I wonder about the future of the cinema, so I try to go as much as I can.”

“The cinema is really valuable,” says Alex. “I try to encourage as many of my friends to go as possible.”