惯性聚合 高效追踪和阅读你感兴趣的博客、新闻、科技资讯
阅读原文 在惯性聚合中打开

推荐订阅源

博客园 - 三生石上(FineUI控件)
D
Docker
GbyAI
GbyAI
宝玉的分享
宝玉的分享
Jina AI
Jina AI
钛媒体:引领未来商业与生活新知
钛媒体:引领未来商业与生活新知
Vercel News
Vercel News
博客园_首页
Recent Announcements
Recent Announcements
Cyber Security Advisories - MS-ISAC
Cyber Security Advisories - MS-ISAC
Hugging Face - Blog
Hugging Face - Blog
腾讯CDC
S
SegmentFault 最新的问题
Microsoft Security Blog
Microsoft Security Blog
酷 壳 – CoolShell
酷 壳 – CoolShell
美团技术团队
V
V2EX
WordPress大学
WordPress大学
奇客Solidot–传递最新科技情报
奇客Solidot–传递最新科技情报
V
Visual Studio Blog
IT之家
IT之家
Apple Machine Learning Research
Apple Machine Learning Research
T
Tailwind CSS Blog
让小产品的独立变现更简单 - ezindie.com
让小产品的独立变现更简单 - ezindie.com

The Guardian

Rory McIlroy surges into six-shot Masters lead with stunning second-round flourish ‘That’ll be the end’: actor Sam Neill joins fight to stop controversial goldmine near his New Zealand vineyard Roberto De Zerbi targets ‘Ange-ball’ revival to save Spurs from relegation Bath hit back to reach semi-final after stunning Northampton in 11-try epic Secret Garden to Outcome: the week in rave reviews Zebras, wealth and power: Hungary’s election tests Orbán’s grip on power ‘TikTok effect’ brings sellout crowds and younger fans to Grand National meeting The war over Omagh’s gold: the £21bn mine plan tearing a community apart Britain’s shadow workforce is paid as little as 65p an hour. Who cares for the carers? From You, Me & Tuscany to Euphoria: your complete entertainment guide to the week ahead Six great reads: the man who let snakes bite him, masked heavy metal and the brutal reality for foreign students in the UK American Classic review – I defy you not to fall in love with Kevin Kline and Laura Linney’s tender comedy Cuba’s doctors were a lifeline for the world. Now the Caribbean is shamefully complicit in the US drive to expel them An environmental disaster in Moldova has Russia’s fingerprints all over it RMIT drops misconduct case against student who accused university of being ‘complicit in Gaza genocide’ Ichiro Suzuki statue unveiling goes awry as bronze bat snaps during ceremony Survivors of Epstein’s abuse accuse Melania Trump of ‘shifting burden’ on to victims European football: Real Madrid held at home by Girona to extend winless run Arne Slot insists he is ‘aligned’ with Liverpool board and fans as squad is rebuilt Kamala Harris ‘thinking about’ running for president again in 2028 JD Vance warns Iran against trying to ‘play’ the US in peace talks West Ham double up twice to thrash Wolves and put Spurs in relegation zone Trump administration releases new renderings of so-called ‘Arc de Trump’ Crispin Odey drops £79m libel claim against FT over sexual misconduct allegations Bafta apologises for events surrounding John Davidson’s Tourette’s outburst Cocktail of the week: Bar Shrimp’s la rosita – recipe New drug may extend survival in aggressive ovarian cancer, trial shows One dead and 27 injured after bus with British passengers crashes in Canary Islands Pope adds to Smith’s mass of Surrey runs with England woes a world away OpenAI CEO Sam Altman’s home targeted with molotov cocktail
Huw Fyw review – take a sentimental journey around a war ...
Gareth Llŷr · 2026-04-17 · via The Guardian

This play by Tudur Owen tells the story of a curmudgeonly second world war veteran, an unexpected windfall, a clogged toilet and an entire Welsh village’s trip to London in 1994. It has the air of a fable that veers into more anguished terrain. PTSD, generational trauma, social exclusion and the weight of irreconcilable grief are never far from the surface.

One of Wales’s most popular comedians and broadcasters, Owen also stars in the eponymous role (the play’s title translates as Huw Alive). The Welsh-language production’s uncanniness is partly predicated by an expectation that there will perhaps always be an ironic punchline to puncture Huw’s unamused visage. But these seldom come and instead this is a play told with absolute and unironic sincerity, its heart unabashedly worn on its sleeve.

At times, the plotting veers towards the convoluted (listen out for Chekhov’s radio bulletin), but it is cohesively and deftly directed by Steffan Donnelly. The final emotional resolutions aren’t necessarily the ones we were expecting. Mostly set in Huw’s grimy living room – set design by Elin Steele and lighting by Elanor Higgins – it all feels plausibly compact and winningly persuasive. There is a simplicity, perhaps even a naivety, to the drama. Generous sentimentality is presented as a viable and poignant survival strategy that can help keep the horrors, only belatedly revealed, at bay.

Its sentimentality resists the danger of tipping into mawkishness due to four very fine performances. Along with Owen, Leah Gaffey narrates and grounds the action, Owen Alun is quietly devastating in two roles, and one of my favourite moments (as it was when Theatr Cymru’s show first toured in 2025) is when Dafydd Emyr, with a single broad and silly smile, shifts from being a pensioner in a clerical collar to a giddy teenager.

Adding to the uncanniness, one is struck by a strange double nostalgia as the play harks back to the 1990s, which by now perhaps feels as remote as the 1940s might have done back then.