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The Guardian

Rory McIlroy surges into six-shot Masters lead with stunning second-round flourish ‘That’ll be the end’: actor Sam Neill joins fight to stop controversial goldmine near his New Zealand vineyard Roberto De Zerbi targets ‘Ange-ball’ revival to save Spurs from relegation Bath hit back to reach semi-final after stunning Northampton in 11-try epic Secret Garden to Outcome: the week in rave reviews Zebras, wealth and power: Hungary’s election tests Orbán’s grip on power ‘TikTok effect’ brings sellout crowds and younger fans to Grand National meeting The war over Omagh’s gold: the £21bn mine plan tearing a community apart Britain’s shadow workforce is paid as little as 65p an hour. Who cares for the carers? From You, Me & Tuscany to Euphoria: your complete entertainment guide to the week ahead Six great reads: the man who let snakes bite him, masked heavy metal and the brutal reality for foreign students in the UK American Classic review – I defy you not to fall in love with Kevin Kline and Laura Linney’s tender comedy Cuba’s doctors were a lifeline for the world. Now the Caribbean is shamefully complicit in the US drive to expel them An environmental disaster in Moldova has Russia’s fingerprints all over it RMIT drops misconduct case against student who accused university of being ‘complicit in Gaza genocide’ Ichiro Suzuki statue unveiling goes awry as bronze bat snaps during ceremony Survivors of Epstein’s abuse accuse Melania Trump of ‘shifting burden’ on to victims European football: Real Madrid held at home by Girona to extend winless run Arne Slot insists he is ‘aligned’ with Liverpool board and fans as squad is rebuilt Kamala Harris ‘thinking about’ running for president again in 2028 JD Vance warns Iran against trying to ‘play’ the US in peace talks West Ham double up twice to thrash Wolves and put Spurs in relegation zone Trump administration releases new renderings of so-called ‘Arc de Trump’ Crispin Odey drops £79m libel claim against FT over sexual misconduct allegations Bafta apologises for events surrounding John Davidson’s Tourette’s outburst Cocktail of the week: Bar Shrimp’s la rosita – recipe New drug may extend survival in aggressive ovarian cancer, trial shows One dead and 27 injured after bus with British passengers crashes in Canary Islands Pope adds to Smith’s mass of Surrey runs with England woes a world away OpenAI CEO Sam Altman’s home targeted with molotov cocktail
Pioneering UK Nerve Lab harnesses AI to map effect of chi...
Linda Geddes · 2026-06-13 · via The Guardian

Parents are constantly being told to limit their children’s screen time. But when it comes to deciphering which films or TV shows are best suited to developing minds, the guidance remains largely one-size-fits-all. A relatively slow-paced programme such as Bluey offers a very different viewing experience to a fast-moving action series such as PAW Patrol, yet both are broadly considered suitable for young children.

This challenge is growing as the type of content children are exposed to evolves. “Today’s young viewers are increasingly engaging with short-form, fast-paced, highly captivating content, often created by splicing and rearranging existing episodic content into quickly digestible snippets or compilations,” said Prof Tim Smith, director of University of the Arts London’s Nerve Lab. “This evolution is not only changing how content is produced and distributed, but may also affect children’s attention, comprehension and emotional response.”

Young children process information differently from adults, yet there is still relatively little evidence about how specific features of children’s programmes influence their attention, comprehension and behaviour. “We have kids as young as two spending three or four hours a day on screens. It is really important to have a wider understanding of what it means for them to watch something that’s appropriate for their age,” said Alisa Musatova, a research assistant on the Animating Minds project.

Animating Minds is just one strand of research under way at Nerve Lab, which opened in London earlier this week. The first facility of its kind in the UK, it combines wearable brain imaging, motion capture and AI-powered analytics to study how people respond to media and artistic experiences in real time. Other projects are developing tools to help visually impaired people navigate video games or even shape live dance and music performances.

To better understand how different styles of children’s content affect young viewers, Musatova and her colleagues have assembled a database of about 1,000 episodes of popular animated TV shows and are using AI-based tools to analyse features such as pacing, colourfulness, loudness, shot frequency and narrative structure, while interviewing animators, producers and commissioners about the creative decisions that shape children’s content.

Linda Geddes wearing a cap fitted with multiple electrodes and wires sits at a desk taking part in a brain-monitoring experiment. Another woman stands beside her, pointing at a laptop screen as they review information together in a clinical research room.
Linda Geddes tries out the University of the Arts London’s new Nerve Lab. Photograph: Graeme Robertson/The Guardian

They are also currently recruiting UK families with children aged three to six years to participate in an online study exploring how animated programmes influence their short-term attention.

Their ultimate goal is to develop tools that could help animators, commissioners and regulators understand whether programmes are having the intended effect on their target audience, while laying the foundations for more nuanced classification systems.

“The question is, can we build a computational system where we can understand and predict the direct effect that children’s animated content is going to have on young children?” said Smith.

Linda Geddes wearing specialised eye-tracking and motion-sensing goggles smiles while interacting with a large digital display in an immersive research environment.
Linda Geddes at UAL’s Nerve Lab. Photograph: Graeme Robertson/The Guardian

Prof Heather Kirkorian, a developmental psychologist at the University of Wisconsin-Madison who studies children’s media use, agreed that further research to address this gap was needed.

“The digital media landscape has changed a lot in recent years,” she said. “While there is a lot of speculation about potential impacts on development, there is very little research that uses the types of precise measurement proposed in this work.”

She added that AI-based tools could make it possible to analyse children’s programming at a scale that would previously have been impractical. “In the past, this kind of work required very time-intensive – and sometimes subjective or imprecise – manual coding. Now that streaming platforms have democratised content creation, young children are watching an ever-growing array of videos on different platforms. Time-intensive manual coding just can’t keep up.”

Polly Conway, senior editor at Common Sense Media, which provides reviews and age-based guidance on children’s media, said additional evidence about the impact of children’s programming on young brains could be valuable, particularly if researchers can quantify features that have previously been difficult to define.

“Just because a programme or YouTube channel is teaching the ABCs, numbers or shapes, they may not be doing it at the correct level for the intended audience,” she said.

A poster announcing the launch of University of the Arts London’s new “Nerve Lab”.
The Nerve Lab combines neuroscience sensors, live performance capture, generative AI and audience feedback. Photograph: Graeme Robertson/The Guardian

Another Nerve Lab project is using brain imaging and behavioural data to investigate individual differences in children’s comprehension of maths and identify new ways to support them.

Take fractions. Two children might answer the same question incorrectly, but for different reasons: one may not understand fractions, while another may simply struggle to suppress an intuitive response based on whole numbers – assuming that 1/4 must be bigger than 1/2 because four is bigger than two, for example.

“With conventional testing, I can see whether an answer is correct and how many seconds a child took to solve it, but it doesn’t tell me why two children have made the same mistake,” said Dr Rakhi Leela Nair, who is leading the Mathstronauts project. “One child may need help learning the concept of fractions. The other may know the rules, but need help to stop, think and inhibit the wrong answer.”

The hope is that a non-invasive form of brain scanning, called functional near-infrared spectroscopy (fNIRS), could help unpick what’s going on. Children are fitted with a neoprene cap studded with sensors that use near-infrared light to monitor activity in different regions of the brain as they play a maths game on a computer. This information, combined with their game scores, is then used in real time to adapt the game and provide more personalised support.

Children who appear to understand the mathematical concept but get the question wrong because they respond impulsively are directed towards tasks that encourage them to slow down and think more carefully before answering. Those who have not yet mastered the concept are instead given additional teaching and practice exercises designed to strengthen their understanding. The system is now being tested with seven- and eight-year-olds in a north London primary school.

Prof Roi Cohen Kadosh, a cognitive neuroscientist at the University of Surrey, described the approach as “a plausible and potentially useful direction for educational neuroscience” but cautioned that its value would depend on whether brain-imaging data could provide insights beyond those available from teachers and conventional assessments.

A performer wearing a motion-capture headset and dark clothing moves across a studio stage in front of a large curved screen displaying digital human figures seated against an abstract black-and-white background.
The Nerve Lab aims to address the fact that while there is a lot of speculation about impacts of children’s screen time on development; there is little precise research. Photograph: Graeme Robertson/The Guardian

“The important test is whether the system performs better than existing approaches,” he said. “A teacher may already be able to distinguish between a child who lacks conceptual understanding and a child who is answering impulsively.”

He added that technologies such as fNIRS should be seen as tools to support, rather than replace, teachers. “The opportunity is to use neuroscience, psychology and AI to understand the learner more precisely and give teachers better tools.”