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The Guardian

Rory McIlroy surges into six-shot Masters lead with stunning second-round flourish ‘That’ll be the end’: actor Sam Neill joins fight to stop controversial goldmine near his New Zealand vineyard Roberto De Zerbi targets ‘Ange-ball’ revival to save Spurs from relegation Bath hit back to reach semi-final after stunning Northampton in 11-try epic Secret Garden to Outcome: the week in rave reviews Zebras, wealth and power: Hungary’s election tests Orbán’s grip on power ‘TikTok effect’ brings sellout crowds and younger fans to Grand National meeting The war over Omagh’s gold: the £21bn mine plan tearing a community apart Britain’s shadow workforce is paid as little as 65p an hour. Who cares for the carers? From You, Me & Tuscany to Euphoria: your complete entertainment guide to the week ahead Six great reads: the man who let snakes bite him, masked heavy metal and the brutal reality for foreign students in the UK American Classic review – I defy you not to fall in love with Kevin Kline and Laura Linney’s tender comedy Cuba’s doctors were a lifeline for the world. Now the Caribbean is shamefully complicit in the US drive to expel them An environmental disaster in Moldova has Russia’s fingerprints all over it RMIT drops misconduct case against student who accused university of being ‘complicit in Gaza genocide’ Ichiro Suzuki statue unveiling goes awry as bronze bat snaps during ceremony Survivors of Epstein’s abuse accuse Melania Trump of ‘shifting burden’ on to victims European football: Real Madrid held at home by Girona to extend winless run Arne Slot insists he is ‘aligned’ with Liverpool board and fans as squad is rebuilt Kamala Harris ‘thinking about’ running for president again in 2028 JD Vance warns Iran against trying to ‘play’ the US in peace talks West Ham double up twice to thrash Wolves and put Spurs in relegation zone Trump administration releases new renderings of so-called ‘Arc de Trump’ Crispin Odey drops £79m libel claim against FT over sexual misconduct allegations Bafta apologises for events surrounding John Davidson’s Tourette’s outburst Cocktail of the week: Bar Shrimp’s la rosita – recipe New drug may extend survival in aggressive ovarian cancer, trial shows One dead and 27 injured after bus with British passengers crashes in Canary Islands Pope adds to Smith’s mass of Surrey runs with England woes a world away OpenAI CEO Sam Altman’s home targeted with molotov cocktail
Dead Man’s Wire to Propeller One-Way Night Coach: the sev...
Simon Wardell · 2026-05-29 · via The Guardian

Pick of the week

Dead Man’s Wire

The spirit of the Al Pacino classic Dog Day Afternoon is alive and well in Gus Van Sant’s ripped-from-the-headlines drama. Both feature a desperate man driven to extremes, a frantic police operation to contain him and a 1970 media circus that creates an antihero. Bill Skarsgård is all gangly, edgy energy as Tony Kiritsis, a low-level Indianapolis land developer who believes mortgage broker ML Hall (Al Pacino in a superbly unlikable cameo) cheated him on a deal. So he takes Hall’s son, Richard (Dacre Montgomery), hostage using the titular contraption connected to a shotgun. It’s surprisingly funny amid the sweaty tension, with Kiritsis’s delusion that he’ll get away with the crime almost endearing.
Friday 5 June, 8am, 8pm, Sky Cinema Premiere


Propeller One-Way Night Coach

A woman and a boy sitting on a plane with a table set for a meal
Fly guys … Kelly Eviston-Quinnett and Clark Shotwell in Propeller One-Way Night Coach. Photograph: Apple TV

John Travolta’s drama is the definition of a vanity project. He wrote and directed it from his own children’s novel, as well as narrating, and it features members of his family. But there’s something cosily nostalgic about his stylishly retro tale, set in the golden age of air travel. It’s 28 December 1962, and Jeff (Clark Shotwell) and his actor mother (Kelly Eviston-Quinnett) are flying TWA from New York to LA overnight. It’s an eye-opening experience for the eight-year-old on his first flight, with glamorous cabin crew, actual beds and “chicken cordon bleu”.
Out now, Apple TV


Ghost Trail

A man looking through a gap in a row of books
By the book? … Adam Bessa in Ghost Trail. Photograph: Alamy

In 2016, a group of exiled Syrians in Europe are tracking down war criminals from the Assad regime. Hamid (Adam Bessa) thinks he has found one in Strasbourg, posing as a university chemistry student. But as he surveils him, Hamid’s increasing certainty that this was the state official who tortured him in prison bumps up against a lack of definitive proof. In Jonathan Millet’s slow-burning, fact-based French thriller, the hunt for justice is warped by obsession and PTSD, with Bessa taut and locked-down as the literature lecturer turned amateur secret agent.
Saturday 30 May, 9.05pm, BBC Four


The Nice Guys

Two man talking to a boy on a bike in front of a burned-down house.
Mystery men … Ryan Gosling and Russell Crowe in The Nice Guys. Photograph: Daniel McFadden/AP

This roisterous 2016 caper fits neatly into the sunny, starry, sleazy world of California crime fiction that gave us LA Confidential – and in lead Russell Crowe has a pleasing link to that film. But being a Shane Black movie, it’s also much funnier, with Crowe’s world-weary heavy-for-hire Jackson and Ryan Gosling’s bumbling private eye/single dad Holland a comic double act to cherish. The plot involves the death of a porn star and the search for a missing young woman (Margaret Qualley) in a wonderfully evoked 1970s Los Angeles of power, corruption and lies.
Sunday 31 May, 10.30pm, BBC One


Monolith

A woman with headphones on sitting in front of a mic
Call of the wild … Monolith. Photograph: Bonsai Films

Matt Vesely’s indie sci-fi horror demonstrates how a good idea can outweigh a small effects budget. It’s shot entirely in one house with only one actor on screen, Lily Sullivan, who plays a sacked journalist reduced to doing a podcast about uncanny events. She comes upon the tale of a black brick that contains mysterious symbols and is linked to disturbing visions – and the more research she does, the weirder things become. So is it evidence of aliens or a metaphor for buried trauma?
Monday 1 June, 9pm, Film4


Devil in the Dust

A woman standing by a horse.
An evil cradling … Dewanda Wise in Devil in the Dust. Photograph: Signature Entertainment

This western is knocked off-kilter almost immediately when a cute little blond girl kills a horse by touching it. The supernatural frisson in Ned Crowley’s yarn never really goes away, as we follow Guy Pearce’s grizzled, ether-addicted doctor Bender, rancher Sarah (DeWanda Wise) and her aforementioned daughter (a deadpan Emily Ford, channelling Damien in The Omen) on a quest to a preacher who can supposedly take out the devil in her. An array of quirky supporting characters – including a Native American called William Shakespeare – keep the film on the lighter side of chilling.
Friday 5 June, Paramount+


Bring Them Down

A man and a woman standing by a truck with a younger man sitting in the open back of it
Feud for thought … Christopher Abbott, Barry Keoghan and Nora-Jane Noone in Bring Them Down. Photograph: Mubi

A film possessing the relentlessness of tragedy, Chris Andrews’ dark rural drama takes two neighbouring Irish farming families, then watches as they destroy each other and themselves. Christopher Abbott’s shepherd Michael sets out for revenge when Jack (Barry Keoghan) – the son of his former girlfriend, Caroline (Nora-Jane Noone) – steals two of his rams. We see their actions – and unforeseen consequences – successively from both men’s points of view, with Keoghan exceptional in being able to appear malevolent and innocent at the same time.
Friday 5 June, 11pm, BBC Two