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Rory McIlroy surges into six-shot Masters lead with stunning second-round flourish ‘That’ll be the end’: actor Sam Neill joins fight to stop controversial goldmine near his New Zealand vineyard Roberto De Zerbi targets ‘Ange-ball’ revival to save Spurs from relegation Bath hit back to reach semi-final after stunning Northampton in 11-try epic Secret Garden to Outcome: the week in rave reviews Zebras, wealth and power: Hungary’s election tests Orbán’s grip on power ‘TikTok effect’ brings sellout crowds and younger fans to Grand National meeting The war over Omagh’s gold: the £21bn mine plan tearing a community apart Britain’s shadow workforce is paid as little as 65p an hour. Who cares for the carers? From You, Me & Tuscany to Euphoria: your complete entertainment guide to the week ahead Six great reads: the man who let snakes bite him, masked heavy metal and the brutal reality for foreign students in the UK American Classic review – I defy you not to fall in love with Kevin Kline and Laura Linney’s tender comedy Cuba’s doctors were a lifeline for the world. Now the Caribbean is shamefully complicit in the US drive to expel them An environmental disaster in Moldova has Russia’s fingerprints all over it RMIT drops misconduct case against student who accused university of being ‘complicit in Gaza genocide’ Ichiro Suzuki statue unveiling goes awry as bronze bat snaps during ceremony Survivors of Epstein’s abuse accuse Melania Trump of ‘shifting burden’ on to victims European football: Real Madrid held at home by Girona to extend winless run Arne Slot insists he is ‘aligned’ with Liverpool board and fans as squad is rebuilt Kamala Harris ‘thinking about’ running for president again in 2028 JD Vance warns Iran against trying to ‘play’ the US in peace talks West Ham double up twice to thrash Wolves and put Spurs in relegation zone Trump administration releases new renderings of so-called ‘Arc de Trump’ Crispin Odey drops £79m libel claim against FT over sexual misconduct allegations Bafta apologises for events surrounding John Davidson’s Tourette’s outburst Cocktail of the week: Bar Shrimp’s la rosita – recipe New drug may extend survival in aggressive ovarian cancer, trial shows One dead and 27 injured after bus with British passengers crashes in Canary Islands Pope adds to Smith’s mass of Surrey runs with England woes a world away OpenAI CEO Sam Altman’s home targeted with molotov cocktail
The Mission review – a surgeon saves lives in war-torn Ga...
https://www.theguardian.com/profile/lesliefelperin · 2026-06-26 · via The Guardian

What this documentary might lack in film-making finesse it makes up for with sheer visceral and emotional impact. British nerve surgeon Mohammad Tahir and his colleagues, who also work the cameras, toil in Gaza’s barely operational hospitals during some of the worst days and nights of the war in the winter of 2024-25. Supported by US-based charity FAJR Global, who provide medical care to the world’s most in need, Tahir operates through bombings and blackouts with a bare minimum of medical supplies, sometimes treating patients lying on the floor in puddles of blood because there are no gurneys. This is often hard to watch, and not just because of all the gore; many of the victims are children, out of whom Tahir and the others dig bullets as well as tiny tungsten cubes, new-fangled shrapnel designed to cause maximum damage.

With his matinee-star good looks, rock-steady composure and air of unruffled competence, Tahir makes an excellent guide to all this mayhem. For the most part he soldiers stoically on, but the cool melts when, for instance, he discusses how he had to remove a random jawbone embedded in a patient’s wound. Later on, he treats a little girl who has lost an arm in a bombing; he manages to reattach it after the family find the severed limb in the rubble of their home. The film could have easily started to feel like a numbing, endless procession of tragedy and bloodshed but the film-makers wisely offer a few moments of respite, such as a sequence where Tahir and his fellow medics enjoy a day out at the beach. Likewise, a scene where he teases a medical student bent over her textbooks briefly lightens the load of gloom.

The final section, shot just after the ceasefire announcement, offers footage of a miles-long procession of refugees marching home, a portrait of human endurance that’s impossible to shake. There’s almost no discussion of politics here, at least no explicit mention of what has caused this disaster, but the images speak eloquently on their own, impactful in a way that regular news reportage cannot match.