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The Guardian

Rory McIlroy surges into six-shot Masters lead with stunning second-round flourish ‘That’ll be the end’: actor Sam Neill joins fight to stop controversial goldmine near his New Zealand vineyard Roberto De Zerbi targets ‘Ange-ball’ revival to save Spurs from relegation Bath hit back to reach semi-final after stunning Northampton in 11-try epic Secret Garden to Outcome: the week in rave reviews Zebras, wealth and power: Hungary’s election tests Orbán’s grip on power ‘TikTok effect’ brings sellout crowds and younger fans to Grand National meeting The war over Omagh’s gold: the £21bn mine plan tearing a community apart Britain’s shadow workforce is paid as little as 65p an hour. Who cares for the carers? From You, Me & Tuscany to Euphoria: your complete entertainment guide to the week ahead Six great reads: the man who let snakes bite him, masked heavy metal and the brutal reality for foreign students in the UK American Classic review – I defy you not to fall in love with Kevin Kline and Laura Linney’s tender comedy Cuba’s doctors were a lifeline for the world. Now the Caribbean is shamefully complicit in the US drive to expel them An environmental disaster in Moldova has Russia’s fingerprints all over it RMIT drops misconduct case against student who accused university of being ‘complicit in Gaza genocide’ Ichiro Suzuki statue unveiling goes awry as bronze bat snaps during ceremony Survivors of Epstein’s abuse accuse Melania Trump of ‘shifting burden’ on to victims European football: Real Madrid held at home by Girona to extend winless run Arne Slot insists he is ‘aligned’ with Liverpool board and fans as squad is rebuilt Kamala Harris ‘thinking about’ running for president again in 2028 JD Vance warns Iran against trying to ‘play’ the US in peace talks West Ham double up twice to thrash Wolves and put Spurs in relegation zone Trump administration releases new renderings of so-called ‘Arc de Trump’ Crispin Odey drops £79m libel claim against FT over sexual misconduct allegations Bafta apologises for events surrounding John Davidson’s Tourette’s outburst Cocktail of the week: Bar Shrimp’s la rosita – recipe New drug may extend survival in aggressive ovarian cancer, trial shows One dead and 27 injured after bus with British passengers crashes in Canary Islands Pope adds to Smith’s mass of Surrey runs with England woes a world away OpenAI CEO Sam Altman’s home targeted with molotov cocktail Reform UK local election candidate was twice disciplined by Tories over ‘racist comments’ Remaining in Nato is in best interests of US, says Keir Starmer Prince Harry sued for defamation by charity he co-founded Anthropic’s new AI tool has implications for us all – whether we can use it or not Concerns raised about motorbike tourist trail after death of British teenager in Vietnam The Guardian view on Trump’s civilisational threats: the words that fuel war must be condemned The Guardian view on dystopias for our times: the American nightmare Doctors’ leader claims new reduced pay offer killed chances of ending strikes in England Netanyahu-ism has achieved nothing for Israelis – and come at a monstrously high price Deborah Levy: ‘CS Lewis’s White Witch terrified me – but I wanted to meet her’ How I Shop with Michelle Ogundehin: ‘We grownups have enough stuff already’ Trump’s war and Melania’s Epstein statement, with US editor Betsy Reed – The Latest We have to stop killer motorists on Britain’s roads UK starts crackdown on EU citizens’ post-Brexit rights Londoners aren’t unfriendly – but don’t compare us to New Yorkers The religious right and the perversion of faith Artemis II images reignite moon mission memories Orbán and Magyar trade accusations in last days of Hungary election campaign Reckonwrong: How Long Has It Been? review | Safi Bugel's experimental album of the month Martin Rowson on Middle East peace talks – cartoon Masters magic, the Grand National and Premier League drama – follow with us Fears of UK and EU flight cancellations as airports warn of jet fuel shortages Reform’s petulance over slavery reparations shows it just doesn’t grasp Britain’s place in the modern world Peers vote to ban pornography depicting sex acts between stepfamily members Starbucks’s retail arm gets £13.7m tax credit even as sales increase Flyby review – interstellar musical is a voyage of epic strangeness Grand National preview: Jagwar can deny Irish cohort in Aintree classic Week in wildlife: an ostrich on the lam, a tortoise crossing a road and surfing seals Anger as swifts’ nesting holes in Derbyshire rail viaduct ‘blocked up’ Peter Mandelson faces fixed-penalty notice for urinating in public ‘There’s no shortage of terrifying technology’: how AI became TV drama’s new go-to villain ‘Fresher than anything in a shop’: the best recipe boxes and meal kits for time-poor foodies, tested Who was Hilma? 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It’s only what the world allowed them to do in Gaza Tori Amos review – fans hang on every note of this dramatic deep dive into her back catalogue Coachella 2026: Justin Bieber launches a major comeback in the desert Super Mario what?! The seven best obscure Mario games ‘An abomination’: the Lancashire town kicking up a stink over reopened landfill Pillion to Roofman: the seven best films to watch on TV this week Holly Humberstone: Cruel World review – Taylor Swift fave trades gothic melancholy for pop glow-up Thrash review – cursed shark thriller sinks like a stone on Netflix Gulf states rethink security in light of US-Israel war on Iran Go Gentle by Maria Semple review – a joyfully clever New York romcom Welcome to Y’all Street: bullish Dallas aims to steal New York’s financial crown Margo’s Got Money Troubles to Beef: the seven best shows to stream this week I baulked at the idea of ‘friction-maxxing’. But there’s more to it than meets the eye Reich: The Sextets album review – Colin Currie celebrates the minimalist master’s joy of six Benjamina Ebuehi’s sweet and salty chocolate chip cookies recipe Experience: my house was taken over by 70,000 bees Malcolm in the Middle: Life’s Still Unfair review – the TV magic they’ve created here is absolutely miraculous Lava bursts forth as Hawaii’s Kilauea volcano erupts Sonos review: Are these the best portable speakers that money can buy? I tested to find out Buy bread in the evening, hit the sales on a Tuesday: retail workers’ top tips to cut your shopping bill The best water flossers in the UK, tested for that dentist-clean feeling Where to start with: Muriel Spark You be the judge: should my girlfriend stop mixing gold and silver jewellery? The best carry-on luggage in the UK, tested on an assault course How games capture the awe and terror of cosmic isolation I never text back – and it’s ruining my relationships The pet I’ll never forget: Beau, the labrador who saved my life Life Is Strange: Reunion review – a decade-long story comes to an impassioned close Why is gaming becoming so expensive? The answer is found in AI
Nothing Phone 4a Pro review: premium aluminium meets quirky design
Samuel Gibbs · 2026-05-18 · via The Guardian

Nothing’s latest quirky smartphone is a huge aluminium Android with three cameras and a big LED matrix screen on the back that challenges the notion mid-range phones can’t be just a bit more fun.

The Phone 4a Pro is a bit of a departure from UK-based Nothing’s previous glass-clad transparent designs. It still has a touch of those elements but only in the camera island at the top, with the rest of the body now solid aluminium – a rare sight in the world of Android phones.

It costs £499 (€479/$499/A$949), sitting above the regular Phone 4a at £349 and below the top-of-the-line Phone 3 costing £699. That puts the Phone 4a Pro in direct competition with some very good, if less interestingly designed, rivals such as the Google Pixel 10a.

The home screen of a Nothing Phone 4a Pro.
The screen is bright, colourful and crisp with a high 144Hz refresh rate that keeps your scrolling smooth. It’s great for watching video on the commute. Photograph: Samuel Gibbs/The Guardian

The slim aluminium body feels great, but the 4a Pro is a very big phone with a huge 6.83in OLED screen on the front. Only a handful of phones such as the Samsung Galaxy S26 Ultra or iPhone 17 Pro Max are quite that big, making it a two-handed affair most of the time.

The large camera island on the back contains a big, bright circular dot-matrix LED screen, which can display notification icons, the time, timers, volume and charge levels. But it can also be used as a rough selfie screen for the rear camera or to show fun little widgets such as a moon phase tracker or others downloaded from Nothing’s user community.

The Glyph screen on the back of a Nothing Phone 4a Pro.
The dot-matrix LED screen on the back of the phone can show timers, notifications and other tools. Photograph: Samuel Gibbs/The Guardian

Similar to previous iterations of Nothing’s Glyph interface, much of it is a bit gimmicky, but having the time on the back of the phone or seeing icons for certain notifications is surprisingly useful.

Specifications

  • Screen: 6.83in 144Hz QHD+ OLED (450ppi)

  • Processor: Qualcomm Snapdragon 7 Gen 4

  • RAM: 8 or 12GB

  • Storage: 128 or 256GB

  • Operating system: Nothing OS 4.1 (Android 16)

  • Camera: 50MP main, 50MP 3.5x tele and 8MP ultrawide, 32MP selfie

  • Connectivity: 5G, eSIM, wifi 6, NFC, Bluetooth 5.4 and GNSS

  • Water resistance: IP65 (25cm depths for 20 minutes)

  • Dimensions: 163.6 x 76.6 x 7.9mm

  • Weight: 210g

Mid-range power with solid battery life

The USB-C port of the Nothing Phone 4a Pro.
The battery fully charges in 72 minutes, hitting 58% in 30 minutes, using a 50W or greater USB-C adaptor (not included). Photograph: Samuel Gibbs/The Guardian

The 4a Pro has a Qualcomm Snapdragon 7 Gen 4 chip, which won’t win any raw processing awards but keeps up with daily tasks just fine. It handled games at medium settings but made the phone relatively warm during play.

The battery lasts a solid two-plus days between charges with the screen in active use for more than seven hours across a mix of wifi and 5G for general messaging, browsing, watching video and using various apps. Playing games significantly reduces the battery life by about 30% an hour, but the 4a Pro outlasted even the heaviest general use days with a good 20% left in the tank. Most will only need to charge it every other day.

Nothing OS 4.1

Screenshots from Nothing OS 4.1 from a Phone 4a Pro.
Nothing OS 4.1 offers multiple customisation options, Glyph and AI tools. Composite: Samuel Gibbs/The Guardian

The 4a Pro runs Nothing OS 4.1, which is one of the slickest and easily customised versions of Android 16. It can be used with standard app icons and widgets or dot-matrix-style designs that add a bit of retro cool to everyday tasks. If you thought other phones were a bit boring, this is the antidote.

It supports live notifications from apps such as Uber or Google Maps on an improved lock screen. Plus it has Google’s Gemini built in with a collection of Nothing’s own AI tools.

The Essential Space app introduced last year now syncs to Nothing’s cloud, so up to 2.15GB of your AI-analysed images, text, voice notes and call recordings are safely backed up, though you need a Nothing phone to access them which limits its usefulness. The phone has AI-powered search, which plugs into data from Essential Space. The new Essential Voice is an AI-powered dictation system that cleans up your umms, errs and other errors as you go, and recognises phrases such as “my phone number” to insert your number so you don’t have to look it up each time. It’s a nice idea, similar to Google’s new Rambler tool, but it is a bit slow and requires an internet connection to work.

Nothing will only provide three years of Android version updates with a total of six years of security updates, which falls short of the best you can get for this kind of money. Also note that some apps such as Netflix do not support the kind of HDR content playback that makes the best of the screen on the 4a Pro because of certification issues.

Camera

The Nothing camera app on a Phone 4a Pro.
The Nothing camera app is straightforward to use with most of the tools you need. Photograph: Samuel Gibbs/The Guardian

The 4a Pro has a triple camera on the back with a solid 32-megapixel selfie camera on the front to make you look your best.

The main 50MP camera is excellent in good light, shooting photos with plenty of detail and a nice, wide dynamic range, but it struggles a little in dimmer conditions, looking a bit soft. The 50MP 3.5x telephoto camera is the best of the bunch, shooting great images in good light with sharp details and good colour. It can also manage a very good 2x crop zoom for an effective 7x magnification before stretching all the way up to 140x with digital zoom, which starts to fall apart beyond 30x.

The 8MP ultra-wide camera is disappointingly weak on detail, so shots only seem good if you don’t look too hard. Nothing’s night mode is a little softer on detail than you might expect and sometimes the camera can be a little inconsistent in its exposure and colour balance, but overall the main and telephoto cameras are good for the money.

Video recording is solid but falls behind rivals that offer 4K at 60 frames a second, which is rapidly becoming the norm for phones.

Sustainability

The optical fingerprint scanner of the Nothing Phone 4a Pro.
The optical fingerprint scanner is placed quite low on the screen but is generally solid, if a little slower and less accurate than more expensive ultrasonic rivals. Photograph: Samuel Gibbs/The Guardian

The battery will maintain at least 80% of its original capacity for at least 1,200 full charge cycles. The phone is generally repairable in the UK.

The device is made of recycled aluminium, plastic, steel and tin, and has a carbon footprint of 50.5kg CO2 equivalent. The company publishes sustainability reports for some devices.

Price

The Nothing Phone 4a Pro costs from £499 (€479/$499/A$949).

For comparison, the Phone 4a costs £349, the Phone 3 costs £699, the Google Pixel 10a costs £449, the Samsung Galaxy A57 5G costs £529 and the Apple iPhone 17e costs £599.

Verdict

The Phone 4a Pro is another slick, striking Android from Nothing, which continues to buck the trend of dull slabs of metal and glass.

The aluminium body feels expensive, while the screen on the front is huge and vibrant. But it is the eye-catching camera cluster and dot-matrix display on the back that is its standout feature. Along with a great version of Android with lots of visual interest, it’s a fun phone to use day to day.

Some of Nothing’s AI tools are useful. It has decent mid-range performance and two-day battery life, plus good main and telephoto cameras to round out the package.

But the Phone 4a Pro is quite expensive for a mid-range phone, even with RAMageddon making everything more expensive. The cheaper Phone 4a offers many of the good features of the Pro model for less, which makes it better value. For now you can certainly get better cameras or stronger performance for the money, even if the alternatives aren’t quite as interesting as the Nothing.

Pros: great software, solid back, eye-catching dot-matrix screen, 3.5x telephoto camera, huge good screen, fingerprint scanner, fast charging, six years of security updates, solid battery life.

Cons: no wifi 7, camera can’t match the best, AI features still work in progress, only three years of Android upgrades, Glyphs a bit gimmicky, expensive for mid-range performance.

The lock screen of the Nothing Phone 4a Pro.
The design and interface of the Nothing is just a little more interesting than your regular slab phone. Photograph: Samuel Gibbs/The Guardian