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The Guardian

Rory McIlroy surges into six-shot Masters lead with stunning second-round flourish ‘That’ll be the end’: actor Sam Neill joins fight to stop controversial goldmine near his New Zealand vineyard Roberto De Zerbi targets ‘Ange-ball’ revival to save Spurs from relegation Bath hit back to reach semi-final after stunning Northampton in 11-try epic Secret Garden to Outcome: the week in rave reviews Zebras, wealth and power: Hungary’s election tests Orbán’s grip on power ‘TikTok effect’ brings sellout crowds and younger fans to Grand National meeting The war over Omagh’s gold: the £21bn mine plan tearing a community apart Britain’s shadow workforce is paid as little as 65p an hour. Who cares for the carers? From You, Me & Tuscany to Euphoria: your complete entertainment guide to the week ahead Six great reads: the man who let snakes bite him, masked heavy metal and the brutal reality for foreign students in the UK American Classic review – I defy you not to fall in love with Kevin Kline and Laura Linney’s tender comedy Cuba’s doctors were a lifeline for the world. Now the Caribbean is shamefully complicit in the US drive to expel them An environmental disaster in Moldova has Russia’s fingerprints all over it RMIT drops misconduct case against student who accused university of being ‘complicit in Gaza genocide’ Ichiro Suzuki statue unveiling goes awry as bronze bat snaps during ceremony Survivors of Epstein’s abuse accuse Melania Trump of ‘shifting burden’ on to victims European football: Real Madrid held at home by Girona to extend winless run Arne Slot insists he is ‘aligned’ with Liverpool board and fans as squad is rebuilt Kamala Harris ‘thinking about’ running for president again in 2028 JD Vance warns Iran against trying to ‘play’ the US in peace talks West Ham double up twice to thrash Wolves and put Spurs in relegation zone Trump administration releases new renderings of so-called ‘Arc de Trump’ Crispin Odey drops £79m libel claim against FT over sexual misconduct allegations Bafta apologises for events surrounding John Davidson’s Tourette’s outburst Cocktail of the week: Bar Shrimp’s la rosita – recipe New drug may extend survival in aggressive ovarian cancer, trial shows One dead and 27 injured after bus with British passengers crashes in Canary Islands Pope adds to Smith’s mass of Surrey runs with England woes a world away OpenAI CEO Sam Altman’s home targeted with molotov cocktail Reform UK local election candidate was twice disciplined by Tories over ‘racist comments’ Remaining in Nato is in best interests of US, says Keir Starmer Prince Harry sued for defamation by charity he co-founded Anthropic’s new AI tool has implications for us all – whether we can use it or not Concerns raised about motorbike tourist trail after death of British teenager in Vietnam The Guardian view on Trump’s civilisational threats: the words that fuel war must be condemned The Guardian view on dystopias for our times: the American nightmare Doctors’ leader claims new reduced pay offer killed chances of ending strikes in England Netanyahu-ism has achieved nothing for Israelis – and come at a monstrously high price Deborah Levy: ‘CS Lewis’s White Witch terrified me – but I wanted to meet her’ How I Shop with Michelle Ogundehin: ‘We grownups have enough stuff already’ Trump’s war and Melania’s Epstein statement, with US editor Betsy Reed – The Latest We have to stop killer motorists on Britain’s roads UK starts crackdown on EU citizens’ post-Brexit rights Londoners aren’t unfriendly – but don’t compare us to New Yorkers The religious right and the perversion of faith Artemis II images reignite moon mission memories Orbán and Magyar trade accusations in last days of Hungary election campaign Reckonwrong: How Long Has It Been? review | Safi Bugel's experimental album of the month Martin Rowson on Middle East peace talks – cartoon Masters magic, the Grand National and Premier League drama – follow with us Fears of UK and EU flight cancellations as airports warn of jet fuel shortages Reform’s petulance over slavery reparations shows it just doesn’t grasp Britain’s place in the modern world Peers vote to ban pornography depicting sex acts between stepfamily members Starbucks’s retail arm gets £13.7m tax credit even as sales increase Flyby review – interstellar musical is a voyage of epic strangeness Grand National preview: Jagwar can deny Irish cohort in Aintree classic Week in wildlife: an ostrich on the lam, a tortoise crossing a road and surfing seals Anger as swifts’ nesting holes in Derbyshire rail viaduct ‘blocked up’ Peter Mandelson faces fixed-penalty notice for urinating in public ‘There’s no shortage of terrifying technology’: how AI became TV drama’s new go-to villain ‘Fresher than anything in a shop’: the best recipe boxes and meal kits for time-poor foodies, tested Who was Hilma? 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It’s only what the world allowed them to do in Gaza Tori Amos review – fans hang on every note of this dramatic deep dive into her back catalogue Coachella 2026: Justin Bieber launches a major comeback in the desert Super Mario what?! The seven best obscure Mario games ‘An abomination’: the Lancashire town kicking up a stink over reopened landfill Pillion to Roofman: the seven best films to watch on TV this week Holly Humberstone: Cruel World review – Taylor Swift fave trades gothic melancholy for pop glow-up Thrash review – cursed shark thriller sinks like a stone on Netflix Gulf states rethink security in light of US-Israel war on Iran Go Gentle by Maria Semple review – a joyfully clever New York romcom Welcome to Y’all Street: bullish Dallas aims to steal New York’s financial crown Margo’s Got Money Troubles to Beef: the seven best shows to stream this week I baulked at the idea of ‘friction-maxxing’. 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The Asset Class by Hettie O’Brien review – private equity is coming for us all
Caroline Kno · 2026-04-23 · via The Guardian

This is a dark tale. In its opening scene the author is in conversation with a textile artist in her workshop under the arches in Deptford – arguably one of the last neighbourhoods that credibly sustains London’s claim to be a city that supports creativity. Hettie O’Brien listens to her talk about rising rents as the railway’s lands are sold to new, invisible owners. The arches have become assets to be traded, and as a result the artist will soon be forced to ply her own trade elsewhere. Behind this story, and many others, lies the hand of private equity. The vast profits reaped by investors, and the toll on society, are all described here in lucid and highly readable prose.

Private equity partnerships are groups of individual and institutional investors with deep pockets. O’Brien traces their rise following the era of deregulation inaugurated by Reagan and Thatcher, and details how Blackstone, the Qatar Investment Authority, Macquarie, KKR and others have bought undervalued assets using borrowed money to minimise their exposure to risk. What happens next is that costs, wages and investment in the future are frequently cut to the bone in the cause of exceptionally high returns.

This is not just a problem of where money comes from, but how it behaves. The assets targeted are deeply entangled in our everyday life: in water, energy, housing, care homes, health, trains – services we all depend on. With examples from Copenhagen, Barcelona, San Francisco, London and Yorkshire, O’Brien shows the damage private equity can inflict as the state withdraws from key public services. She gathers stories of collapsing infrastructure, including sewage dumped in rivers by privatised, debt-saddled water companies. She shows how some care homes treat elderly people as “the human equivalent of ATM machines” as fees are siphoned from their housing equity to fund the poor conditions and low wages of exhausted care workers. Her most shocking example of the collision between profit and care is a hospital in Africa where she alleges staff were pressured to admit patients, keep them in for longer and then seek to imprison a number of those who could not pay their bills.

In the UK, privatisation was accompanied by regulation. But inspection regimes, as O’Brien argues, are often underfunded and ineffective. No one wants sewage in rivers – activists campaign against it, the Environment Agency hands out fines – but nothing changes, because poor services maximise profit and shareholder returns are a higher priority than clean water.

Two pillars support private equity’s antisocial effects. One is secrecy: piles of profit and debt are moved around via offshore banks with minimal scrutiny. This allows the sector to nurture a public image – of heroic dealmaking and lean, smart efficiency – that is radically at odds with the reality; O’Brien likens it to a spy’s “legend” or false identity. The second is the complicity of successive UK governments, so keen to offload public services that they offer highly favourable tax conditions. O’Brien rightly concludes that this has “rewire[d] the state in service of a wealthy elite”.

A growing number of researchers believe that private equity is generating political instability, spurring a spiralling cycle of public debt and fiscal tightening. And while some make these arguments in more theoretical terms, O’Brien marshals stories and evidence in a compellingly human way. She adds flesh and personality to Brett Christophers’ excellent but more abstract arguments in Our Lives in Their Portfolios: Why Asset Managers Own the World.

Everyone should read The Asset Class. It is a gripping and accessible tale about how private equity degrades our lives and living standards, a portrait of capital’s most rapacious configuration so far. Might other kinds of capital that are more compassionate, less profitable, more socially aware, repair the damage private equity has inflicted? Or does the prospect of incalculable wealth corrupt everything and everyone? That remains to be seen – but O’Brien’s analysis of the politics is bang on the money: the government could fix this if it was minded to. Her evidence suggests that it isn’t.