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The Guardian

Rory McIlroy surges into six-shot Masters lead with stunning second-round flourish ‘That’ll be the end’: actor Sam Neill joins fight to stop controversial goldmine near his New Zealand vineyard Roberto De Zerbi targets ‘Ange-ball’ revival to save Spurs from relegation Bath hit back to reach semi-final after stunning Northampton in 11-try epic Secret Garden to Outcome: the week in rave reviews Zebras, wealth and power: Hungary’s election tests Orbán’s grip on power ‘TikTok effect’ brings sellout crowds and younger fans to Grand National meeting The war over Omagh’s gold: the £21bn mine plan tearing a community apart Britain’s shadow workforce is paid as little as 65p an hour. Who cares for the carers? From You, Me & Tuscany to Euphoria: your complete entertainment guide to the week ahead Six great reads: the man who let snakes bite him, masked heavy metal and the brutal reality for foreign students in the UK American Classic review – I defy you not to fall in love with Kevin Kline and Laura Linney’s tender comedy Cuba’s doctors were a lifeline for the world. Now the Caribbean is shamefully complicit in the US drive to expel them An environmental disaster in Moldova has Russia’s fingerprints all over it RMIT drops misconduct case against student who accused university of being ‘complicit in Gaza genocide’ Ichiro Suzuki statue unveiling goes awry as bronze bat snaps during ceremony Survivors of Epstein’s abuse accuse Melania Trump of ‘shifting burden’ on to victims European football: Real Madrid held at home by Girona to extend winless run Arne Slot insists he is ‘aligned’ with Liverpool board and fans as squad is rebuilt Kamala Harris ‘thinking about’ running for president again in 2028 JD Vance warns Iran against trying to ‘play’ the US in peace talks West Ham double up twice to thrash Wolves and put Spurs in relegation zone Trump administration releases new renderings of so-called ‘Arc de Trump’ Crispin Odey drops £79m libel claim against FT over sexual misconduct allegations Bafta apologises for events surrounding John Davidson’s Tourette’s outburst Cocktail of the week: Bar Shrimp’s la rosita – recipe New drug may extend survival in aggressive ovarian cancer, trial shows One dead and 27 injured after bus with British passengers crashes in Canary Islands Pope adds to Smith’s mass of Surrey runs with England woes a world away OpenAI CEO Sam Altman’s home targeted with molotov cocktail
Or, the Whale album review – Caroline Shaw and Andrew Yee...
Clive Paget · 2026-05-22 · via The Guardian

In one sense, this eight-track collaboration between Pulitzer prize-winning composer-vocalist Caroline Shaw and Grammy award-winning cellist-composer Andrew Yee is a snapshot of a friendship. The title – Or, the Whale – comes from Melville’s Moby-Dick, and in particular from director Wu Tsang’s 2022 silent film version for which Shaw and Yee provided the score. A condensed suite combines cello, electronics and ethereal vocals in a haunting, folk-infused evocation of the novel, whale song and all.

The artwork for Or, the Whale.
The artwork for Or, the Whale. Photograph: Platoon

Much here is similarly imaginative. Yee’s uplifting The Trees of Green-Wood channels Meredith Monk as Shaw sings a catalogue of trees organised by diameter of trunk: the greater the girth, the louder the music. Sophisticated processing and intricate engineering, crucial elements throughout, add to the heady aural atmosphere. Another duet, Shenandoah, is a tender, exploratory arrangement of the traditional shanty.

Shaw’s versatile vocals and Yee’s emotive cello are at the centre of everything. An outlier movement from Messiaen’s Quartet for the End of Time finds Messiane’s piano replaced with a vocal harmoniser, while a repurposed early work by Shaw incorporates audio snippets of quilters living in North Carolina. Like everything here, the feeling of artistic intimacy and joy in the music-making is palpable.

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