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The Guardian

Rory McIlroy surges into six-shot Masters lead with stunning second-round flourish ‘That’ll be the end’: actor Sam Neill joins fight to stop controversial goldmine near his New Zealand vineyard Roberto De Zerbi targets ‘Ange-ball’ revival to save Spurs from relegation Bath hit back to reach semi-final after stunning Northampton in 11-try epic Secret Garden to Outcome: the week in rave reviews Zebras, wealth and power: Hungary’s election tests Orbán’s grip on power ‘TikTok effect’ brings sellout crowds and younger fans to Grand National meeting The war over Omagh’s gold: the £21bn mine plan tearing a community apart Britain’s shadow workforce is paid as little as 65p an hour. Who cares for the carers? From You, Me & Tuscany to Euphoria: your complete entertainment guide to the week ahead Six great reads: the man who let snakes bite him, masked heavy metal and the brutal reality for foreign students in the UK American Classic review – I defy you not to fall in love with Kevin Kline and Laura Linney’s tender comedy Cuba’s doctors were a lifeline for the world. Now the Caribbean is shamefully complicit in the US drive to expel them An environmental disaster in Moldova has Russia’s fingerprints all over it RMIT drops misconduct case against student who accused university of being ‘complicit in Gaza genocide’ Ichiro Suzuki statue unveiling goes awry as bronze bat snaps during ceremony Survivors of Epstein’s abuse accuse Melania Trump of ‘shifting burden’ on to victims European football: Real Madrid held at home by Girona to extend winless run Arne Slot insists he is ‘aligned’ with Liverpool board and fans as squad is rebuilt Kamala Harris ‘thinking about’ running for president again in 2028 JD Vance warns Iran against trying to ‘play’ the US in peace talks West Ham double up twice to thrash Wolves and put Spurs in relegation zone Trump administration releases new renderings of so-called ‘Arc de Trump’ Crispin Odey drops £79m libel claim against FT over sexual misconduct allegations Bafta apologises for events surrounding John Davidson’s Tourette’s outburst Cocktail of the week: Bar Shrimp’s la rosita – recipe New drug may extend survival in aggressive ovarian cancer, trial shows One dead and 27 injured after bus with British passengers crashes in Canary Islands Pope adds to Smith’s mass of Surrey runs with England woes a world away OpenAI CEO Sam Altman’s home targeted with molotov cocktail
Add to playlist: the magnetic, uncanny songwriting of Fra...
https://www.theguardian.com/profile/laura-snapes,https://www.the · 2026-05-08 · via The Guardian

From Brooklyn, New York
Recommended if you like Cate Le Bon, Astrid Sonne, Julia Holter
Up next New single No Avatar out now

“No, I won’t take a photo / Just walking around with no avatar,” Frances Chang sings on No Avatar, conversational and serene against little whorls of piano, skittish drum fizz and softly flaring synths. Like Astrid Sonne’s fragmented songwriting, the Brooklyn-based musician’s songs are hard to pin down, mirroring the single’s desire to avoid outward definition. Her songs work to an internal logic, evoking a sort of uncanny domesticity: casual piano refrains, rainy percussion; the melty haze of a horizon at dusk; grooves slinking in at the end of a song like next door’s cat making itself at home. It’s a sound that shares a lot with the modern Copenhagen scene of which Sonne is a key fixture, but with more welcoming softness and warmth: Chang’s January single I Can Feel the Waves is a six-minute suite that starts out a little edgy, then yields with gorgeous warped piano and disarmingly intimate focus.

Chang has recently signed to RVNG Intl, the same label that launched Julia Holter, another worthy comparison for her elegant oddness – and supported Cate Le Bon, another master of distanced beauty. She released her debut cassette, the abrasively fuzzy Support Your Local Nihilist in 2022, and in 2024 her debut album proper, the proggy, unsettling Psychedelic Anxiety. Her new material strips back all that noise for a limpid setting that lets her idiosyncratic lyricism shine. I Can Feel the Waves is also about remaining unknowable, and cherishing the ever-renewing mysteries of relating to oneself and others. Ironically, that lens is part of what makes getting to know her so alluring. Laura Snapes

This week’s best new tracks

Lambchop’s Kurt Wagner.
Lambchop’s Kurt Wagner. Photograph: Ingo Petramer

Lambchop – Weakened
Backed by guitar, choir and Justin Vernon on banjo, this is one of the most simple and beautiful ballads in Kurt Wagner’s 40-odd years of music, as he sings of the threshold between life and death. BBT

Silvana Estrada and PabloPablo – Antes de Ti
Estrada’s music is always elegant, and here she and Madrid’s PabloPablo lilt beautifully around her cuatro’s light strings – but then a liquid, orchestral pivot opens up a cosmic portal. LS

Josh da Costa – Proving Me Right
Formerly of unfairly overlooked duo CMON, plus spells as drummer for Drugdealer and MGMT, Da Costa summons the spirit of Sparks for this new wave anthem, with a chorus pitching like a ship in a storm. BBT

Martin Brugger – Knees, Hands, Shoulders, Teeth
As head of the Squama label, Brugger releases vanguard experimental records by the likes of Damien Dalla Torre and Enji. His own ambient music is stunning – softly clanking, mournful, with traces of Kentucky post-rock. LS

Bedouine – On My Own
With contributions from the Lemon Twigs, the backing to the Arab-American singer-songwriter’s ballad is classic piano-driven MOR – but her affecting vocals offset the grandeur with sadness and smallness. BBT

Resonant Bodies – Failed Hornpipe for Jacken
Also of Sheffield cabaret-doom-folk ensemble Slug Milk, Rob Bentall and Zebedee Budworth pare things back for a refined and hopeful 10-minute blossoming of nyckelharpa and hammered dulcimer that pelts to a heart-stopping finish. LS

Liz Lawrence – Exploded Into Flowers
In 2024, UK singer-songwriter Lawrence endured the death of her sister aged just 35. This song, about the abundant floral tributes at her funeral, rooted in a robust repeating melody, is a powerful tribute. BBT

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