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The Guardian

Rory McIlroy surges into six-shot Masters lead with stunning second-round flourish ‘That’ll be the end’: actor Sam Neill joins fight to stop controversial goldmine near his New Zealand vineyard Roberto De Zerbi targets ‘Ange-ball’ revival to save Spurs from relegation Bath hit back to reach semi-final after stunning Northampton in 11-try epic Secret Garden to Outcome: the week in rave reviews Zebras, wealth and power: Hungary’s election tests Orbán’s grip on power ‘TikTok effect’ brings sellout crowds and younger fans to Grand National meeting The war over Omagh’s gold: the £21bn mine plan tearing a community apart Britain’s shadow workforce is paid as little as 65p an hour. Who cares for the carers? From You, Me & Tuscany to Euphoria: your complete entertainment guide to the week ahead Six great reads: the man who let snakes bite him, masked heavy metal and the brutal reality for foreign students in the UK American Classic review – I defy you not to fall in love with Kevin Kline and Laura Linney’s tender comedy Cuba’s doctors were a lifeline for the world. Now the Caribbean is shamefully complicit in the US drive to expel them An environmental disaster in Moldova has Russia’s fingerprints all over it RMIT drops misconduct case against student who accused university of being ‘complicit in Gaza genocide’ Ichiro Suzuki statue unveiling goes awry as bronze bat snaps during ceremony Survivors of Epstein’s abuse accuse Melania Trump of ‘shifting burden’ on to victims European football: Real Madrid held at home by Girona to extend winless run Arne Slot insists he is ‘aligned’ with Liverpool board and fans as squad is rebuilt Kamala Harris ‘thinking about’ running for president again in 2028 JD Vance warns Iran against trying to ‘play’ the US in peace talks West Ham double up twice to thrash Wolves and put Spurs in relegation zone Trump administration releases new renderings of so-called ‘Arc de Trump’ Crispin Odey drops £79m libel claim against FT over sexual misconduct allegations Bafta apologises for events surrounding John Davidson’s Tourette’s outburst Cocktail of the week: Bar Shrimp’s la rosita – recipe New drug may extend survival in aggressive ovarian cancer, trial shows One dead and 27 injured after bus with British passengers crashes in Canary Islands Pope adds to Smith’s mass of Surrey runs with England woes a world away OpenAI CEO Sam Altman’s home targeted with molotov cocktail
A to B review – relentless mishaps as nothing goes to pla...
https://www.theguardian.com/profile/anya-ryan · 2026-06-21 · via The Guardian

All the nerves, hope and anticipation of getting ready for a date melt together in Tia-Renee Mullings’s coming-of-age play. Told through two separate, overlapping monologues, Brianna (Zakiyyah Dean) and Armani (Sheyi Cole) prepare for a night that could change the course of their lives for the better. Or it could go horribly wrong. Who knows? Set up on a blind date by mutual friends, they have only a photo of their prospective partner to go on.

It’s a premise that many searching for love in today’s dating app-fuelled world will recognise. But that anxiety isn’t enough to sustain momentum across the play’s 80-minute running time. For Brianna and Armani, nothing seems to be going to plan. Brianna’s younger sisters steal and destroy her carefully chosen outfit – a nightmare for a perfectionist like her – before an unfortunate encounter with water guns completely ruins her hair. Meanwhile, Armani misses his barber’s appointment and ends up with the worst trim of his life. After a while, though, the relentless string of mishaps becomes predictable, and things begin to feel as though they’re running in circles.

Keeping up appearances is armour for both Armani and Brianna, but to get to the core of who they are, we long to hear something a little deeper. Occasionally, we catch a flicker of what lies beneath the surface: when she admits she’s lost in a forest, Dean reveals Brianna as someone eager to be loved, while Cole’s Armani dares to hope that his date will see beyond the image he’s worked hard, but failed, to perfect.

Directed by Ewa Dina, time-stamps flash on a screen to mark the passing of the day. Dean and Cole take it in turns to narrate their stories, with the script singing through lyrical spoken-word passages and rhythmic exchanges. As well as being an ode to the feeling of budding romance, Mullings’s words pulse with the textures of life in south London. British Jamaican life is drawn in vibrant shades. This is the beginning of a beautiful modern love story – we just need a little more of the story for it to feel complete.