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The Guardian

Rory McIlroy surges into six-shot Masters lead with stunning second-round flourish ‘That’ll be the end’: actor Sam Neill joins fight to stop controversial goldmine near his New Zealand vineyard Roberto De Zerbi targets ‘Ange-ball’ revival to save Spurs from relegation Bath hit back to reach semi-final after stunning Northampton in 11-try epic Secret Garden to Outcome: the week in rave reviews Zebras, wealth and power: Hungary’s election tests Orbán’s grip on power ‘TikTok effect’ brings sellout crowds and younger fans to Grand National meeting The war over Omagh’s gold: the £21bn mine plan tearing a community apart Britain’s shadow workforce is paid as little as 65p an hour. Who cares for the carers? From You, Me & Tuscany to Euphoria: your complete entertainment guide to the week ahead Six great reads: the man who let snakes bite him, masked heavy metal and the brutal reality for foreign students in the UK American Classic review – I defy you not to fall in love with Kevin Kline and Laura Linney’s tender comedy Cuba’s doctors were a lifeline for the world. Now the Caribbean is shamefully complicit in the US drive to expel them An environmental disaster in Moldova has Russia’s fingerprints all over it RMIT drops misconduct case against student who accused university of being ‘complicit in Gaza genocide’ Ichiro Suzuki statue unveiling goes awry as bronze bat snaps during ceremony Survivors of Epstein’s abuse accuse Melania Trump of ‘shifting burden’ on to victims European football: Real Madrid held at home by Girona to extend winless run Arne Slot insists he is ‘aligned’ with Liverpool board and fans as squad is rebuilt Kamala Harris ‘thinking about’ running for president again in 2028 JD Vance warns Iran against trying to ‘play’ the US in peace talks West Ham double up twice to thrash Wolves and put Spurs in relegation zone Trump administration releases new renderings of so-called ‘Arc de Trump’ Crispin Odey drops £79m libel claim against FT over sexual misconduct allegations Bafta apologises for events surrounding John Davidson’s Tourette’s outburst Cocktail of the week: Bar Shrimp’s la rosita – recipe New drug may extend survival in aggressive ovarian cancer, trial shows One dead and 27 injured after bus with British passengers crashes in Canary Islands Pope adds to Smith’s mass of Surrey runs with England woes a world away OpenAI CEO Sam Altman’s home targeted with molotov cocktail Reform UK local election candidate was twice disciplined by Tories over ‘racist comments’ Remaining in Nato is in best interests of US, says Keir Starmer Prince Harry sued for defamation by charity he co-founded Anthropic’s new AI tool has implications for us all – whether we can use it or not Concerns raised about motorbike tourist trail after death of British teenager in Vietnam The Guardian view on Trump’s civilisational threats: the words that fuel war must be condemned The Guardian view on dystopias for our times: the American nightmare Doctors’ leader claims new reduced pay offer killed chances of ending strikes in England Netanyahu-ism has achieved nothing for Israelis – and come at a monstrously high price Deborah Levy: ‘CS Lewis’s White Witch terrified me – but I wanted to meet her’ How I Shop with Michelle Ogundehin: ‘We grownups have enough stuff already’ Trump’s war and Melania’s Epstein statement, with US editor Betsy Reed – The Latest We have to stop killer motorists on Britain’s roads UK starts crackdown on EU citizens’ post-Brexit rights Londoners aren’t unfriendly – but don’t compare us to New Yorkers The religious right and the perversion of faith Artemis II images reignite moon mission memories Orbán and Magyar trade accusations in last days of Hungary election campaign Reckonwrong: How Long Has It Been? review | Safi Bugel's experimental album of the month Martin Rowson on Middle East peace talks – cartoon Masters magic, the Grand National and Premier League drama – follow with us Fears of UK and EU flight cancellations as airports warn of jet fuel shortages Reform’s petulance over slavery reparations shows it just doesn’t grasp Britain’s place in the modern world Peers vote to ban pornography depicting sex acts between stepfamily members Starbucks’s retail arm gets £13.7m tax credit even as sales increase Flyby review – interstellar musical is a voyage of epic strangeness Grand National preview: Jagwar can deny Irish cohort in Aintree classic Week in wildlife: an ostrich on the lam, a tortoise crossing a road and surfing seals Anger as swifts’ nesting holes in Derbyshire rail viaduct ‘blocked up’ Peter Mandelson faces fixed-penalty notice for urinating in public ‘There’s no shortage of terrifying technology’: how AI became TV drama’s new go-to villain ‘Fresher than anything in a shop’: the best recipe boxes and meal kits for time-poor foodies, tested Who was Hilma? 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Venus & Adonis review – Simon Russell Beale narrates cheeky tale of puppet passion
https://www.theguardian.com/profile/kate-wyver · 2026-06-24 · via The Guardian

Love comes with strings attached in Greg Doran’s tragic romance. First performed 22 years ago, this enchanting production of Shakespeare’s great poem of unrequited love is now tenderly narrated by Simon Russell Beale. With masterful puppetry and a playful air of seduction, there’s no wonder this conjuring of Venus’s pursuit of the handsome Adonis has had so many lives. Like love – and heartbreak – its magic is timeless.

No breath is wasted with these cheeky puppets, wooden in material only, designed and created by Lyndie Wright. A raunchy Venus weeps and begs as the gorgeous, occasionally petulant Adonis rejects her advances, more interested in hunting than in love. Venus moves with such ease, you hardly see the team of puppeteers holding her arms as she hurls herself down at Adonis’s feet, or curling her legs as she wallows in self pity. The five puppeteers swim around their characters, handing over control of a head and taking up a hand with surgical skill. Marionettes, shadow, rod, Bunraku and other puppets are used to build this ethereal world of miniature beauty – plus the exquisite ugliness of one angry, snuffly boar.

Venus & Adonis.
Exquisitely ugly … Venus & Adonis. Photograph: Lucy Barriball

Wit is at the forefront of Doran’s detailed direction: it’s in the playful pat of a horse’s rump, the brief resting of a hare on an audience member’s head, and the moment Nick Lee’s live guitar comes to an abrupt, knowing halt as Adonis stops Venus’s hand from sliding any further up his perfectly muscled leg. Lee’s select melodies heighten these moments of humour and cast light on the tragedy, as Venus veers from floating with ecstasy to dancing with death on Robert Jones’s golden, fringed set – which hides a secret of its own.

Reading from a seat by the side of the stage, Beale holds each phrase with care: now wise, now funny, now sharp. Tear your eyes from the stage for a moment and you might catch him mirroring the puppets by holding a lovestruck hand to his heart. “Good queen,” he says, catching the eye of Venus who looks up from her reluctant lover, “it will not be.” But who among us hasn’t been advised to let go of love, only to double down and be left with nothing but a throbbing heart?