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Rory McIlroy surges into six-shot Masters lead with stunning second-round flourish ‘That’ll be the end’: actor Sam Neill joins fight to stop controversial goldmine near his New Zealand vineyard Roberto De Zerbi targets ‘Ange-ball’ revival to save Spurs from relegation Bath hit back to reach semi-final after stunning Northampton in 11-try epic Secret Garden to Outcome: the week in rave reviews Zebras, wealth and power: Hungary’s election tests Orbán’s grip on power ‘TikTok effect’ brings sellout crowds and younger fans to Grand National meeting The war over Omagh’s gold: the £21bn mine plan tearing a community apart Britain’s shadow workforce is paid as little as 65p an hour. Who cares for the carers? From You, Me & Tuscany to Euphoria: your complete entertainment guide to the week ahead Six great reads: the man who let snakes bite him, masked heavy metal and the brutal reality for foreign students in the UK American Classic review – I defy you not to fall in love with Kevin Kline and Laura Linney’s tender comedy Cuba’s doctors were a lifeline for the world. Now the Caribbean is shamefully complicit in the US drive to expel them An environmental disaster in Moldova has Russia’s fingerprints all over it RMIT drops misconduct case against student who accused university of being ‘complicit in Gaza genocide’ Ichiro Suzuki statue unveiling goes awry as bronze bat snaps during ceremony Survivors of Epstein’s abuse accuse Melania Trump of ‘shifting burden’ on to victims European football: Real Madrid held at home by Girona to extend winless run Arne Slot insists he is ‘aligned’ with Liverpool board and fans as squad is rebuilt Kamala Harris ‘thinking about’ running for president again in 2028 JD Vance warns Iran against trying to ‘play’ the US in peace talks West Ham double up twice to thrash Wolves and put Spurs in relegation zone Trump administration releases new renderings of so-called ‘Arc de Trump’ Crispin Odey drops £79m libel claim against FT over sexual misconduct allegations Bafta apologises for events surrounding John Davidson’s Tourette’s outburst Cocktail of the week: Bar Shrimp’s la rosita – recipe New drug may extend survival in aggressive ovarian cancer, trial shows One dead and 27 injured after bus with British passengers crashes in Canary Islands Pope adds to Smith’s mass of Surrey runs with England woes a world away OpenAI CEO Sam Altman’s home targeted with molotov cocktail
The 7th Guest Remake Review – a spirited reboot of a ghos...
Sarah Thwaites · 2026-06-11 · via The Guardian

The 90s were a gold rush for adventure games. LucasArts kicked off the decade with its legendarily irreverent Monkey Island games. Then, Cyan Worlds materialised to deliver a series of atmospheric and boundary-pushing odysseys with Myst and Riven. Nestled between these primary genre texts is The 7th Guest, a lesser-known but still notorious adventure that earned plaudits for its unique FMV visual style, blending live-action filmed footage with pre-rendered 3D backgrounds. It was remade originally for VR, and now has been reconfigured into something playable on PC and consoles, its digital cobwebs cleared and tricky puzzles tinkered with for a fresh (or nostalgic) audience.

We are dropped into the ectoplasmic shoes of an amnesiac apparition, arriving at the gloomy haunted home of a toy-maker. Armed with a time-bending lantern and a Ouija board-shaped map, your job is to solve a historical whodunnit by literally illuminating events from the past. It’s a melodramatic, surprisingly campy adventure that effectively evokes the overzealous CD-Rom horror of its original era.

The dilapidated design of the manor can take some of the credit here, with its dusty ornate chandeliers and garish framed portraits lining the halls. But it’s the haunting spectres that make the most impact as you work through the story. To capture the original games’ full-motion storytelling, this rendition uses volumetric video capture on 3D models, creating an uncanny visual effect. This anachronistic look bolsters the game’s unnerving atmosphere, and I quickly became obsessed with stalking the figures and watching the polygons pop and bounce as if in response to the flamboyant performances of the game’s cast.

The 7th Guest Remake.
Melodrama … The 7th Guest Remake. Photograph: Vertigo Games

Set dressing aside, the real meat of The 7th Guest Remake is its puzzles, which scale from approachable to migraine-inducing. You’ll find yourself rerouting a model train to attach cabooses, playing a theremin to explode runic vases and restructuring the squares of a musty quilt to re-create the cycle of life. Because the answer to each puzzle is crystallised in the past, you’ll need to use your mystic light to explore and scour each area for clues. This could have easily become tiresome over the game’s six-hour runtime, but the well-executed visual trickery and careful theming of each bedroom and rumpus room keep it from feeling like work.

The only problem with this spirited remake is that controlling it can be a nightmare. While you can move around the manor freely, shining your light on whatever you please, when you want to interact with something, you’re back to a finicky point-and-click system. You have to wait for a skeleton hand icon to appear on an item before you can engage with it, and the tracking of your inputs isn’t reliable at all, leaving you stuck nudging your mouse around a millimetre at a time to try to pick something up or press an intriguing button. This may be a result of the transition from VR, but given that The 7th Guest was a point-and-click game in the first place, the controls feel egregious.

It’s easy to see why The 7th Guest was so beloved in the first place. Vertigo Games has given this classic a well-deserved facelift, ratcheting up the impact of its theatrical story and unique historical atmosphere. Frustrating mechanical woes aside, it still feels like essential reading for puzzle-lovers who wish to experience one of the classics that shaped the adventure game genre.