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The Guardian

Rory McIlroy surges into six-shot Masters lead with stunning second-round flourish ‘That’ll be the end’: actor Sam Neill joins fight to stop controversial goldmine near his New Zealand vineyard Roberto De Zerbi targets ‘Ange-ball’ revival to save Spurs from relegation Bath hit back to reach semi-final after stunning Northampton in 11-try epic Secret Garden to Outcome: the week in rave reviews Zebras, wealth and power: Hungary’s election tests Orbán’s grip on power ‘TikTok effect’ brings sellout crowds and younger fans to Grand National meeting The war over Omagh’s gold: the £21bn mine plan tearing a community apart Britain’s shadow workforce is paid as little as 65p an hour. Who cares for the carers? From You, Me & Tuscany to Euphoria: your complete entertainment guide to the week ahead Six great reads: the man who let snakes bite him, masked heavy metal and the brutal reality for foreign students in the UK American Classic review – I defy you not to fall in love with Kevin Kline and Laura Linney’s tender comedy Cuba’s doctors were a lifeline for the world. Now the Caribbean is shamefully complicit in the US drive to expel them An environmental disaster in Moldova has Russia’s fingerprints all over it RMIT drops misconduct case against student who accused university of being ‘complicit in Gaza genocide’ Ichiro Suzuki statue unveiling goes awry as bronze bat snaps during ceremony Survivors of Epstein’s abuse accuse Melania Trump of ‘shifting burden’ on to victims European football: Real Madrid held at home by Girona to extend winless run Arne Slot insists he is ‘aligned’ with Liverpool board and fans as squad is rebuilt Kamala Harris ‘thinking about’ running for president again in 2028 JD Vance warns Iran against trying to ‘play’ the US in peace talks West Ham double up twice to thrash Wolves and put Spurs in relegation zone Trump administration releases new renderings of so-called ‘Arc de Trump’ Crispin Odey drops £79m libel claim against FT over sexual misconduct allegations Bafta apologises for events surrounding John Davidson’s Tourette’s outburst Cocktail of the week: Bar Shrimp’s la rosita – recipe New drug may extend survival in aggressive ovarian cancer, trial shows One dead and 27 injured after bus with British passengers crashes in Canary Islands Pope adds to Smith’s mass of Surrey runs with England woes a world away OpenAI CEO Sam Altman’s home targeted with molotov cocktail Reform UK local election candidate was twice disciplined by Tories over ‘racist comments’ Remaining in Nato is in best interests of US, says Keir Starmer Prince Harry sued for defamation by charity he co-founded Anthropic’s new AI tool has implications for us all – whether we can use it or not Concerns raised about motorbike tourist trail after death of British teenager in Vietnam The Guardian view on Trump’s civilisational threats: the words that fuel war must be condemned The Guardian view on dystopias for our times: the American nightmare Doctors’ leader claims new reduced pay offer killed chances of ending strikes in England Netanyahu-ism has achieved nothing for Israelis – and come at a monstrously high price Deborah Levy: ‘CS Lewis’s White Witch terrified me – but I wanted to meet her’ How I Shop with Michelle Ogundehin: ‘We grownups have enough stuff already’ Trump’s war and Melania’s Epstein statement, with US editor Betsy Reed – The Latest We have to stop killer motorists on Britain’s roads UK starts crackdown on EU citizens’ post-Brexit rights Londoners aren’t unfriendly – but don’t compare us to New Yorkers The religious right and the perversion of faith Artemis II images reignite moon mission memories Orbán and Magyar trade accusations in last days of Hungary election campaign Reckonwrong: How Long Has It Been? review | Safi Bugel's experimental album of the month Martin Rowson on Middle East peace talks – cartoon Masters magic, the Grand National and Premier League drama – follow with us Fears of UK and EU flight cancellations as airports warn of jet fuel shortages Reform’s petulance over slavery reparations shows it just doesn’t grasp Britain’s place in the modern world Peers vote to ban pornography depicting sex acts between stepfamily members Starbucks’s retail arm gets £13.7m tax credit even as sales increase Flyby review – interstellar musical is a voyage of epic strangeness Grand National preview: Jagwar can deny Irish cohort in Aintree classic Week in wildlife: an ostrich on the lam, a tortoise crossing a road and surfing seals Anger as swifts’ nesting holes in Derbyshire rail viaduct ‘blocked up’ Peter Mandelson faces fixed-penalty notice for urinating in public ‘There’s no shortage of terrifying technology’: how AI became TV drama’s new go-to villain ‘Fresher than anything in a shop’: the best recipe boxes and meal kits for time-poor foodies, tested Who was Hilma? 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TFI Friday Unplugged review – Chris Evans struggles to recapture the spirit of his 90s chatshow juggernaut
Rachel Aroes · 2026-04-18 · via The Guardian

The biggest chatshow news of 2026 so far has been Claudia Winkleman’s foray into celebrity chin-wagging, not least because there was something slightly hubristic about the beloved Traitors host taking on the genre. Not because of any shortcomings on Winkleman’s part, but because chatshows seem almost impossible to get right (especially for female hosts; the UK TV landscape is littered with single-series attempts by Nigella, Davina and Lily Allen).

As the country was watching Winkleman, however, another veteran broadcaster was debuting their own new(ish) chatshow to far less fanfare – and far less pressure. In February, Chris Evans began putting out episodes of TFI: Unplugged on YouTube. Produced by Virgin Radio – where Evans has hosted the breakfast show for the past seven years – this was a lo-fi endeavour that saw the presenter joined by a handful of guests in a poky studio lined by dressed-down staff members professionally obliged to laugh and whoop. Still, the guests were good (Danny Dyer, Chris Hemsworth, Bono, Noah Wyle) and the show quickly built a decent audience – so much so that Channel 4 considered it worth its while to acquire a run of six episodes that have just begun airing at 11pm on Fridays. Will this revival of the 1990s juggernaut turn out to be the real chatshow story of the year?

This isn’t the first time the TFI franchise has been revived. There was an anniversary special and one new series in 2015, yet the comeback was stymied by Evans going “nuts”, jokes Will Macdonald, Evans’s longtime TFI sidekick, in this latest instalment. It’s seemingly a reference to the former’s abrupt departure from Top Gear the following year, but unfortunately we don’t get any more insight into that decade-old drama. We do, however, get Macdonald showcasing some books he wrote in the 1990s capitalising on his TFI feature Pub Genius, which involved him performing boozer-themed party tricks. You’d have to be pretty obsessive about the show’s lore to get any kicks out of this section – although anyone can enjoy Macdonald’s latest stunt, which involves him pouring beer into a sherry glass without using his hands.

This is about as close as TFI: Unplugged gets to recapturing the spirit of the original, which is mostly a relief. Undeniably zeitgeisty, the original show always had a certain moral queasiness: a bonanza of laddish and often cruel humour (other regular features included the self-explanatory “Fat Lookalikes”) that siphoned cool from Britpop (many of the scene’s bands performed) and hosted cheeky interrogations that have since been repackaged as clickbaity YouTube videos with titles like “Vinnie Jones Storms Out Of Live TV Interview” (he only did it as a joke).

Shreya Ghoshal and Chris Evans sit either side of a wooden table on the TFI Friday Unplugged set
The show also featured an appearance from Indian superstar Shreya Ghoshal. Photograph: Virgin Radio / Channel 4

That said, we do get some actual footage from the first time round: Evans’ 1999 interview with David Bowie is spliced into the show (the second time it has appeared in an Unplugged episode). You can see why the presenter is so keen to remind people it happened, but this bizarre encounter – in which an inordinately garrulous Bowie claims to have contracted gastroenteritis from eating monkey meat – is bizarre, and not in a good way.

More enjoyable are the snippets of vintage musical performances: Sleeper, The Cure, Garbage. At a time when music has disappeared from broadcast TV, Evans seems intent on redressing the balance. His present-day guests include Jack Savoretti (who Evans repeatedly congratulates for getting to No 1 in the album charts this week; awkwardly, he actually only reached No 2) and Indian superstar Shreya Ghoshal, who performs a cover of Coldplay’s Fix You. The press release for this episode also promised Gemma Arterton and Peter Capaldi, but the only other guest is another musician, Sam Ryder, who can’t sing because he’s lost his voice.

Aside from a total absence of bad taste provocation, the other main difference between this TFI and its predecessor is the quality. This is addressed early doors in a fittingly half-arsed pastiche of Netflix docuseries Formula 1: Drive To Survive, during which Evans describes this version of his show as “like the old one – only 1% of the budget”. When announcing the broadcast, Channel 4 commissioning editor Cimran Shah claimed TFI was doing “stripped-back, personality-led chat long before visualised-podcasts were a twinkle in our eyes!” The old TFI didn’t remotely resemble a podcast – a form which has the capacity to be outrageous only in quite a nerdy, ideas-based way – but aesthetically this reboot is closer to video-of-audio than anything else.

In spirit, though, it doesn’t feel very timely. The beauty of the interview podcast is that it maintains the illusion of a private conversation, which means its participants are not cravenly playing up to an audience. This show, on the other hand, has managed to preserve the sweaty, rictus-smile frenzy of live TV while ditching any thrilling glamour. Evans’ interview style is intense and energetic but, unlike the insight you often get from podcast conversations, generally quite superficial.

Overall, rebranding as a grassroots endeavour isn’t a terrible idea. While TFI Friday Unplugged won’t trouble the zeitgeist – or upstage Winkleman’s similarly fraught attempts at making a success of the chatshow – this cosy yet hectic revival is catering to a nostalgic niche just about well enough to justify its inexpensive existence.