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The Guardian

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Raghu Rai’s masterful images of Indian life – in pictures
Guardian Sta · 2026-04-30 · via The Guardian
Commuters at Churchgate railway station, Mumbai, 1995.

Recruited to Magnum Photos by Henri Cartier-Bresson in 1977, the veteran photographer, who has died aged 83, made defining images of grand and intimate Indian life for five decades

Commuters at Churchgate railway station, Mumbai, 1995. Photograph: All photographs Raghu Rai/Magnum Photos
Thu 30 Apr 2026 13.20 BSTLast modified on Thu 30 Apr 2026 13.21 BST
Selling balloons and wheel-burrow at Chopati beach, BombayIt is with great sadness that Magnum announces the passing of beloved photographer Raghu Rai, aged 83. Born in Jhhang, in present-day Pakistan, Raghu Rai joined Magnum Photos in 1977 at Henri Cartier-Bresson’s invitation, becoming one of India’s foremost visual chroniclers.

Crowds at Chowpatty beach on a Sunday evening, Mumbai, 2004

Born in Jhang, in present-day Pakistan, Raghu Rai joined Magnum Photos in 1977 at Henri Cartier-Bresson’s invitation, becoming one of India’s foremost visual chroniclers
He is particularly known for his coverage of the Bhopal disaster for Greenpeace and intimate portraits of Mother Teresa. Author of over 18 books and recipient of multiple awards, Rai leaves behind sixty years of an unflinching human gaze.

Delhi, 1989

He is particularly known for his coverage of the Bhopal disaster for Greenpeace, and intimate portraits of Mother Teresa. Author of more than 18 books and recipient of multiple awards, Rai leaves behind 60 years of an unflinching human gaze
Mother Teresa prays at the refuge of the Missionaries of Charity in Calcutta, 1979Rai was well known for his portraits of social and political elites, with a great gift for capturing culture among the masses. Mother Teresa, famous worldwide, yet ingrained in local culture existed in the boundary between the two, and remains one of Rai’s most visually powerful subjects.

Mother Teresa prays at the refuge of the Missionaries of Charity in Calcutta, 1979

Rai was well known for his portraits of social and political elites, with a great gift for capturing culture among the masses. Mother Teresa, famous worldwide yet ingrained in local culture, existed at the boundary between the two, and remains one of Rai’s most visually powerful subjects
Slum boys living next to the International airport trying to grab a plane, DharaviIn 2004, Mumbai is home to more millionaires than any other city on the Indian sub-continent, but almost half of the population here live in slums. Among diverse backdrops, Rai captures this harsh reality.

Boys living in a slum next to the international airport trying to grab a plane, Dharavi, Mumbai, 2004

In 2004, Mumbai was home to more millionaires than any other city on the Indian sub-continent, but almost half of the population lived in slums. Among diverse backdrops, Rai captured this harsh reality
India, unidentified, 1995

India, unidentified, 1995

Image from the book Raghu Rai’s India: Reflections in Black and White
Local commuters at Church Gate railway station. Mumbai, 1995It is with great sadness that Magnum announces the passing of beloved photographer Raghu Rai, aged 83. Born in Jhhang, in present-day Pakistan, Raghu Rai joined Magnum Photos in 1977 at Henri Cartier-Bresson’s invitation, becoming one of India’s foremost visual chroniclers.

Commuters at Churchgate railway station, Mumbai, 1995

Mumbai’s suburban trains move millions of people through an unforgiving rhythm of congestion and motion each day. Known for his tenacity and sharp observational eye, Rai captured India’s soul and the restless intensity of everyday life, revealing the raw texture of lived experience
Bhopal, 2002 Born on the day the toxic gas swept across the city, this girl was named “Gas Devi”, gas goddess, by her parents. In 1984, following the explosion of the Union Carbide’s pesticide plant in Bhopal, Raghu Rai documented the tragic consequences of the toxic gas. In a matter of days, 4,000 people were buried, and tens of thousands more were gravely affected by medical problems. Rai’s humanitarian documentation of the disaster helped to raise awareness and pursue justice for victims. This victim was identified as Leela who lived in the Chola colony near the Union Carbide factory.

Bhopal, 2002

Born on the day toxic gas swept across the city, this girl was named Gas Devi, or Gas Goddess, by her parents. In 1984, following the explosion of Union Carbide’s pesticide plant in Bhopal, Rai documented its tragic consequences. In a matter of days, 4,000 people were buried, and tens of thousands more were gravely affected by medical problems. Rai’s humanitarian documentation of the disaster helped to raise awareness and pursue justice for victims. From the project Exposure: Portrait of a Corporate Crime
Through the doors of a wrestling school, Delhi 1989Wrestlers through a painted gate, in the Delhi, neighbourhood of Paharganj

Through the doors of a wrestling school, Delhi, 1989

Wrestlers are shown through a painted gate, in the neighbourhood of Paharganj in Delhi
Migrating Labours, Kolkata, 2001

Migrating labourers, Kolkata, 2001

In India, as in the rest of the world, people live in an age of millions of ephemeral images. Fortunately, a good photograph can communicate deeper levels of human experience. This one is from the book Raghu Rai’s India: Reflections in Black and White
Jain Lord Swami Mahavir’s statue being installed, Delhi 1990

Jain Lord Swami Mahavir’s statue being installed, Delhi 1990

Rai did some of his best work in India’s capital city Delhi. As William Dalrymple says in the introduction of the book Raghu Rai’s Delhi: ‘His is the work of a sympathetic insider and has a tender and knowing intimacy that no outsider like myself can come close to’