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Culture

Bad bet: TAB fined $2.7 million over spam and telemarketing breaches eSafety report finds Big Tech not adequately protecting young men from sextortion Most Australians don’t want AI data centres in their neighbourhood, survey finds AI could disrupt the economy, regardless of whether it booms or crashes Senate demands OAIC hand over details of AMEX investigation Aussie creatives pen open letter calling on government to protect artists’ rights from AI companies Australia doubles social media ban fines as eSafety gets greater powers AFP to tackle serious online harms and cyber crime at Five Eyes Law Enforcement Group meeting AISA warns Australia’s cyber workforce shortage demands urgent diversity push ‘Moderation cannot be an afterthought’: What to know before you post an AI-generated Albo meme Report: Most Australians have ‘fractured awareness’ of digital privacy FOI docs reveal information commissioner’s concerns over Age Assurance Technology Trial Social media giants face eSafety investigation over age ban compliance issues Porn shop: Aussies turn to potentially risky VPNs following introduction of age verification requirements NZ firms say staff AI misuse is a key cyber risk Kinetic IT appoints new CEO to drive national growth UK MPs reject Australia-style social media ban The industry speaks: International Women’s Day 2026 Plugged in, turned on, and exposed: How sex tech is becoming the latest cyber security frontline Cyber preparedness critical as brokers face rising attack risk AI growth drives Woolworths to have separate executives for InfoSec, physical security Unpacking the challenges for women in the cyber security sector Anthropic's latest products cause stock market slump as traditional SaaS offerings questioned TikTok faces potential EU fine over platform’s addictive properties Aussie activists call on app stores to remove Grok chatbot over nudify feature
Sydney booking agent responds to AI artist claims: ‘... will never book people who use AI to generate music’
David Hollingworth & Daniel Croft · 2026-07-03 · via Culture

Music services company Good Intent takes “full responsibility” for promoting an event with AI-generated performances at a popular Sydney venue following artist outcry.

Sydney booking agent responds to AI artist claims: ‘... will never book people who use AI to generate music’

A booking agent and music promoter has apologised for booking an artist using material generated by artificial intelligence after an outcry from another Sydney performer booked into the same line-up.

Aidan Sammut, who played in one of four bands at an event at the Bootleggers venue at popular inner-west pub, Kelly’s on King, told Cyber Daily that it was immediately obvious that the act in question, Afro Charles, was largely powered by AI content.

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“We knew it was AI from looking at the account before the performance, however the performance specifically had an AI vocalist singing alongside the performer, which was pretty obvious,” Sammut said.

“The lyrical content kinda gave it away, too. We didn’t stay very long, walking out after about two songs.”

Sammut took to social media to draw attention to the booking and warn of the potential harm AI content could cause small bands and independent artists.

“I think while the damage is small at the moment, it has the potential to be disastrous, as bands who are already finding it increasingly hard to compete against other (less expensive) entertainment like DJs and slot machines get pushed out even more in favour of cheap, AI-backed performers,” Sammut said.

As commenters joined in to express their displeasure with the booking company, Good Intent’s Rob Carroll responded to the furore.

“I’ll take full responsibility. I didn’t look at this particular artist’s socials, and their representative’s communication used wording consistent with genuine artists,” Carroll said in a post to Instagram.

According to Carroll, Good Intent was told by another booking agency that the artist in question was a “producer” who used “live vocals” in their live performances.

“I hadn’t seen them live, but now looking at their socials, their content is clearly and blatantly AI,” Carroll said.

“Good Intent and Bootleggers have never knowingly, and will never, book people who use AI to generate music.”

Carroll said Good Intent will review its artist-vetting processes and make a donation to music industry charity Support Act.

Australian artists are becoming increasingly vocal about AI, particularly regarding AI companies using their content – books, music, and other artistic material – to train large language models.

Paul Dempsey, lead singer of Australian band Something for Kate, has urged the government to protect local artists at a time when AI-generated music is swamping music streaming services.

“I’ve raised this with members of the current government because I think people deserve to know – in the same way they want to know what’s inside many of the things they consume or wear,” Dempsey told The Australian Financial Review.

“People crave the sound of someone singing out their experience and their emotions. AI might mimic that, but the minute someone finds it’s not a human, they’re going to go, ‘yuck, not interested’. Let’s hope so anyway.”

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