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Elliot Jay Stocks | Newsletter feed

Elliot Jay Stocks | Summer fonting Elliot Jay Stocks | Positive tracking Elliot Jay Stocks | Fine Specimens is out today Elliot Jay Stocks | Time-dilating chaos Elliot Jay Stocks | The festive escape pod Elliot Jay Stocks | Fine Specimens cover reveal Elliot Jay Stocks | How done is done? Elliot Jay Stocks | 100 pages to fix Elliot Jay Stocks | Phew (almost) Elliot Jay Stocks | I left my fonts in San Francisco Elliot Jay Stocks | For all the Kims Elliot Jay Stocks | From Trondheim, with fonts Elliot Jay Stocks | New year typo-inspo! Elliot Jay Stocks | Year-end typo-inspo, part 2 Elliot Jay Stocks | Year-end typo-inspo, part 1 Elliot Jay Stocks | The Zagreb pop-up starts tomorrow! Elliot Jay Stocks | Fonts are magic, fonts are cool Elliot Jay Stocks | A lot of Septembers Elliot Jay Stocks | The summer read Elliot Jay Stocks | The Berlin pop-up starts tomorrow! Elliot Jay Stocks | As, is, and us Elliot Jay Stocks | Beaucoup d’inspo Elliot Jay Stocks | The pop-up starts tomorrow! Elliot Jay Stocks | A milestone & a pop-up Elliot Jay Stocks | The Fine Specimens Kickstarter is live! Elliot Jay Stocks | Never too many type books Elliot Jay Stocks | Post-party processing Elliot Jay Stocks | My book is out! Elliot Jay Stocks | The only pipe Elliot Jay Stocks | Sticking sheets of paper to the wall Elliot Jay Stocks | Black... Fontday? Elliot Jay Stocks | Savour the process Elliot Jay Stocks | Jessica Hische popped round for a virtual cuppa Elliot Jay Stocks | A brand new typography podcast Elliot Jay Stocks | Back to school Elliot Jay Stocks | Make type work (during summer) Elliot Jay Stocks | Almost guilty Elliot Jay Stocks | The big book announcement Elliot Jay Stocks | All the trimmings Elliot Jay Stocks | Legibility, live streams, and logos Elliot Jay Stocks | Semi-euphoric Elliot Jay Stocks | A Smashing Special Elliot Jay Stocks | Free the sheep Elliot Jay Stocks | 2023: the year of typography Elliot Jay Stocks | Not quite a Christmas special Elliot Jay Stocks | The one with the cards Elliot Jay Stocks | Typographic distraction Elliot Jay Stocks | Ever-so-slightly soft Elliot Jay Stocks | New news and old news in the wonderful world of type Elliot Jay Stocks | Luvvers & castles Elliot Jay Stocks | Yet another typography newsletter
Elliot Jay Stocks | Erik Spiekermann on the podcast
Elliot Jay Stocks · 2023-12-14 · via Elliot Jay Stocks | Newsletter feed

I had grand plans to put out another jam-packed newsletter this side of the Christmas holidays, but a whole load of end-of-year deadlines got in the way. But maybe that’s not a bad thing..? I mean, perhaps all those lovely links would’ve just got lost in the festive chaos anyway.

So today I’m keeping it simple: I have some news and that news is that the third episode of my podcast Hello, type friends! is live — and my guest for this episode is Erik Spiekermann!

I recorded our chat back in the summer, when I sat down for a cup of tea with Erik at this house in London. We discussed his successes and failures, his latest typeface neue Serie57®, the relationship between paper and screen, and why Frutiger could very well be the typeface he takes to a desert island.

You can listen to the episode right now on Apple PodcastsSpotify, and hellotypefriends.com. 🎉 Oh, and, if you know Erik, you won’t be surprised to hear that there’s plenty of swearing in this episode, so, um, cover the kids’ ears!

erik-podcast.jpg

Actually, there is one other thing I wanted to say: thank you for your support this year. Publishing this little newsletter continues to be hugely rewarding for me and I’ve got some big plans for it next year. Until then, enjoy the festive period and I hope you get to take a bit of a break. I’ll be sending many more type links your way in 2024!

Thanks for reading! As a reminder, this newsletter is made by me with zero AI, zero ads, and zero consideration for any sort of algorithm. To help me keep writing it, please consider buying my books or hiring me to speak at your event. And please do email me if you’d like to chat out about any of the above — I always respond.

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