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Elliot Jay Stocks | Newsletter feed

Elliot Jay Stocks | Summer fonting Elliot Jay Stocks | Positive tracking Elliot Jay Stocks | Fine Specimens is out today Elliot Jay Stocks | Time-dilating chaos Elliot Jay Stocks | The festive escape pod Elliot Jay Stocks | Fine Specimens cover reveal Elliot Jay Stocks | How done is done? Elliot Jay Stocks | 100 pages to fix Elliot Jay Stocks | Phew (almost) Elliot Jay Stocks | I left my fonts in San Francisco Elliot Jay Stocks | For all the Kims Elliot Jay Stocks | From Trondheim, with fonts Elliot Jay Stocks | New year typo-inspo! Elliot Jay Stocks | Year-end typo-inspo, part 2 Elliot Jay Stocks | Year-end typo-inspo, part 1 Elliot Jay Stocks | The Zagreb pop-up starts tomorrow! Elliot Jay Stocks | Fonts are magic, fonts are cool Elliot Jay Stocks | A lot of Septembers Elliot Jay Stocks | The summer read Elliot Jay Stocks | The Berlin pop-up starts tomorrow! Elliot Jay Stocks | As, is, and us Elliot Jay Stocks | Beaucoup d’inspo Elliot Jay Stocks | The pop-up starts tomorrow! Elliot Jay Stocks | A milestone & a pop-up Elliot Jay Stocks | The Fine Specimens Kickstarter is live! Elliot Jay Stocks | Never too many type books Elliot Jay Stocks | Post-party processing Elliot Jay Stocks | My book is out! Elliot Jay Stocks | The only pipe Elliot Jay Stocks | Sticking sheets of paper to the wall Elliot Jay Stocks | Erik Spiekermann on the podcast Elliot Jay Stocks | Black... Fontday? Elliot Jay Stocks | Savour the process Elliot Jay Stocks | Jessica Hische popped round for a virtual cuppa Elliot Jay Stocks | A brand new typography podcast Elliot Jay Stocks | Back to school Elliot Jay Stocks | Make type work (during summer) Elliot Jay Stocks | Almost guilty Elliot Jay Stocks | The big book announcement Elliot Jay Stocks | Legibility, live streams, and logos Elliot Jay Stocks | Semi-euphoric Elliot Jay Stocks | A Smashing Special Elliot Jay Stocks | Free the sheep Elliot Jay Stocks | 2023: the year of typography Elliot Jay Stocks | Not quite a Christmas special Elliot Jay Stocks | The one with the cards Elliot Jay Stocks | Typographic distraction Elliot Jay Stocks | Ever-so-slightly soft Elliot Jay Stocks | New news and old news in the wonderful world of type Elliot Jay Stocks | Luvvers & castles Elliot Jay Stocks | Yet another typography newsletter
Elliot Jay Stocks | All the trimmings
Elliot Jay Stocks · 2023-06-06 · via Elliot Jay Stocks | Newsletter feed

Anyway, onto this issue, which is sporting some small-but-important refinements: the text is now set in Ty Finck’s Def Sans (if your email client supports web fonts), and the images now click through to their respective links rather than showing full-size versions (which you prefer, right?). I’m front-loading this one with a load of URLs that have been open on my phone since attending the most recent Letter Luvvers event, prompted by talks I had with the many fine folks there. I figured I’d share them here, as you fine folks might be interested, too (and phew, I can finally close those tabs).

Happening at the end of this month, Meticulous Ink’s On Paper Festival is a whole week of workshops, talks, demonstrations, and opportunities to — as Athena herself says — “drool over our printing presses and expand your mind via the medium of beautiful paper”. There’s even a free wayzgoose on the Saturday! If you’re not near the Bath area, what a great excuse to come and visit our lovely little corner of the world. The festival kicks off on the 27th.

onpaper.jpg

Typereel is “a resource that [makes] it quick and easy to browse a gallery of typographic work” and is somewhat like Fonts In Use, although it tends to focus on older specimens. Simon had some pretty amazing printed specimens with him at the last LL, so it’s nice to see them getting catalogued.

typereel.jpg

Typoteka is “an index of typefaces created by authors associated with Poland” and LL co-founder Borys Kosmynka is one of the contributors. Some great work here.

typoteka.jpg

Who here’s a Figma user? I’ve been on it for years, but if I’m being honest with myself, I’ve never really dug that deep — until now. I’m doing a little client project that’s allowed me to spend some proper time to explore Auto Layout and I feel like it’s finally starting to click. As in: just think about it like CSS. Anyway, Auto Layout shenanigans aside, I noticed that Figma has implemented “vertical trim” (based on the “text-box-trim” proposal for CSS) and wow, this makes loads of sense. Whether you care about this being implemented in CSS or not, I urge you to start using it in Figma anyway. It means you can align text elements with so much more accuracy, because it trims all of the whitespace above the cap height and below the baseline. Give it a go and you’ll understand why I’m so enthusiastic about it.

figma.png

My friend Doug Wilson, who I met when I interviewed him for 8 Faces shortly after he made Linotype: The Film, is now in the process of making the Linotype Book Project. He’s documenting — and funding — the process via a new newsletter. Super interesting approach.

linotype.jpg

Lastly, a big ol’ stream of indie type foundry links coming at ya! Why? Well, purely because these are some of the beautiful typefaces I’ve been trying out for the aforementioned client project. Thought you might like them, too:

I think I’ve mentioned this before, but just in case you want to spend some / a lot / all of your time browsing indie type foundry websites, type.lol serves as a very big list. Better put the kettle on.

Thanks for reading! As a reminder, this newsletter is made by me with zero AI, zero ads, and zero consideration for any sort of algorithm. To help me keep writing it, please consider buying my books or hiring me to speak at your event. And please do email me if you’d like to chat out about any of the above — I always respond.

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