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Elliot Jay Stocks | Newsletter feed

Elliot Jay Stocks | Summer fonting Elliot Jay Stocks | Positive tracking Elliot Jay Stocks | Fine Specimens is out today Elliot Jay Stocks | Time-dilating chaos Elliot Jay Stocks | The festive escape pod Elliot Jay Stocks | Fine Specimens cover reveal Elliot Jay Stocks | How done is done? Elliot Jay Stocks | 100 pages to fix Elliot Jay Stocks | Phew (almost) Elliot Jay Stocks | I left my fonts in San Francisco Elliot Jay Stocks | For all the Kims Elliot Jay Stocks | From Trondheim, with fonts Elliot Jay Stocks | New year typo-inspo! Elliot Jay Stocks | Year-end typo-inspo, part 2 Elliot Jay Stocks | Year-end typo-inspo, part 1 Elliot Jay Stocks | The Zagreb pop-up starts tomorrow! Elliot Jay Stocks | Fonts are magic, fonts are cool Elliot Jay Stocks | A lot of Septembers Elliot Jay Stocks | The summer read Elliot Jay Stocks | The Berlin pop-up starts tomorrow! Elliot Jay Stocks | As, is, and us Elliot Jay Stocks | Beaucoup d’inspo Elliot Jay Stocks | The pop-up starts tomorrow! Elliot Jay Stocks | A milestone & a pop-up Elliot Jay Stocks | The Fine Specimens Kickstarter is live! Elliot Jay Stocks | Never too many type books Elliot Jay Stocks | Post-party processing Elliot Jay Stocks | My book is out! Elliot Jay Stocks | The only pipe Elliot Jay Stocks | Sticking sheets of paper to the wall Elliot Jay Stocks | Erik Spiekermann on the podcast Elliot Jay Stocks | Black... Fontday? Elliot Jay Stocks | Savour the process Elliot Jay Stocks | Jessica Hische popped round for a virtual cuppa Elliot Jay Stocks | A brand new typography podcast Elliot Jay Stocks | Back to school Elliot Jay Stocks | Make type work (during summer) Elliot Jay Stocks | Almost guilty Elliot Jay Stocks | The big book announcement Elliot Jay Stocks | All the trimmings Elliot Jay Stocks | Legibility, live streams, and logos Elliot Jay Stocks | Semi-euphoric Elliot Jay Stocks | A Smashing Special Elliot Jay Stocks | Free the sheep Elliot Jay Stocks | 2023: the year of typography Elliot Jay Stocks | Not quite a Christmas special Elliot Jay Stocks | The one with the cards Elliot Jay Stocks | Typographic distraction Elliot Jay Stocks | Ever-so-slightly soft Elliot Jay Stocks | New news and old news in the wonderful world of type Elliot Jay Stocks | Luvvers & castles
Elliot Jay Stocks | Yet another typography newsletter
Elliot Jay Stocks · 2022-07-15 · via Elliot Jay Stocks | Newsletter feed

Welcome to the inaugural issue of my newsletter. Another newsletter? Really?!? Its existence is absolutely not necessary, but I hope you’ll enjoy it nonetheless. The plan is to collate a load of links every now and then, and those links will probably be about type and typography. The occasional link may not be. This edition’s links are. Lucky you!

Something that doesn’t work — and why

In this week’s Font Friday, Oliver Schöndorfer picks a font that’s well designed, but let down by its spacing. However, rather than dismiss it entirely, he uses it as an example of how to get the most out of type that may lack polish: “I’d rather educate you on it than keep you from it.”

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Building Ligatures: the Power of Type

I’m a long-term TypeTogether fan and was so happy recently to see the announcement about their latest book. I ordered it straight away, and my copy arrived a few weeks ago. It’s that wonderful kind of book where it’s just fun and inspiring to flick through from a design perspective — look at those lovely fold-outs! — but also has some real depth to the interviews and articles contained within. I’ve yet to find a better answer to the question, “do we need more typefaces?” than Veronika Burian’s in this book. And no, I’m not going to tell you — you should order a copy!

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Femme Type

Oh, and while we’re on the subject of printed books, have you seen Femme Type (volume 3)? “Born out of the lack of representation observed within the design industry, the Femme Type book intensely celebrates and highlights the work produced by over 40 talented women in the type space.” Just ordered mine.

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Vocal Type

I was chatting to a colleague the other day about the embarrassing white-ness and male-ness of the type industry and was reminded of the work Tré Seals, founder of Vocal Type. From his manifesto: “Each typeface highlights a piece of history from a specific underrepresented race, ethnicity, or gender—from the Women’s Suffrage Movement in Argentina to the Civil Rights Movement in America.”

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#typeroasting

Over on my personal Instagram account, I’ve started posting a few stories with the hashtag #typeroasting. The idea is to highlight everyday examples of poor typesetting choices in order to help other designers not make the same mistakes. After all, we’ve all been there at one point in our careers. To be totally honest, I’m not sure if this is a great idea or not, but I’m trying it for now. Feel free to let me know what you think.

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Thanks for reading! As a reminder, this newsletter is made by me with zero AI, zero ads, and zero consideration for any sort of algorithm. To help me keep writing it, please consider buying my books or hiring me to speak at your event. And please do email me if you’d like to chat out about any of the above — I always respond.

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