The Activo Scoop are a strong pair of budget in-ear monitors that impress with strong build quality, a plethora of connectivity options, and a brilliant low price. Their natural sound signature is executed well, with agile, clean bass, richly detailed mids, and expressive treble. This approach may leave certain listeners wanting a bit more low-end heft, and I’d argue that these IEMs are on the chunky side in-use, but otherwise, they make for a very decent entry-level option.
Natural, agile, and detailed audio
Enticing low price
Broad connectivity options
Treble can sound a little forward
Some may prefer more low-end heft
Slightly chunky in-ear
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The Activo Scoop in-ear monitors are designed to be as smooth as a pebble, in just about every way possible. Physically, they’re light, rounded, and sculpted. Sonically, Astell & Kern’s sub-brand Activo has attempted to craft IEMs with “smooth resonance,” and supply a sound that’s as natural and “gentle” as possible.
If we’re talking about design, I’d argue that Activo has just about nailed the audio-equipped pebble. The Scoop IEMs are sleek, have a polished feel and with an attractive white finish. They are a little bit chunky in the ear, and the attached cable is on the thick side, but I found the IEMs to be pretty comfortable for longer listening sessions, and I never had to deal with over-zealous cable noise or any connectivity issues.
But I want to focus more on the Scoop’s sound, and how well it adheres to the pebble theme. As you’d expect from a pair of IEMs, the overall sound profile is fairly balanced, and the Scoop are largely focused on an “organic” presentation that steers clear of harshness, according to Activo. But how good do they really sound? And can they really compete with some of the best wired earbuds on the market?
Well, I’m pleased to report that they’re pretty strong performers, especially given their budget-friendly pricing. Their five-driver setup — which features one 8mm dynamic, two 6mm dynamic, and two balanced armature drivers — supplies clean, articulate sound, with subtle detailing and a genuinely impressive soundstage.
In This Is All I Have for You by Makoto Matsushita, I was struck by the Scoop’s revealing sound. In the introduction, rhythm guitar was beautifully balanced in the mix, almost occupying its own unique pocket. However, it never sounded incoherent with other instruments in the mix — it danced beautifully alongside rapid and responsive percussion and full-sounding, funky bass.
Even after vocals entered the fray, the Scoop maintained a disciplined and balanced approach. And as subtle strings and percussive elements reared their heads, the Scoop ensured that they were clear, but never over-emphasized.
When I compared the Scoop against my trusty Sennheiser IE 200, I found that the former had less of a ‘warm’ sound profile, opting for more of an agile and snappy bass response. Sure, that may be a bit less exciting for some listeners, but for professional users — or those who simply prefer a more neutral sound — that could be a positive.
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All in all, I did feel as if the Scoop took a more natural approach than the IE 200, although I did realize that they went a bit more aggressive on the highs.
In Entertainer by Ruze, higher-pitched percussion sounded more forward in the Scoop. That’s not to say that treble sounds were tinny or harsh — but they were noticeably more subdued using Sennheiser’s in-ears. In other tracks, like Tale of Two Cities by Darren Rahn, claps in the build-up again sounded pretty eager on the Scoop, and I do think that some may prefer how the IE 200 stayed their hand up top.
To be clear, I did still enjoy the Scoop’s expressive treble overall, and although I think some may prefer a bit more emphasis in the low-end for casual listening, I commend their rich, detailed sound. You get capable and solid instrument separation, with just about every part of the frequency range celebrated and with room to express itself, as well as controlled audio, even at higher volumes.
Beyond their admirable audio, the Activo Scoop supply quite a few positives. The most obvious is their broad selection of connectivity options: 3.5mm, 4.4mm, and USB-C. If you want to switch from 3.5mm to USB-C, for instance, all you have to do is unscrew the 3.5mm connector, plug the USB-C alternative in, twist that on…and hey presto — you’re away.
Having so much variety makes the Scoop ideal for using while mixing or mastering in a professional setting, or using on your modern smartphone for casual listening sessions. There’s no in-line controller, which is pretty common for IEMs, but otherwise they’re very well-equipped.
For instance, you get a bunch of different-sized eartips, and picking the right size will be crucial. A perfect seal won’t only deliver optimal audio quality, but it will improve passive noise isolation — crucial for blocking out pesky external sounds in your environment.
I went for the medium size as usual, and getting a comfortable feel was fairly straightforward. I found the foam eartips to be a little fiddly, although they did work very nicely — especially when it came to noise isolation. The clear silicone alternative was my go-to, however, both for ease-of-use and for its clear look, which was a better match for the white IEMs, visually speaking.
It would also be remiss of me not to mention the included case, which is very similar to that of the Activo Volcano. It offers plenty of room for your IEMs, different connectors, and eartips, it’s fairly compact, and it only boosts the Scoop’s value-for-money score.
Speaking of value, I have to say, the Activo Scoop are priced very generously indeed. They come in at $99 / £99 (about AU$140), and they feel worth every penny. With well-refined audio, wide compatibility, good passive noise isolation, high build quality, and even a case thrown in, it’s hard to knock these IEMs, value-wise. The buds themselves are even detachable, meaning you can add your own cable if you’d prefer, making them a versatile option.
Downsides? OK, I do find the Scoop quite chunky in-ear, and their bulky cable and connectors can’t compare to the diminutive Sennheiser IE line. And yes, you would be able to get IEMs with a bit more space for vocals and even better detail at a higher price point. On a personal note, I’d probably prefer the slightly bassier and sexier Meze Audio Alba, but they’re about $60 / £40 (about AU$100) more than Activo’s IEMs, making the latter a seriously tempting proposition.
All in all, the Activo Scoop are a great pair of in-ear monitors that — in spite of their low price — don’t skimp on quality. Their versatile connectivity and natural sound signature makes them a swell choice for both personal and professional use, they offer solid customizability, and they’re pretty comfortable to boot.
They’re not the most compact, and those with smaller ears may be better off with a model like the Sennheiser IE 200. Sennheiser’s rival IEMs also produce a bassier sound, with more subdued treble, which fans of certain genres may prefer. In the end, though, the Scoop seem like an improvement on Activo’s previous lower-priced effort, the Volcano, and I can’t help but admire their sonic and physical fidelity to the humble, water-sculpted pebble.
In March 2026, Astell & Kern revealed that the Activo Scoop were coming to the UK market. They are typically priced at £99, placing them heavily on the budget end of the spectrum. The Scoop will cost $99 when they’re available in the US, which we're told is a certainty, although we’re not aware of a specific release date just yet.
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Attribute | Notes | Score |
|---|---|---|
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| Header Cell - Column 0 | Activo Scoop | Sennheiser IE 200 | Meze Audio Alba |
|---|---|---|---|
I tested the Actio Scoop IEMs over the course of multiple weeks, and used their various connectivity methods along the way — predominantly listening via 3.5mm with my Windows laptop and USB-C alongside the Nothing Phone 4(a).
When listening to music, I started — as usual — with the TechRadar testing playlist, which includes tracks from a wide variety of genres. However, I also listened to tunes from my personal library. For the most part, I used Tidal to stream music, however I also dipped into Spotify from time to time.
In the past, I’ve tested the Activo Volcano, so I had clear expectations in mind for Activo’s budget friendly IEMs, but I’ve also tested other budget models from the likes of Meze, and have tested more premium monitors like the Sennheiser IE 600 and Shure Aonic 3.
Harry is a Reviews Staff Writer for TechRadar. He reviews everything from party speakers to wall chargers and has a particular interest in the worlds of audio and gaming. Harry has a background in business tech journalism, particularly around the telecoms industry.
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