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I heard the ‘world’s first audiophile soundbar’ in person...
https://www.techradar.com/sg/author/matt-bolton · 2026-06-21 · via Latest from TechRadar
The Canvas L soundbar on a stand at a convention. The grille has been removed, so you can see the speaker arrangement and the mounting bracket
(Image credit: Future)

When the Canvas L was announced, and declared itself the "world's first audiophile soundbar", the TechRadar Slack lit up. The likes of KEF and Bang & Olufsen would surely dispute that claim — and is this upstart company really going to beat them at their own game?

Well, I got to listen to the new Canvas L in action at the High End Vienna 2026 hi-fi show, and my skepticism is gone. Other companies have produced absolutely glorious-sounding soundbar-shaped speakers, but the Canvas L is pretty astounding even in that context.

It's not trying to be like soundbars that apply 50 drivers to create a really big sound that works with Dolby Atmos spatial audio in all directions. It's pretty clear when you see the speaker arrangement that this is following a more traditional stereo speaker setup, just transplanted into a shape that's more like soundbar, and that sits below a TV.

The Canvas L soundbar mounted on a wall with a TV above it. The TV is showing someone removing the grille from the Canvas soundbar

(Image credit: Future)

Each side of the soundbar has an arrangement with a 29mm SB Acoustics ring radiator tweeter, a four-inch mid-range driver custom-built by Scan-Speak, and an eight-inch Scan-Speak woofer, the latter of which is paired with a matching eight-inch passive radiator.

So that's a pretty classic three-way system (plus a radiator), just in a cunning disguise. It requires a pretty robust amount of bracing, and the cabinet here certainly looks more like what you'd expect from hi-fi than from a soundbar. And the hefty size means it's designed to mount to the back of your TV, rather than sit on a surface.

Of course, even though this is basically a pair of floorstanding speakers in a cunning horizontal disguise, all the amplification is on board, and there's a hefty 1,500W of peak power. Specifially, there's 300W per woofer, 200W per mid-range driver, and 50W per tweeter, all class D.

Canvas Hifi says the frequency response is a huge 25Hz to 40,000kHz — and that brings me the juicy part: how it sounds.

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A close-up of the Canvas L soundbar's speakers on one side of it, showing the tweeter and mid combination, then two larger woofers

(Image credit: Future)

Let's start with the fact that I can easily believe those big frequency range claims, because there's just wildly deep bass that resonates convincingly right through your abdomen, in a great way.

The low end is just gloriously meaty, giving you something to really grip onto and flow with in the music, and that can wake you up with guttural punch if it needs to.

I felt that were was just a slightly boomy edge to it when digging to the deepest depths, which wouldn't necessarily be surprising for something with two huge radiators, but it may have just been an artefact of the cobbled-together listening rooms we have to use at trade shows.

Even if it it's part of the bar's sound, I'd still have no real complaints if I wanted a powerful system without a sub — you just wouldn't need one, and it had no problem dispersing bass thoughout the room, as you'd want.

The Canvas L soundbar on a stand at a convention. You can see the speaker arrangement and the size of the TV mount bracket

(Image credit: Future)

The sense of power goes beyond just the bass — it has no problem filling the whole room in front of me with a wall of sound that's packed with texture, and brings convincing realism to every delicate element in vocals.

It's so dynamic and impactful, with excellent musical timing, in a way that just gives it engrossing rhythmic energy. I could have happily sat floating in its sound the rest of my day at the show.

I've talked about the power a lot, because it's what stands out most. It can be really light-touch when it needs to be, meaning that it really does feel like an elite hi-fi experience in soundbar form, because it has the versatility that I associate with truly excellent large speakers — and then the ability kick you like a horse when the song demands it.

My overarching takeaway from the experiences was just for firm and 3D the instruments feel in music, even without the full separating you'd normally have for a stereo soundstage.

The Canvas L soundbar mounted under a TV on a wall in a showroom. The TV is showing an image of the speaker drivers in Canvas' previous soundbar

(Image credit: Future)

Here's the thing, though: I only got to hear it with music. Ultimately, this is is still a soundbar, and how well it works with movies is a big deal. I have no doubt it's going to handle the dynamic scale of a great soundtrack easily, but I'd definitely want to hear it with dialogue before arriving at any definitive conclusion.

Oh, and the other thing is the price. The Canvas L will reportedly start from $5,999 for the base model, which includes fixings to attach it to your TV, and it'll work as a stand for your TV as well. That will have a front panel for the speaker as well, of course.

That's about $6,880 / £5,150 / AU$9,760 — and it's for the smallest size. (The size of the speakers won't change at larger sizes, but you'll get a different front panel and fixtures.)

But bass as low as 25Hz is really hard for anything that isn't a dedicated subwoofer to hit. I had a look for stereo speakers that can match it, and you're looking at something like the Monitor Audio Gold 500 6G — which cost the same as this without amplification — or the Bowers & Wilkins 803 D4, which cost about $20k.

So relatively speaking, the Canvas L is a bargain? Sure, why not.


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Matt is TechRadar's Managing Editor for Entertainment, meaning he's in charge of persuading our team of writers and reviewers to watch the latest TV shows and movies on gorgeous TVs and listen to fantastic speakers and headphones. It's a tough task, as you can imagine. Matt has over a decade of experience in tech publishing, and previously ran the TV & audio coverage for our colleagues at T3.com, and before that he edited T3 magazine. During his career, he's also contributed to places as varied as Creative Bloq, PC Gamer, PetsRadar, MacLife, and Edge. TV and movie nerdism is his speciality, and he goes to the cinema three times a week. He's always happy to explain the virtues of Dolby Vision over a drink, but he might need to use props, like he's explaining the offside rule.