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Matthias Ott

Hello Again, World This, Still Not for Everyone The Shape of Friction WeissKlang L1 – Punching Above Its Weight Continvoucly Morged Value Webspace Invaders To Affinity and Beyond The Mystery of Storytelling Amateurs! Echoes of Connection Linear() Is Not (That) Linear View Transitions: The Smooth Parts Adding AVIF and WebP Support to My Craft CMS Site Challenge Acoustic Room Treatment and Building Sound Panels, Part 1: Planning Play On Overshoot The HTML Output Element Listening Closely Compressed Fluid Typography The Lifeblood of the Web What Could Go Wrong? That’s My Rank Making Space CSS :is() :where() the Magic Happens Visual Regression Testing for External URLs With Playwright Jane Goodall’s Famous Last Words European Tech Alternatives 🇪🇺 Independent Type Foundry Advent Calendar – Day 24: NaN Independent Type Foundry Advent Calendar – Day 23: Typotheque Independent Type Foundry Advent Calendar – Day 22: 205TF Independent Type Foundry Advent Calendar – Day 21: HvD Fonts Independent Type Foundry Advent Calendar – Day 20: Frere-Jones Type Independent Type Foundry Advent Calendar – Day 19: Fontwerk Independent Type Foundry Advent Calendar – Day 18: Vectro Independent Type Foundry Advent Calendar – Day 17: Studio René Bieder Independent Type Foundry Advent Calendar – Day 16: R-Typography Independent Type Foundry Advent Calendar – Day 15: David Jonathan Ross Independent Type Foundry Advent Calendar – Day 14: Interval Type Independent Type Foundry Advent Calendar – Day 13: Newglyph Independent Type Foundry Advent Calendar – Day 12: Swiss Typefaces Independent Type Foundry Advent Calendar – Day 11: Sharp Type Independent Type Foundry Advent Calendar – Day 10: Colophon Foundry Independent Type Foundry Advent Calendar – Day 9: Commercial Type Independent Type Foundry Advent Calendar – Day 8: Letters from Sweden Independent Type Foundry Advent Calendar – Day 7: Lineto Independent Type Foundry Advent Calendar – Day 6: Ohno Type Company Independent Type Foundry Advent Calendar – Day 5: Milieu Grotesque Independent Type Foundry Advent Calendar – Day 4: TypeMates Independent Type Foundry Advent Calendar – Day 3: Klim Type Foundry Independent Type Foundry Advent Calendar – Day 2: Dinamo Independent Type Foundry Advent Calendar – Day 1: Grilli Type The Independent Type Foundry Advent Calendar 2022 A Conversation With ChatGPT ChatGPT, please explain websites in the words of William Shakespeare Transient Frameworks Leaving Twitter Behind Converting Your Twitter Archive to Markdown The Wrong Question It Wasn’t Written Syndicating Posts from Your Personal Website to Twitter and Mastodon Suspension None of Your Business Doing Our Part Patch That Package Brain Dump Generating Accessibility Test Results for a Whole Website With Evaluatory The CSS Cascade, a Deep Dive Updates About Updates How to Delete Your Commit History in Git Unblocking Your Writing Blocks, Part 2: I’m Not an Expert nor a “Thought Leader” Connections No Wrong Notes Better Options Design Debt Finite and Infinite Games Don’t Assume, Validate. Necessity Is the Ultimate Teacher One Egg Go Deep There Is No Secret Code Balancing Risk Blue Eyes, Brown Eyes The Shortcut Boomerang My RSS Feed Collection of Personal Websites Frequency The Illusion of Control The Decisions Journey Write It Down Nownownow Into the Personal-Website-Verse Considering the Opposite What is it for? Unlimited Bowling. Never done. We Are Team Internet. We Need to Save #NetNeutrality. Progressive Search Data loss (also) by JavaScript Books I Will Definitely Maybe Read in 2017 Starting to Write Notes
Painting With the Web
Matthias Ott · 2020-10-31 · via Matthias Ott
A painting by Gerhard Richter in the exhibition of the Albertinum in Dresden, Germany

Have you ever seen Gerhard Richter painting?

It is phenomenal to watch. He might start one of his large, abstract paintings by carefully applying oil paint to the canvas with a thick brush. Then, he begins to scrape, smear, or add new layers of paint with a large, home-made squeegee. After each change, Richter pauses, takes a step back, and looks at the result: What did just happen with the picture? What composition has come about? Where have interesting parts emerged? What is the next move that might bring the piece one step closer to completion? And which action would be a mistake? There is a lot of intention and carefulness in this process, yet Richter equally respects the results of accident and chance. He lets go of a certain kind of control to let things happen that are surprising and exciting. But at the same time, Richter always exerts enough control to influence the result. He decides what to keep and what to destroy. It is the ultimate creative process: a constant dialogue.

So much about this reminds me of designing and building for the Web: The unpredictability, the peculiarities of the material, the improvisation, the bugs, the happy accidents. There is one crucial difference, though. By using static wireframes and static layouts, by separating design and development, we are often limiting our ability to have that creative dialogue with the Web and its materials. We are limiting our potential for playful exploration and for creating surprising and novel solutions. And, most importantly, we are limiting our ability to make conscious, well-informed decisions going forward. By adding more and more layers of abstraction, we are breaking the feedback loop of the creative process.

Ask any artist, musician, or writer and they might tell you that this conversation at the heart of the creative process is what makes their work special and so fulfilling. No piece of art exists in its final form in the head of the artist before the first brush stroke is put on the canvas. No musician has a full piece of music in her head without a conversation with instruments or the score. And no novel is done before the first word is put on paper or a computer screen. Constant reflection and refinement are key to creating any piece of work. This is what lets creators of any profession learn and grow, and, ultimately, achieve mastery. And the same is true for any user interface, design pattern, piece of code, or content on the Web.

There are a lot of amazing new technologies just around the corner. CSS Houdini with the Paint API, for example, or various other Web APIs like the WebXR Device API for creating augmented or virtual reality experiences or the Web Speech API to design voice user interfaces. If we want to explore and create amazing things with those new technologies, we need to be able to have that creative dialogue with the materials in front of us. And in most cases, this means: We need to work directly in the browser. We need to paint with code.

So maybe this is the perfect time to get your hands dirty with some real paint and finally learn to code? Or, if you are a developer, to inform yourself about white space, contrast, color theory, and web typography to be able to take that step back and look at your work. And even if all of this isn’t an option for you and your team at the moment, you can still look for ways to bridge the gap between design and development and to enable that creative dialogue. Carry out little experiments together, dissect examples together to get an idea of what is possible, build prototypes together, and design and decide in the browser together.

We all love to design and build for and with the Web. Yet far too long we have adhered to ways of working that are residues of the print era. This served us well for a while, but the Web isn’t like that anymore. The canvas has changed. The materials have changed.

It is time we finally start painting with the Web.

Interviewer: How do you know when [your paintings] are finished?

Richter:

When nothing disturbs me and I have no idea what to do more, what I could add or destroy. This is very surprising, often, when I’m painting, again and again, every day and it feels like it is never-ending […] and it will never become a good painting. And suddenly, it’s finished. Oh! Good. Thanks.

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This is the 63rd post of my 100 days of writing series. You can find a list of all posts here.

~

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