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June 16th, 2026, 11:12am June 16th, 2026, 10:16am Enhancing with CSS Grid Lanes How building an HTML-first site doubled our users overnight Speaking in Dublin June 13th, 2026, 9:09pm A tale of two browsers Sarah Canary by Karen Joy Fowler June 12th, 2026, 5:59pm The Field Guide to CSS Grid Lanes June 12th, 2026, 12:24pm June 12th, 2026, 8:58am June 11th, 2026, 6:22pm June 11th, 2026, 6:20pm June 10th, 2026, 6:25pm June 10th, 2026, 10:14am June 9th, 2026, 8:50pm June 9th, 2026, 1:55pm June 8th, 2026, 7:45pm June 8th, 2026, 4:32pm Amsterdamming June 5th, 2026, 3:16pm June 4th, 2026, 8:21pm June 2nd, 2026, 8:37pm 25 years of The Session Happy Monday everyone, and let's talk about gender and ethnicity ratios at tech events. AI and the Rise of Mediocrity May 28th, 2026, 7:24pm Picture at an exhibition May 27th, 2026, 9:41pm
Finn Mac Cool by Morgan Llywelyn
Jeremy Keith · 2026-04-19 · via Adactio

After reading The Morrigan I was hungry for more retellings of Irish myths and legends. I tracked down the 1994 novel Finn Mac Cool by Morgan Llywelyn.

When I was devouring modern retellings of Greek myths, I commented on an interesting difference in the tellings:

The biggest difference I’ve noticed is the presence or absence of supernatural intervention. Some of these writers tell their stories with gods and goddesses front and centre. Others tell the very same stories as realistic accounts without any magic.

The Morrigan was dripping in magic. Finn Mac Cool is a more down-to-earth affair.

That’s not to say that magic doesn’t matter. For the characters in this book, their belief in magic is as real as their belief in the weather. But there are no supernatural powers here. If anything, Finn’s superpower is his ability to tell—and believe—tall tales involving supernatural intervention.

All the usual accounts of Finn Mac Cool’s prowess are retold as deeds that may have a basis in reality but then get exaggerated almost immediately.

It’s a framing device that works well. It’s all too easy to believe in the rise to power of a charismatic man skilled in controlling the narrative.

There’s plenty of Machievellian politics at play. There are no outright villains, or even heroes. There’s a pleasing messiness to the forces at work.

Sometimes the author’s research shows a bit too much. There are digressions into explanations of Brehon law that threaten to derail the narrative.

Overall though, this is an engaging and vivid retelling that just makes me want to spend more time in this world.