When his first Long Island house proved too tight for his many guests, the designer found the perfect solution down the road

Chow chow Mooshu greets visitors to designer Chris Benz’s guesthouse in Brookhaven, New York.
"I feel like the Jennifer Tilly of Bellport,” says Chris Benz, jokingly comparing himself to the actor, Bravo star, and Los Angeles real estate collector. Like her, he now has two homes a short drive apart—one for living, the other for hosting on the South Shore of Long Island. His most recent acquisition is a farmhouse-style residence in nearby Brookhaven. “At first I didn’t know what I’d do with it,” Benz says. “But I said, ‘That’s where we will have dinner parties or cocktail parties.’ And that is what happens now.”
Benz, a fashion designer and the former creative director of Bill Blass, has long had a parallel interest in interior design. In 2020 he moved from Brooklyn to Bellport, having renovated another house with his partner, lawyer Peter Toumbekis. He later launched Cult Projects, a concierge service for home renovations. Last year he assumed an additional role as senior vice-president of design for Brooklinen.

The bar/library is lined in Schumacher’s Pyne Hollyhock wallpaper.
ART: Chris Benz / CULT PROJECTS
The outdoor shower

Benz with Mooshu on a pea-gravel and crushed-oyster-shell terrace

A Katsu Sawada artwork hangs in a bedroom, which is painted in Backdrop’s Stardust.
ART: ©Katsu Sawada
In the kitchen, Blu Dot stools line the steel island.
He wasn’t necessarily looking for a second home when he noticed a circa 1900 house languishing on the market. Upon touring it, Benz found a rabbit warren of rooms, including some with no windows and a sunken living room that was, as he puts it, “done up to look like Camelot.” Still, the original patina was intact—and there was a swimming pool out back.
“I decided this was the universe giving me a little gift to do whatever I wanted,” recalls Benz, who compares the house’s labyrinthine layout to a quirky boutique hotel with spots for lounging, reading, or sitting by the fire. “I ended up with a lot of liminal spaces—rooms where you can plop down and just be social.”

The pool patio is furnished with seating by Country Casual Teak and an umbrella by Zara Home.

The view from the scullery into the powder room; artwork by Hans Meyer Petersen.
ART: Hans Meyer Petersen
In the bar/library, the walls are lined in Schumacher’s Pyne Hollyhock wallpaper.

Plantings by BPM Landscapes frame pathways of pea gravel and crushed oyster shells.

Assorted Design and art tomes fill the Garage workshop’s shelves.

In the scullery, a ceiling painted in Farrow & Ball’s Arsenic complements cabinetry in Mélange Paints’ Hinoki Umber.
He turned one into a bar/library clad in the same hollyhock chintz motif that decorator Albert Hadley used in the 1960s for style icon Nancy Pyne. (The pattern is now named after her.) Overlooking the pool, the sunny great room, with its leather sofas and large Noguchi orb, is a summer hangout. In winter, friends gather in the sunken living room around a mantel n salvaged glazed brown tile. “I wanted to create little hits of continuity with the original spirit of the house,” he says.
Outside, Benz worked with Nelson Briggs of BPM Landscapes to soften the grounds. An asphalt drive was replaced with pea gravel and crushed oyster shells and framed with magnolias. In the rear garden, a deck was removed and swapped for stone steps. Inspired by a trip to Japan, Benz turned a pool shed into a teahouse of sorts, with lanterns and a roof covered in the same ceramic tiles as traditional temple architecture.

Front entrance approach featuring Original BTC Mast Lights, Farrow & Ball finishes, and a crushed oyster & pea gravel drive; planter by CB2, hanging bell by MQuan Studio, handcrafted Japanese ceramic tile roof by Maruhachi Ceramics.

Blu dot sofas face off in the bar/library

Benz’s vintage Benz, parked in the garage

A Carlo Scarpa chandelier hangs in the sunken living room, where a Blu Dot sofa pulls up to a Design Within Reach stone cocktail table; Walls painted in Backdrop’s Tanlines.
ART: Chris Benz / CULT PROJECTSIf one space defines the project most of all, it is the kitchen, where a custom stainless-steel island can seat up to 10 people. It even made an impression on Cooper Wehde, an executive producer of The Bear, who spent a week in the house last summer after being introduced to Benz through a mutual friend—the actor Jeremy Allen White. “That kitchen is truly exceptional,” says Wehde. “We found ourselves gravitating there constantly. I miss it right now as I’m thinking about it.”
While Benz says his real estate ambitions are now sated, he relishes having a second house just for entertaining. “Friends usually opt to stay at that house, as opposed to our house,” he says. “Which is always a good sign.”
This story appears in the July/August issue. Never miss a story when you subscribe to AD.
























