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eess.AS updates on arXiv.org

Dependence on Early and Late Reverberation of Single-Channel Speaker Distance Estimation MIST: Multimodal Interactive Speech-based Tool-calling Conversational Assistants for Smart Homes LiVeAction: a Lightweight, Versatile, and Asymmetric Neural Codec Design for Real-time Operation Weight-Decay Turns Transformer Loss Landscapes Villani: Functional-Analytic Foundations for Optimization and Generalization PairAlign: A Framework for Sequence Tokenization via Self-Alignment with Applications to Audio Tokenization WavCube: Unifying Speech Representation for Understanding and Generation via Semantic-Acoustic Joint Modeling Predictive-Generative Drift Decomposition for Speech Enhancement and Separation Minimizing Modality Gap from the Input Side: Your Speech LLM Can Be a Prosody-Aware Text LLM X-Voice: Enabling Everyone to Speak 30 Languages via Zero-Shot Cross-Lingual Voice Cloning JASTIN: Aligning LLMs for Zero-Shot Audio and Speech Evaluation via Natural Language Instructions Phoneme-Level Deepfake Detection Across Emotional Conditions Using Self-Supervised Embeddings When Audio-Language Models Fail to Leverage Multimodal Context for Dysarthric Speech Recognition Dimensionality-Aware Anomaly Detection in Learned Representations of Self-Supervised Speech Models Mitigating Multimodal LLMs Hallucinations via Relevance Propagation at Inference Time Virtual Speech Therapist: A Clinician-in-the-Loop AI Speech Therapy Agent for Personalized and Supervised Therapy LASE: Language-Adversarial Speaker Encoding for Indic Cross-Script Identity Preservation Towards Improving Speaker Distance Estimation through Generative Impulse Response Augmentation Beyond Decodability: Reconstructing Language Model Representations with an Encoding Probe MMAudioReverbs: Video-Guided Acoustic Modeling for Dereverberation and Room Impulse Response Estimation Alethia: A Foundational Encoder for Voice Deepfakes From Birdsong to Rumbles: Classifying Elephant Calls with Out-of-Species Embeddings Beyond the Baseband: Adaptive Multi-Band Encoding for Full-Spectrum Bioacoustics Classification Predicting Upcoming Stuttering Events from Three-Second Audio: Stratified Evaluation Reveals Severity-Selective Precursors, and the Model Deploys Fully On-Device The False Resonance: A Critical Examination of Emotion Embedding Similarity for Speech Generation Evaluation DiffAnon: Diffusion-based Prosody Control for Voice Anonymization Recurrence-Based Nonlinear Vocal Dynamics as Digital Biomarkers for Depression Detection from Conversational Speech One Voice, Many Tongues: Cross-Lingual Voice Cloning for Scientific Speech Similarity Choice and Negative Scaling in Supervised Contrastive Learning for Deepfake Audio Detection Walking Through Uncertainty: An Empirical Study of Uncertainty Estimation for Audio-Aware Large Language Models Praxy Voice: Voice-Prompt Recovery + BUPS for Commercial-Class Indic TTS from a Frozen Non-Indic Base at Zero Commercial-Training-Data Cost
Musical Score Following using Statistical Inference
Josephine Cowley · 2025-02-06 · via eess.AS updates on arXiv.org

Musical score following is the real-time mapping of a performance to corresponding locations in a musical score. Score following can be used in a variety of applications including automatic page turning and real-time accompaniment. This report presents a novel approach for score following motivated by Wilson and Adams's 2013 paper, which introduces Spectral Mixture (SM) kernels for Gaussian Process (GP) regression. Since the SM kernel is derived from a Mixture of Gaussians in the frequency domain, it is particularly suitable for modelling the superposed power spectra of musical notes, in which energy is concentrated at multiples of the fundamental frequency of each note. Our score follower begins by using a GP to statistically infer the musical notes played during 800-sample 'audioframes' (~18 ms) of solo piano music. These predictions are then used in a duration-dependent Hidden Markov Model to predict the most likely score positions in real time. Our two-stage approach achieves successful score following not only on four-part hymns arranged for keyboard, but also on pieces for the violin, oboe, and flute. This showcases the powerful and flexible nature of GPs for statistical inference on musical audio signals. Given the success of this project, we contribute to the literature a first proof of concept of the application of GPs in score following, and more broadly, in online Music Information Retrieval (MIR) tasks. This project also contributes a working score follower product that renders score position in real time using an adapted open-source user interface. Areas for future work include improving accuracy on repeated notes and during heavy use of sustain pedal, adapting to minor deviations from the score, and modelling multi-instrument works.