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eess.AS updates on arXiv.org

Dependence on Early and Late Reverberation of Single-Channel Speaker Distance Estimation MIST: Multimodal Interactive Speech-based Tool-calling Conversational Assistants for Smart Homes LiVeAction: a Lightweight, Versatile, and Asymmetric Neural Codec Design for Real-time Operation Weight-Decay Turns Transformer Loss Landscapes Villani: Functional-Analytic Foundations for Optimization and Generalization PairAlign: A Framework for Sequence Tokenization via Self-Alignment with Applications to Audio Tokenization WavCube: Unifying Speech Representation for Understanding and Generation via Semantic-Acoustic Joint Modeling Predictive-Generative Drift Decomposition for Speech Enhancement and Separation Minimizing Modality Gap from the Input Side: Your Speech LLM Can Be a Prosody-Aware Text LLM X-Voice: Enabling Everyone to Speak 30 Languages via Zero-Shot Cross-Lingual Voice Cloning JASTIN: Aligning LLMs for Zero-Shot Audio and Speech Evaluation via Natural Language Instructions Phoneme-Level Deepfake Detection Across Emotional Conditions Using Self-Supervised Embeddings When Audio-Language Models Fail to Leverage Multimodal Context for Dysarthric Speech Recognition Dimensionality-Aware Anomaly Detection in Learned Representations of Self-Supervised Speech Models Mitigating Multimodal LLMs Hallucinations via Relevance Propagation at Inference Time Virtual Speech Therapist: A Clinician-in-the-Loop AI Speech Therapy Agent for Personalized and Supervised Therapy LASE: Language-Adversarial Speaker Encoding for Indic Cross-Script Identity Preservation Towards Improving Speaker Distance Estimation through Generative Impulse Response Augmentation Beyond Decodability: Reconstructing Language Model Representations with an Encoding Probe MMAudioReverbs: Video-Guided Acoustic Modeling for Dereverberation and Room Impulse Response Estimation Alethia: A Foundational Encoder for Voice Deepfakes From Birdsong to Rumbles: Classifying Elephant Calls with Out-of-Species Embeddings Beyond the Baseband: Adaptive Multi-Band Encoding for Full-Spectrum Bioacoustics Classification Predicting Upcoming Stuttering Events from Three-Second Audio: Stratified Evaluation Reveals Severity-Selective Precursors, and the Model Deploys Fully On-Device The False Resonance: A Critical Examination of Emotion Embedding Similarity for Speech Generation Evaluation DiffAnon: Diffusion-based Prosody Control for Voice Anonymization Recurrence-Based Nonlinear Vocal Dynamics as Digital Biomarkers for Depression Detection from Conversational Speech One Voice, Many Tongues: Cross-Lingual Voice Cloning for Scientific Speech Similarity Choice and Negative Scaling in Supervised Contrastive Learning for Deepfake Audio Detection Walking Through Uncertainty: An Empirical Study of Uncertainty Estimation for Audio-Aware Large Language Models Praxy Voice: Voice-Prompt Recovery + BUPS for Commercial-Class Indic TTS from a Frozen Non-Indic Base at Zero Commercial-Training-Data Cost
A new XML conversion process for mensural music encoding ...
2025-07-17 · via eess.AS updates on arXiv.org

The Ricercar Lab - the musicological research team at the Center for advanced Studies in the Renaissance at the University of Tours - has decided to make available in open access, thanks to the support of the French digital infrastructure Biblissima, a large corpus of about 3500 XML files of 15th-c. music. This corpus was produced by the German musicologist Clemens Goldberg who encoded since 2010 onwards the musical content of 34 major 15th-c. music manuscripts and other complementary files, in order to offer on his foundation's website PDF files of complete collections of works by Du Fay, Binchois, Okeghem, Busnoys and most of their major contemporaries, focusing on their secular output. This corpus was encoded in an XML format named CMME (Computerized Mensural Music Editing), specifically conceived for mensural music by Theodor Dumitrescu in the 2000s, together with editorial and publication tools which have not been updated since then. This article focuses on the development of a set of conversion tools for these CMME files to meet more up-to-date standards of music encoding, namely MEI. A workshop was organised in September 2024 at the Campus Condorcet in Paris, gathering experts with a wide range of knowledge on mensural music notation, XML formats and programming. A converter was developped directly in the open-source rendering library Verovio, allowing the conversion from CMME to MEI mensural. A conversion to MEI CMN was implemented afterwards, enabling to load these files in common engraving softwares such as MuseScore with minimal loss of information. With the availability of a direct import of CMME-XML into Verovio, the corpus of existing CMME files gets a new life. Furthermore, since the stand-alone CMME editor still works fine and no alternative is available yet for native MEI, the converter offers a new pipeline for encoding and editing mensural music.