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cs.SD updates on arXiv.org

Mutual Forcing: Dual-Mode Self-Evolution for Fast Autoregressive Audio-Video Character Generation WhisperPipe: A Resource-Efficient Streaming Architecture for Real-Time Automatic Speech Recognition Walking Through Uncertainty: An Empirical Study of Uncertainty Estimation for Audio-Aware Large Language Models PSP: An Interpretable Per-Dimension Accent Benchmark for Indic Text-to-Speech Praxy Voice: Voice-Prompt Recovery + BUPS for Commercial-Class Indic TTS from a Frozen Non-Indic Base at Zero Commercial-Training-Data Cost Korean aegyo speech shows systematic F1 increase to signal childlike qualities All That Glitters Is Not Audio: Rethinking Text Priors and Audio Reliance in Audio-Language Evaluation RAS: a Reliability Oriented Metric for Automatic Speech Recognition Speech Enhancement Based on Drifting Models HeadRouter: Dynamic Head-Weight Routing for Task-Adaptive Audio Token Pruning in Large Audio Language Models Hallo-Live: Real-Time Streaming Joint Audio-Video Avatar Generation with Asynchronous Dual-Stream and Human-Centric Preference Distillation Talker-T2AV: Joint Talking Audio-Video Generation with Autoregressive Diffusion Modeling Robust Audio-Text Retrieval via Cross-Modal Attention and Hybrid Loss Spectro-Temporal Modulation Representation Framework for Human-Imitated Speech Detection UniSonate: A Unified Model for Speech, Music, and Sound Effect Generation with Text Instructions Do LLM Decoders Listen Fairly? Benchmarking How Language Model Priors Shape Bias in Speech Recognition Materialistic RIR: Material Conditioned Realistic RIR Generation SpeechParaling-Bench: A Comprehensive Benchmark for Paralinguistic-Aware Speech Generation ONOTE: Benchmarking Omnimodal Notation Processing for Expert-level Music Intelligence From Image to Music Language: A Two-Stage Structure Decoding Approach for Complex Polyphonic OMR ATIR: Towards Audio-Text Interleaved Contextual Retrieval Enhancing Speaker Verification with Whispered Speech via Post-Processing Environmental Sound Deepfake Detection Using Deep-Learning Framework Towards Streaming Target Speaker Extraction via Chunk-wise Interleaved Splicing of Autoregressive Language Model BEAT: Tokenizing and Generating Symbolic Music by Uniform Temporal Steps Deep Supervised Contrastive Learning of Pitch Contours for Robust Pitch Accent Classification in Seoul Korean HalluAudio: A Comprehensive Benchmark for Hallucination Detection in Large Audio-Language Models UAF: A Unified Audio Front-end LLM for Full-Duplex Speech Interaction Voice of India: A Large-Scale Benchmark for Real-World Speech Recognition in India Tadabur: A Large-Scale Quran Audio Dataset
Computational Induction of Prosodic Structure
Dafydd Gibbon · 2019-12-15 · via cs.SD updates on arXiv.org

The present study has two goals relating to the grammar of prosody, understood as the rhythms and melodies of speech. First, an overview is provided of the computable grammatical and phonetic approaches to prosody analysis which use hypothetico-deductive methods and are based on learned hermeneutic intuitions about language. Second, a proposal is presented for an inductive grounding in the physical signal, in which prosodic structure is inferred using a language-independent method from the low-frequency spectrum of the speech signal. The overview includes a discussion of computational aspects of standard generative and post-generative models, and suggestions for reformulating these to form inductive approaches. Also included is a discussion of linguistic phonetic approaches to analysis of annotations (pairs of speech unit labels with time-stamps) of recorded spoken utterances. The proposal introduces the inductive approach of Rhythm Formant Theory (RFT) and the associated Rhythm Formant Analysis (RFA) method are introduced, with the aim of completing a gap in the linguistic hypothetico-deductive cycle by grounding in a language-independent inductive procedure of speech signal analysis. The validity of the method is demonstrated and applied to rhythm patterns in read-aloud Mandarin Chinese, finding differences from English which are related to lexical and grammatical differences between the languages, as well as individual variation. The overall conclusions are (1) that normative language-to-language phonological or phonetic comparisons of rhythm, for example of Mandarin and English, are too simplistic, in view of diverse language-internal factors due to genre and style differences as well as utterance dynamics, and (2) that language-independent empirical grounding of rhythm in the physical signal is called for.