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cs.SD updates on arXiv.org

Mutual Forcing: Dual-Mode Self-Evolution for Fast Autoregressive Audio-Video Character Generation WhisperPipe: A Resource-Efficient Streaming Architecture for Real-Time Automatic Speech Recognition Walking Through Uncertainty: An Empirical Study of Uncertainty Estimation for Audio-Aware Large Language Models PSP: An Interpretable Per-Dimension Accent Benchmark for Indic Text-to-Speech Praxy Voice: Voice-Prompt Recovery + BUPS for Commercial-Class Indic TTS from a Frozen Non-Indic Base at Zero Commercial-Training-Data Cost Korean aegyo speech shows systematic F1 increase to signal childlike qualities All That Glitters Is Not Audio: Rethinking Text Priors and Audio Reliance in Audio-Language Evaluation RAS: a Reliability Oriented Metric for Automatic Speech Recognition Speech Enhancement Based on Drifting Models HeadRouter: Dynamic Head-Weight Routing for Task-Adaptive Audio Token Pruning in Large Audio Language Models Hallo-Live: Real-Time Streaming Joint Audio-Video Avatar Generation with Asynchronous Dual-Stream and Human-Centric Preference Distillation Talker-T2AV: Joint Talking Audio-Video Generation with Autoregressive Diffusion Modeling Robust Audio-Text Retrieval via Cross-Modal Attention and Hybrid Loss Spectro-Temporal Modulation Representation Framework for Human-Imitated Speech Detection UniSonate: A Unified Model for Speech, Music, and Sound Effect Generation with Text Instructions Do LLM Decoders Listen Fairly? Benchmarking How Language Model Priors Shape Bias in Speech Recognition Materialistic RIR: Material Conditioned Realistic RIR Generation SpeechParaling-Bench: A Comprehensive Benchmark for Paralinguistic-Aware Speech Generation ONOTE: Benchmarking Omnimodal Notation Processing for Expert-level Music Intelligence From Image to Music Language: A Two-Stage Structure Decoding Approach for Complex Polyphonic OMR ATIR: Towards Audio-Text Interleaved Contextual Retrieval Enhancing Speaker Verification with Whispered Speech via Post-Processing Environmental Sound Deepfake Detection Using Deep-Learning Framework Towards Streaming Target Speaker Extraction via Chunk-wise Interleaved Splicing of Autoregressive Language Model BEAT: Tokenizing and Generating Symbolic Music by Uniform Temporal Steps Deep Supervised Contrastive Learning of Pitch Contours for Robust Pitch Accent Classification in Seoul Korean HalluAudio: A Comprehensive Benchmark for Hallucination Detection in Large Audio-Language Models UAF: A Unified Audio Front-end LLM for Full-Duplex Speech Interaction Voice of India: A Large-Scale Benchmark for Real-World Speech Recognition in India Tadabur: A Large-Scale Quran Audio Dataset
Musical Score Following using Statistical Inference
Josephine Cowley · 2025-02-06 · via cs.SD updates on arXiv.org

Musical score following is the real-time mapping of a performance to corresponding locations in a musical score. Score following can be used in a variety of applications including automatic page turning and real-time accompaniment. This report presents a novel approach for score following motivated by Wilson and Adams's 2013 paper, which introduces Spectral Mixture (SM) kernels for Gaussian Process (GP) regression. Since the SM kernel is derived from a Mixture of Gaussians in the frequency domain, it is particularly suitable for modelling the superposed power spectra of musical notes, in which energy is concentrated at multiples of the fundamental frequency of each note. Our score follower begins by using a GP to statistically infer the musical notes played during 800-sample 'audioframes' (~18 ms) of solo piano music. These predictions are then used in a duration-dependent Hidden Markov Model to predict the most likely score positions in real time. Our two-stage approach achieves successful score following not only on four-part hymns arranged for keyboard, but also on pieces for the violin, oboe, and flute. This showcases the powerful and flexible nature of GPs for statistical inference on musical audio signals. Given the success of this project, we contribute to the literature a first proof of concept of the application of GPs in score following, and more broadly, in online Music Information Retrieval (MIR) tasks. This project also contributes a working score follower product that renders score position in real time using an adapted open-source user interface. Areas for future work include improving accuracy on repeated notes and during heavy use of sustain pedal, adapting to minor deviations from the score, and modelling multi-instrument works.